Quotes About Singing

I love singing - singing is what I'm famous for doing. Now it's turned into things I am famous for doing - like having rows with my mum or about my boyfriend, so it does get irritating.

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

I've gone from singing to millions on a network show one day to singing to four people in a gymnasium in Casper, Wyo., the next.

I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.

One night as I girl I spied my grandma and one of her sisters outside, holding hands and singing, "Sprites of the night are we, are we. Singing and dancing joyfully." It was witchy and wonderful because it meant there was power in joy. They were not afraid of the night because they were giggling. I am very interested in finding the surprising boundaries, for instance, where do joy and fear meet?

I think that there's a strong crossover in that Janis, studying the visual arts, was learning how to break it down into details and see how to get the expression that we wanted. And her visual art is emotionally expressive as her singing was. And, I think, when she switched over to singing, she already knew that it was something serious that you broke into pieces so she developed the ability to break it down and learn little riffs that she could throw in here and there.

Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare!

The Christian faith is a singing faith, and a good way to express it and share it with others is in community singing.

Acknowledging that we lose is the overarching theme in everything in Stars. To me, that's what punk means. Stars is a punk band because we acknowledge loss. We're not trying to win. We're not trying to project victory. You win alone. I'm not interested in singing for the one winner in the room; I'm interested in singing for all of the losers in the room.

I'm definitely not a dancer. I can move well, but it's more about the acting and the singing for me. Acting and singing are completely different, so I can't say which one I love better because I love them both. I love acting because I get to play different characters. But I also love my music because I get to portray me.

Sometimes a musical imagination is as important as singing itself, you know, the voice, what you do vocally, the vowels. So there's a percussiveness that can sometimes be quite energizing and useful in singing as an expressive device.

My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.

Everybody's looking for some kind of authenticity in music. Or some kind of truism, you know, "This is true!" And the thing about gospel music is, these people are singing about their faith. So it always comes across with, as authentic, you know? Gospel choirs put across this amazing sound but they're singing from the heart because they truly believe it. And I kind of have that faith, but I just have that faith in music.

Things are such that someone lifting a cup, or watching the rain, petting a dog, or singing, just singing - could be doing as much for this universe as anyone.

In the dark times Will there also be singing? Yes, there will also be singing. About the dark times.

% of the American public are with us. We're preaching to the choir, but the choir's not singing, if all of the 58% started singing, this war would end.

My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.

Singing beautiful melodies is one thing, but to deliver the text so that the people understand it, even in a foreign language, has to be worked at very hard.

In the deepest night of trouble and sorrow God gives us so much to be thankful for that we need never cease our singing. With all our wisdom and foresight we can take a lesson in gladness and gratitude from the happy bird that sings all night, as if the day were not long enough to tell its joy.

Since Jimmy Carter, religious fundamentalists play a major role in elections. He was the first president who made a point of exhibiting himself as a born again Christian. That sparked a little light in the minds of political campaign managers: Pretend to be a religious fanatic and you can pick up a third of the vote right away. Nobody asked whether Lyndon Johnson went to church every day. Bill Clinton is probably about as religious as I am, meaning zero, but his managers made a point of making sure that every Sunday morning he was in the Baptist church singing hymns.

If a seperate personal Paradise exists for each of us mine must irreparably be planted with trees of words which the wind silvers like poplars, by people who see their confiscated justice given back, and by birds that even in the midst of the truth of death insist on singing in Greek and saying, eros, eros, eros.

We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.

There were times in my career I went a little further than I wanted because of expectations. Doing certain things onstage when children were in the audience, wearing certain clothes, singing certain lyrics.

The first six years of my career, I got more comments on my weight than on my singing. So I think I became so self-conscious that I started working on it harder.

Here, like everywhere else, laughing and singing, dancing and dreaming are not exactly the whole of reality; and for one ray of sun shining on the hut, the rest of the village remains in the dark.

I've always been so interested in the way the body feels when singing or being on stage, or being in the audience for that matter. It doesn't have to be the typical "rock" experience. It can be so much more.

...and suddenly you started singing out your love for me. My name and everything, loud enough to reach the top floors of all the buildings. I should have told you to stop, but I didn’t want you to stop. I didn’t mind if your love for me woke people up. I didn’t mind if it somehow sneaked into their sleep.

I thought people wouldn't take me seriously if too much acting was involved in the singing. But now I love the idea of mixing everything together.

Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.

I keep going back as if I'm looking for something I have lost. Back to the motherland, sisterland, fatherland. Back to the beacon, the breast, the smell and taste of the breeze, and the singing of the rain.

From day one when you're singing, you're dreaming about making that first album and making your break into whatever music you want to break into.

Both sex and death are eternal themes. You could make thousands of movies on this theme, and whether you have a human being who is painting, singing, making a film, writing, these are the themes that you will come back to and return to. If you don't have any of these artistic expressions, sex is one of the only gifts that nature gave you for free, so it is very important to celebrate it. And then, with death, we are condemned to that. This is absolutely present in our lives.

There's something about singing that I just love. It makes me feel freer than anything in the world.

I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.

There was one emotional outlet my people always had when they had the blues. That was singing.

I do better singing female songs because my voice is so high-pitched.

I have been singing for the last 50 years, you know, so I deserve a break. Besides, there are talented singers around who can do justice to their work.

You know, I think you have to sound right singing whatever it is that you sing.

My mother always accused me of being in love with the sound of my own voice. When we went on road trips, she'd be like, 'Stop singing. Be quiet, you're talking just to hear yourself speak.' It was probably true. I like to ramble on, which is probably why I'm well suited to interviews. You know, there's no other forum where you're literally supposed to sit down and just talk for hours about yourself. I love it.

I had read a Tale of Two Cities and found it up to my standards as a romantic novel. She opened the first page and I heard poetry for the first time in my life...her voice slid in and curved down trough and over the words. She was nearly singing.

There were wonderful moments when I was singing for the first time in the Olympia Theatre and I was pregnant with my son, which was very, very strange for a singer.

The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.

I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.

I was watching Ashlee Simpson on Jay's show last night... She was really singing, and I was saying, 'Bring back the lip synch'... And it struck me that Ashlee Simpson is a lot like George Bush - because she wouldn't even really be in the big leagues if it wasn't for family connections, and she's in way over her head. And she doesn't know what to do. And she blamed her band.

I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom.

In order to progress, radio need only go backward, to the time when singing commercials were not allowed on news reports, when there was no middle commercial on a news report, when radio was rather proud, alert and fast.

The singing of hymns and the rendition of selections from the great sacred oratorios by ward choirs all enhance the spirit of worship.

A lot of people are singing about how screwed up the world is, and I don't think that everybody wants to hear about that all the time.