Quotes About Space

One asana is strong, then again another is very soft and gentle. So you have this modulation from one asana to another, just as you have from one feeling to another. Then they all, of course, make you lighter, give you space. I feel that space is what I get and receive and like to have - space inside which makes more space for openness outside.

Our body is not in space like things; it inhabits or haunts space. It applies itself to space like a hand to an instrument. And when we wish to move about, we do not move the body as we move an object.

We name one thing and then another. That’s how time enters poetry. Space, on the other hand, comes into being through the attention we pay to each word. The more intense our attention, the more space, and there’s a lot of space inside words.

Organizing time is exactly like organizing space. Just as a closet is a limited amount of space into which you must fit a certain number of objects, a schedule is a limited space into which you must fit a certain number of tasks. Each day and each week is simply a container, a storage unit with a definite capacity. The trick is to treat time not as an abstraction but as something solid that you can hold on to and move around.

I was the first person to tweet from space, but now every astronaut tweets from space and does Instagram and Snapchat and Face - they have Facebook going. I think it's more of a personal relationship they have with space now. They see it as more obtainable than me watching my superhero Neil Armstrong and Buzz Aldrin walking on the moon. It's like, there's no way I can do that.

Space, time, mass, and energy originate from Chaos, have their being in Chaos, and through the agency of the aether are moved by Chaos into the multiple forms of existence. Some of the various densities of the aether have only a partial or probablistic differentiation into existence, and are somewhat indeterminate in space and time. In the same way that mass exists as a curvature in space-time, extending with a gradually diminishing force to infinity that we recognize as gravity, so do all events, particularly events involving the human mind, send ripples through all creation.

When you are aware of space, you are not really aware of anything, except awareness itself - the inner space of consciousness. Through you, the universe is becoming aware of itself! Just as space enables all things to exist and just as without silence there could be no sound, you would not exist without the vital formless dimension that is the essence of who you are.

I created my own space, which was called the cave. It was a live/work space in downtown Los Angeles on 7th and Spring. When I lived there it was quite derelict. I got this massive space and half of it was my bedroom and the other half of it was the back room - no [natural] light, all fluorescent lights.

Palaeontological research exhibits, beyond question, the phenomenon of provinces in time, as well as provinces in space. Moreover, all our knowledge of organic remains teaches us, that species have a definite existence, and a centralization in geological time as well as in geographical space, and that no species is repeated in time.

In my mind, public space travel will precede efforts toward exploration -- be it returning to the moon, going to Mars, visiting asteroids, or whatever seems appropriate. We've got millions and millions of people who want to go into space, who are willing to pay. When you figure in the payload potential of customers, everything changes.

And I do pay a lot of attention to how things feel underneath my feet. It's a way of transporting yourself somewhere that you're trying to write about - closing your eyes and imagining what it feels like to literally be in that space. Maybe because of this weird aura thing I find it a bit easier to put my body in an imaginary space.

The ego tells you to fill space. Your spirit tells you to let space fill you.

But in order to survive in this foreign world, I had to teach myself that love was very much like a painting. The negative space between people was just as important as the positive space we occupy. The air between our resting bodies, and the breath in our conversations, were all like the white of the canvas, and the rest our relationship- the laughter and the memories- were the brushstroke applied over time.

The Washington Post is quickly trying to become the safe space for Donald Trump deniers, for the Trump-won-the-election deniers. I think the Washington Post is establishing itself as the safe space for anti-Trump delicate snowflakes to go.

I think minimalism is something I just got attracted to just in general because I like the empty space, if you think about it, like there's a lot of empty space. So there are sounds there, there are chords, like coordinates, to sort of tell you where the emotion is going, but then it leaves so much room for the voice to do other things.

All of a sudden, space isn't friendly. All of a sudden, it's a place where people can die. . . . Many more people are going to die. But we can't explore space if the requirement is that there be no casualties; we can't do anything if the requirement is that there be no casualties.

NEEMO missions are a challenging and exciting aspect of astronaut training. The research we conduct during those missions allows us to test new technologies and exploration concepts in conditions similar to the ones we'll experience in space. They are a great opportunity to help me expand my knowledge and develop new tools for future space exploration.

It was about finding the sacred within myself, my center, my peaceful core. We each have a sacred space within us, a part of us. This sacred space is a temple, a temple to our inner power, our intuition, and our connection with the divine. Discovery of psychic powers, spells, and meditation are all things that lead us to the temple. They help us find the road within and walk our path to the inner temple.

America has always been greatest when we dared to be great. We can reach for greatness again. We can follow our dreams to distant stars, living and working in space for peaceful, economic, and scientific gain. Tonight, I am directing NASA to develop a permanently manned space station, and to do it within a decade.

After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared.

We're in this space right now where things are very precarious for women and things in the States are so terrifying. There are so many rollbacks of rights women have gained - and it can happen quickly, more quickly than we think. I think it would be good for us to think back and ahead to protect the space we're in.

Art and power will go on as they have done,--will make day out of night, time out of space, and space out of time.

When we gaze at a star in the Milky Way which is 50,000 light-years away from our sun, we are looking back 50,000 years in time." "The idea is much too big for my little head." "The only way we can look out into space, then, is to look back in time. We can never know what the universe is like now. We only know what it was like then. When we look up at a star that is thousands of light-years away, we are really traveling thousands of years back in the history of space.

I can take any empty space and call it a bare stage. A man walks across this empty space, whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.

Change life! Change Society! These ideas lose completely their meaning without producing an appropriate space. A lesson to be learned from soviet constructivists from the 1920s and 30s, and of their failure, is that new social relations demand a new space, and vice-versa.

Basketball is at its best when you have athletes in space making plays. It's the same for soccer, you have great athletes in space making plays and that's when the game becomes beautiful. You have spacing and skill and coaching. It's all synergetic. You don't have to be a basketball fan to appreciate that. You can be a person who appreciates movement. It's almost like a ballet at that point.

Charles Bernstein's pairs of jingles of 'public discourse' are 'simultaneous double narrative / the space between's the other narrative/as if they're opposite.' In the space between, outside representation but in the 'presence' of it, we are provoked to laugh. Bernstein alters our language to open a double range that's public and mind at once and inseparable, that is 'Poetry is patterned thought in search of unpatterned mind.' Girly Man is doing it.

In the space business, space had gotten very much to be the aerospace industry. This is something that governments only do and it's where the Boeings and the Lockheed's and the Northrop's and so forth. And there's no way these small companies could do it.

Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos.

Who is not afraid of pure space - that breathtaking empty space of an open door?

I didn't know someone could love me like this," she said. "Could love me and love me and love me without...needing space." Lincoln wasn't asleep. He rolled on top of her. "There's no air in space," he said.

We must... maintain that mathematical geometry is not a science of space insofar as we understand by space a visual structure that can be filled with objects - it is a pure theory of manifolds.

But I looked out at the waves far below the bluff. They looked violent, erupting against the cliff. I watched them rising - up, up, higher, higher - then falling, crashing, swirling into chaos, passing away. I breathed deeply. I tried to breathe space between my thoughts, find the space between the anger.

Death makes me realize how deeply I have internalized the agnosticism I preach in all my books. I consider dogmatic belief and dogmatic denial very childish forms of conceit in a world of infinitely whirling complexity. None of us can see enough from one corner of space-time to know "all" about the rest of space-time.

If I want to walk out in the desert and heat up a can of beans on a fire, I still can. In those movies like Gattaca or whatever, the space age stuff is always all there is. But in the world there is never just one way of living. It's more like a big junkyard. Put it this way: I'm not afraid I'm going to end up on a space station in aluminium-foil underwear.

Extension brings space, space brings freedom, freedom brings precision. Precision is truth.

The American civil space program is growing to maturity. It has passed through the joys and crises of precocious childhood and now is being called upon to do grown-up things, like earn a living and establish permanent roots in space.

I only ever really follow the music, that's what I'm about, I don't think about it too much. I just wanted to make a piece to sleep through, to sort of explore that sleeping space as a listening space and to have a different encounters between our listening minds or hearing minds and music. I think that's really interesting. After that I feel I've done my job.

A new consciousness is developing which sees the earth as a single organism and recognizes that an organism at war with itself is doomed. We are one planet. One of the great revelations of the age of space exploration is the image of the earth finite and lonely, somehow vulnerable, bearing the entire human species through the oceans of space and time.

I have detected disturbances in the wash.' 'The wash?' 'The space-time wash.' 'Are we talking about some sort of Vogon laundromat, or what are we talking about?' 'Eddies in the space-time continuum.' 'Ah...is he. Is he.' 'What?' 'Er, who is Eddy, then, exactly?

Intellectually, perspective [drawing] is a breakthrough, because here, for the first time, the physical space we live in is being depicted as ifit were an abstract, mathematical space. A less obvious innovation due to perspective is that here, for the first time, people are actually drawing pictures of infinities.

caves so often symbolize rebirth. It's a hidden space, an expected, inscrutable space. Strange things live in there - eyeless salamanders, albino fish, a prophet's epiphanies.

I think I certainly know that the space I want to work in is a fearless space.

There are three huge, titanic, space movies which if you ever make a film [about space] you cannot avoid. You may want to avoid them but you cannot. I've never known a genre like it where you are dictated to by these films, 2001, Alien, and Tarkovsky's Solaris.

Space exploration is important research to our economic and national defense, and America's space program is a symbol of our success as a scientifically and technologically advanced nation.

I work out of silence, because silence makes up for my actual lack of working space. Silence substitutes for actual space, for psychological distance, for a sense of privacy and intactness. In this sense silence is absolutely necessary.

For me, architects and film directors operate similarly. They are practical. As an architect, you know what you want in the conception of a space - but you still need a lot of people to help you out. You need an engineer, interior architects. But a film is the same - you have all these elements. But in terms of concept, it's always about time. When you approach a building, you need time to go from point A to B. Buildings are designed as a journey and films are the same, you have an opening that you come through, an angle you follow, maybe a disruption in space.

The camera can't see space. It sees surfaces. People see space, which is much more interesting.