Quotes About Storytelling

In my work, there is a lot of storytelling. The storytelling is not a new thing. Back in the [Howard] Thurston days, the [Harry] Houdini days, the [Harry] Blackstone days, it was stories, but the stories were, "We're going to the Egyptian temples, and we're going to vanish the Prince of Thebes," and, "On my last trip to the Orient ..."

Some people feel like you need to have a very specialized understanding of music to have the authority to talk about it. They are such good directors that it's perfectly possible to have conceptual and directorial and storytelling conversations about music without needing to know all the technical pieces.

Electronic music lends itself to an abstract way of storytelling, so it keeps evolving. Theres a whole movement truly driving music further and there is no other music innovating as much as film music

Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.

I don't make unconventional stories; I don't make non-linear stories. I like linear storytelling a lot.

I'm a visual filmmaker so the camera is a big part of my storytelling tool and it's something that I really rely on to tell a scene or create the suspense that I need and create the emotion of a scene or a sequence.

It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.

Storytelling is the most powerful way to put ideas into the world today.

The persona in my stories may be truer to my "real" self than any alleged objective, factual "I" that I could replicate for the purposes of storytelling.

Storytelling is by far the most underrated skill in business.

I've been very passionate about storytelling ever since I was a kid. I really don't remember a time when I didn't want to be an actor, and ever since I could remember, I had a really extravagant imagination.

There is an extraordinary power in storytelling that stirs the imagination and makes an indelible impression on the mind.

I love storytelling. I love stories, and I love the way in which we connect through stories.

I'm too much left brain. I very much have an emotional response to things; I love literature and films and storytelling. I need to nourish my right side, it doesn't get a lot of exercise.

In movies, storytelling and every single art form, we're creating wonder. You're starting with a blank page and creating something that doesn't exist.

The only thing I would want to say is that storytelling is ancient; it's something that everybody does. Kids mustn't be in awe of it. Reading should be a joy - fun, fun, fun - not a responsibility, not something you do because society demands it, but something you do because it's a pleasure.

"The Lucky One" is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true.

I've always loved news. I've always loved storytelling and being where the scene is.

In storytelling, the audience actually wants to work for their meal, they just don't want to know that they're doing it.

If I am a fan of my own music, which I am, I want to hear the best Madchild I can hear. What am I missing? I sort of had a good talk with some close friends of mine that I really respect and look up to in music as well and we all just came to the conclusion, just some more storytelling songs of things I have gone through.

Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing. ...I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now.

Many words will be written on the wind and the sand, or end up in some obscure digital vault. But the storytelling will go on until the last human being stops listening. Then we can send the great chronicle of humanity out into the endless universe.

Storytelling is about listening in any media.

Pulitzer's Gold is a goldmine of inspiration for both journalists and non-journalists. Those in the newspaper business, who now find themselves obsessing about staff cutbacks and circulation declines, should embrace this book as a reminder of the highest ideals, and the absolute thrills, to be found in their profession. As for regular readers, Pulitzer's Gold offers marvelous storytelling, real-life adventures, and absolute proof that journalism can change our world for the better.

With movies and TV, storytelling, it's a different medium. I really love it, but I'm one part of many, many pieces of that puzzle and a lot of it is out of my control.

I believe in storytelling, not story-selling. I want people to believe the characters are real. So I'm a realist.

Machines have given us a new ability to count and make our understanding quantitative. The Web connects news gatherers with audiences in ways that were never possible before and can bring a breadth of intelligence, and experiences to understanding the news we never had. And professional reporters and editors still have a unique role to play in triangulating those inputs as well as bringing three other distinct skills - access to interrogate people in power, exceptional storytelling skills, and a discipline of open minded, skeptical inquiry - which are not as likely to be found elsewhere.

I myself wouldn't want to read a magazine that focuses solely on a small part of the literary field or of the popular culture - better to smash the borders and look for interesting and important stuff from many different forms of storytelling.

Many fantasy novels - 'Lord of the Rings', for instance, or 'Lavondyss' by Robert Holdstock - are beautifully written. Geoff Ryman's 'The Child Garden' is exquisite and utterly beguiling. Mervyn Peake's 'Gormenghast' trilogy is an astonishing piece of multi-faceted storytelling. So quality of writing does not condemn the genre.

I just loved storytelling. That's what I thought I would end up doing. I thought I would probably go to school and end up writing for a magazine or something.

Digging up new information and speculating on it isn't your primary purpose when you're writing a biography intended for young readers, unless you find compelling evidence that departs from the accepted wisdom. A biography for young people calls for the demanding art of distillation, the art of storytelling, and your responsibility is to stick as closely as possible to the documented record.

Good writing is about finding and exploiting anecdotes that resonate with the reader. In storytelling, it's OK if you only make one point, as long as it's a good one.

One of the most intriguing things in management and in business is the role of storytelling - people need the anecdotes to do the work that they do.

I meet a number of people as a writer of fiction who say "Oh, I don't read much fiction," as if the history of the United States, just as an example, isn't an exercise in storytelling and myth-making.

I've had frustrated storytelling juices that have been lying dormant for a long time, and I guess the documentary was a way of me telling a story that I felt most qualified to tell. And I loved it, and I'd love to do something else someday, probably more narrative-based. But I'm in no rush.

For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.

I mean, there are some amazing storytelling being done on the small screen right now. That's what so cool about being in television right now. Studios, networks are starting to throw more resources, better writers, more production values... and to be part of that is awesome.

'Nashville' songs and country music have always been about storytelling and about the heart and confessionals. They're monologues.

If a large number of people who are convinced alien abductions are real are hypnotising even larger numbers of others who suspect they might be, then it is likely there will be many alien abduction narratives flying around, as, indeed, there are. Of course, this is not proof they are not true, but it does provide a persuasive context for a simple psychosocial explanation. Hypnotism is a technique that triggers a mass storytelling project in which all the stories are linked.

Chad Michael Ward is a master of the storytelling craft. His imagery, both still and moving, reaches deep into the darkest corners of the mind, combining the macabre and the sensuous Revealing humanity's secret daydream atrocities. CMW taps into our most excitable of emotions with a blend of fear and human sexuality. Like an erotic car accident we can not look away from.

'The Last Of Us,' to me, is just amazing storytelling, because everything's from the character point of view, which even movies don't really do successfully a lot of the time.

While the storytelling in games is getting so much better, you look at something like Grand Theft Auto V, which I thought was really beautifully written, it doesn't really need a movie because it is a movie. So I think you need a unique game - you either need an incredibly talented writer and director to come in and put together an amazing vision, or you need a game like Metal Gear, which is very cinematic, has a huge amount of history behind it, but whose cinematic experience is very different from what you'd get in a theater.

Artists should always think of themselves as cosmic instruments for storytelling.

Storytelling is all about using the imagination, for me at least it is. That's why I'm bored sometimes to see movies. I'm bored to see TV. I never see TV. I see news sometimes. I'm sorry to say, I work in this business and I love working in it, but I haven't seen a movie in so many years.

My life has been the antithesis of that book 'The Secret'. I've always been interested in doing what I do. I love storytelling and I really enjoyed acting, but it never seemed like a realistic thing.

I was desperately unhappy with it [Blade Runner]. I was compelled by contract to record five or six different versions of the narration, each of which was found wanting on a storytelling basis. The final version was something that I was completely unhappy with. The movie obviously has a very strong following, but it could have been more than a cult picture.

Like a human rights lawyer who uses the law to rectify wrongs, I use filmic storytelling for the same effect.

Christian apologists who argue that a story about an empty tomb is convincing evidence of a resurrected body are likely unfamiliar with Occam’s razor, which states that among competing hypotheses, the hypothesis with the fewest assumptions should be selected. They assume that the most likely explanation is miraculous resurrection through some unproven divine connection, but more likely scenarios include a stolen body, a mismarked grave, a planned removal, faulty reports, creative storytelling, edited scriptures, etc. No magic required.