Quotes About Television

Television is perhaps the greatest medium ever discovered to teach and educate and even to entertain. But the filth, the rot, the violence, and the profanity that spew from television screens into our homes is deplorable. It is a sad commentary on our society. The fact that a television set is on six or seven hours every day in most of the homes of America says something of tremendous importance.

Modern politics today requires a mastery of television. I've never really warmed up to television and, in fairness to television, it's never warmed up to me.

Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'

When I first started making films 30 years ago, people would comment that I was a woman. But strangely, when I was in television, no one ever mentioned that I was a woman. Maybe it was because television and film were different. There were more women working in television than men. There was no split in terms of work - everyone was considered equal

This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.

We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.

Do some research on the effects of television and your brain, and I promise you you'll have a decision to make when it comes to television, especially with what you watch.

There is some stuff on television that is shocking that it's on there, and shocking that it's not being censored. We run to that with torches and pitchforks and go after it. On Flavor Of Love, when a woman took a dump on the stairs, I mean, that's like J.R. being shot on Dallas, or like maybe the last episode of M*A*S*H. It's a milestone on television that's covered with chlamydia.

Everything you look at now, the scripts that come in that you look at, the television scripts are way better than the movie script. The talent is going to television.

People are very surprised to hear me say that a lot of my values are Christian values. I think that's part of my shock. I just don't like the way that Christianity combined with the influence of television has bred a nation of weakness. (Christian television do get the facts wrong sometimes and the image they portray turns most people off.)

I think American television changed world television in its reinvention of the series.

I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?

Michael Bay and his team are experts in exciting tentpole-type film and television, and the combination of their film experience plus the great television writers that have come on will be really successful in bringing us something really unique. We are looking to put on these big canvas shows, and Black Sails is going to fit into that. The scripts have been terrific. Everything that we are trying to do is incredibly ambitious, and this is certainly in that category.

I don't have a television, and I'm just not too up on television.

I came to Los Angeles and did auditions for television. I made a terrible mess of most of them and I was quite intimidated. I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.

I'm sure in less than 10 years there will be several streaming services or whatever you want to call them that are dedicated to retro television, like rare retro television, and maybe we'll end up doing something with that. Maybe Gigi will find popularity there, because it was fun, it was kitschy and very stupid and very dirty. But it had heart. I hope people will watch it one day.

Opera on television in Europe is very important. If you think about it in the broadest sense: a lot of the dramas made in India with music are practically operas. They're not sung but they have a very big appeal. I don't know why American television people are so stupid but at the moment, they just seem to have some sort of a block. They just do what they do and they do it for a certain number of years. Then it wears out and they try something else. It's just a matter of time I think.

I think it does give me different stuff and I feel like television moves a lot faster than movie sets do. It's kinda like they have to get things done within a certain timeframe. So do movies but it seems like, as far as television is concerned, it just moves a helluva lot faster.

The first time I watched television I felt exactly as if something important had taken an elevator ride up to my head and gotten off and turned on the light in my mind. I knew that I was going to do something in television. It was in my cards. I remember feeling the warm relief of knowing where my future was.

If you want to use television to teach somebody, you must first teach them how to use television.

In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.

Like the sorcerer of old, the television set casts its magic spell, freezing speech and action and turning the living into silent statues so long as the enchantment lasts. The primary danger of the television screen lies not so much in the behavior it produces as the behavior it prevents — the talks, the games, the family festivities and arguments.

Sometimes when you have an abundance of time and money, it's less conducive to the creative process. I like the urgency of the television schedule and the television price point. It's fluid. You figure it out on the day, and I love the challenge of problem-solving.

And then I went into television; and then television moved from the East Coast to Hollywood.

At network television you could make a show like Freaks and Geeks, and even though 7 million people watch is every week, you were considered a terrible failure, and they got rid of you and staff. Now ... It's like a world where the replacements are the biggest fans in the world. It's, the Elvis Costellos of television are the winners. Creativity is king and it's very very exciting.

Television is a media of crisis, which means that television is a media of accidents.

Television is a very highly constructed, and edited, and censored, and tailored, and marketed reality. But I'm not judgemental about it. I don't have anything against television. I just personally don't feel curious.

Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.

What little reality television I've seen seems to be about economic desperation. Like the marathon dancing of the Great Depression, which should give us pause. People willing to eat flies and worms for a sum that is less than the weekly paycheck of the show's producer. I haven't seen "reality television" that is other than this kind of painful, sadistic exploitation of fit young people looking for agents.

I've heard - when I first started, people were saying, "You know if it ends up being Trump against [Hillary] Clinton, it's going to be the highest-rated debate in the history of television - or, show in the history of television. And they also said something else. It'll probably be the greatest voter turnout in the history of this country. That could very well be.

Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?

I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.

When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.

One of the great sadnesses of modern life, because of our disenfranchisement and disillusionment with religion, is that we don't have access to these ideas. Yoga and meditation, for me, is a way of, in this secular world, accessing very very beautiful principles that would perhaps make us happier, at a time when people feel disillusioned with the economy, concerned about the ecology, worried with politicians, and don't trust what they're being told on television.

Every song that has been a hit for me has been honest and truthful. I have to believe that same formula will work on this (television) show. It has to be believable and honest.

I think one of the problems in determining the ending for a television series is that you don't know how long the show is gonna last. Particularly because we were in the unique position of adapting Tom's Perrotta novel The Leftovers, it always felt like the first season was gonna end with the end of Tom's novel, and then we would figure things out from there and look back.

I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.

I had no expectation of the level of adulation that would come my way. I just wanted to make a living with a regular role in a television series.

I definitely acknowledge that The Matrix and Trinity had an influence on female action-oriented characters in television and in film. I think it's awesome.

Crime dramas will never go away as long as people turn to television for, among other things, reassurance and comfort.

Remember what Hannah Arendt said when she was talking about fascism and totalitarianism. She said thoughtlessness is the essence of totalitarianism. So all of a sudden emotion becomes more important than reason. Ignorance becomes more important than justice. Injustice is looked over as simply something that happens on television. The spectacle of violence takes over everything.

There was a time when television was sort of frowned upon among people who wanted to be serious artists. John Travolta kind of exploded that. He was one of the actors who made that go away.

You can't just live in a comfortable little suburban neighborhood and get your education from movies and television and have any perspective on life.

I think we have got to start again and go right back to first principles. The argument I shall advance, surprising as it may seem coming from the author of the earlier chapters, is that, for an understanding of the evolution of modern man, we must begin by throwing out the gene as the sole basis of our ideas on evolution. If there is only one Creator who made the tiger and the lamb, the cheetah and the gazelle, what is He playing at? Is he a sadist who enjoys spectator blood sports? ... Is he manuvering to maximize David Attenborough's television ratings?

MSNBC has abruptly ended their relationship with Keith Olbermann, and according to his contract he's not allowed back on television for at least six months. Or as industry experts call it, The Conan.

I grew up in a very political household. My mum used to shout at the television. At Mrs. Thatcher.

Art is moral passion married to entertainment. Moral passion without entertainment is propaganda, and entertainment without moral passion is television.

I don't even have cable anymore, or a television. I just watch on computers. It's clearly the future of where we're heading.