Quotes About Television

The good television of today is probably better than the best television of the old days. The bad television of today is worse. It is not only bad - it is damaging, meretricious, seedy and cynical.

You can't really gauge the difficulties of television. There's difficulties and joys that happen with an amazing, great team, when one is working. Television can be a very frustrating job for almost anybody working in television, because you're shooting episodically, and you don't know one scene from the next, and maybe they change around.

Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'

I have now become so infatuated with television. I think television has become elegant.

Television is just the wrong medium, at least in prime time, to teach science. I think it is hopeless if it insists on behaving like television. . . .

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.

Children from the age of five to ten should watch more television. Television depicts adults as rotten SOB's given to fistfights, gunplay, and other mayhem. Kids who believe this about grownups aren't likely to argue about bedtime.

Al Bernstein has seen cable television sports grow up. In 30 Years/30 Undeniable Truths he looks at his time in the industry through a prism that is unique to him. This book gives the reader an insight into the sometimes absurd world of television sports. There is a 31st undeniable truth: Al Bernstein is a truly funny man.

Do I enjoy features? Yeah, I really do. Would I like to do some more features before I head to the barn? Yeah, probably. But I also love television. I love doing television because it's fast, and that I like a lot.

They dislike me, the liberal media dislikes me. I was always the best at what I did, I went to the Wharton School of Finance, did well. I went out, I started in Brooklyn office with my father, I became one of the most successful real estate developers, one of the most successful business people. I created maybe the greatest brand. I then go into, in addition to that, part time, like five percent a week, I open up a television show. The Apprentice on many evenings was the number one show on all of television, a tremendous success.

My son has been known to throw a book at the television set when he called for me to come play and I was obviously busy in the box. But I'm told that children of television performers grow up thinking that all mommies or daddies work on TV and that it's no big deal.

Ultimately, the dollars will have to come from television. Will it come from television tomorrow, I don't know.

Television has changed. The very nature of it is not even television anymore.

I wrote my own first book about the defense of television as an art form in 1992. It was harder to make the argument then. Now it seems absolutely a given. You can argue about when the Platinum Age Of Television begins, but I don't think that anybody can argue that it's not here.

I've always really made my living in television. Television has always been so good to me.

When you're on the bus or subway or in your car, why busy your mind with all the garbage of advertisements? Why fill your mind with television and radio? Somehow you have to decide what your mind will receive. I don't mean you shouldn't ever go to movies or watch television, but control what enters your mind and heart. It's not just a question of pushing bad things out but also a question of holding on to something really good.

I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.

Movies are movies, television is television.

If I were beginning my career today, I don't think I would take the same direction. Television is at a crossroads at the moment. And although I am not up to date technologically, I suspect that somewhere out there people are conveying things about natural history by means other than television, and I think if I were beginning today, I'd be there.

I traveled and worked with amazing actors, like Andy Garcia, Alec Baldwin, Brendan Fraser, Forest Whitaker, Lee Pace. It was this great learning experience. And then, I started watching a lot of television. I was always in these foreign countries and I would get TV shows on DVD, and I started to realize that all of the amazing roles for women were on television. I was spoiled by Buffy because I thought that was the way it was everywhere, and it's not.

The heightened public clamor resulting from radio and television coverage will inevitably result in prejudice. Trial by television is, therefore, foreign to our system.

Opera on television in Europe is very important. If you think about it in the broadest sense: a lot of the dramas made in India with music are practically operas. They're not sung but they have a very big appeal. I don't know why American television people are so stupid but at the moment, they just seem to have some sort of a block. They just do what they do and they do it for a certain number of years. Then it wears out and they try something else. It's just a matter of time I think.

Hopefully I'll fit the television in there. Maybe it'll be like music and television and movies. I mean, who knows? But hopefully I can be successful at everything I do.

I am of the opinion that there is more high-quality television being produced than at any time in the history of television.

I hate going to L.A. and dealing with the contempt people have for television and television actors. Its unbelievable the kind of attitude people take toward what is the most exciting medium weve got right now.

You don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed. So a lot of that doesn't take place on television, at least the television I was doing at the time when I first started.

I love television. I think we're in a renaissance of epic proportion in television now.

Disparagement of television is second only to watching television as an American pastime.

I was a massive fan of 'Twin Peaks.' Massive. I don't know how any of us grew up in this age of television and weren't astounded, and saying that, I'm still shocked that that was on network television.

The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.

I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.

Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.

American movie audiences now just don’t seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative - I’m talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

It was a very excellent day over there at HBO/Cinemax when they bought 'Powers' . I felt like I graduated television college, because they make amazing television. The person who said yes to Veep said yes to us, which made me feel very good about myself for five seconds. Which my self-loathing doesn't usually allow me to feel. Even I could not say that that wasn't a fun day.

I don't think people come to television for spectacle. And I don't really have a lot of fun writing spectacle for television, I'll do that in features.

The crazy thing about television is that you are rarely allowed to grow. You are molded into a character based on some of your strongest traits, and you are forced to stay that way for your entire television life.

The television business is actually going through a tremendous transition, but I think at the end of the day, television is still paramount.

In a sense, terrorism blossomed in the advent of television. Television promotes terrorism in religion and in politics.

When you're a doctor and you spend most of your life in a hospital, you honestly don't get to watch as much television as you think you might, and the power of television is enormous.

The internet has surrounded television and turned television into an art form.

TV can be an acronym for television or transvestite. I prefer using it to describe the the latter. The former is strange and undignified.

Choosing how you vote should not be a snap verdict based on a few minutes of television.

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.

I had no idea what effect something blockbustering would have. To me, it was just a job that I was trying to do the best I could. We had shot the first five shows before it went on the air. Then, it was this firecracker hit, and people were recognizing me, so it was just nuts. It was overwhelming, insane, wonderful and scary all at the same time. It's really peculiar that people see you on television and then think they have a personal relationship with you. So, they want to touch you, and grab you, and sit down and have lunch with you. It's strange, and you never get used to that.

I have no regrets about not having children. I still wait for the pang of guilt, but I have none. I tune into the television show Nanny 911 occasionally which reminds me how much patience and love it take to be a good parent.

My dad is a successful television producer, director and writer and my mom's a director and writer.

We've been able to watch on our television screens sophisticated weaponry find a building; and we've seen dramatic reports from the front where Pulitzer Prize-to-be winning reporters stood up and declared, the United States is attacked, and all that.