Quotes About Television

I abhor television. Notice how i said ‘television’ and not ‘TV’ because TV is a nickname and nicknames are for friends and television is no friend of mine.

When I first started acting, I had all these ideals about the kinds of roles I wanted to play, but the reality is that when you do television - and I do a lot of television - you get cast for qualities that you have as a person. So I look for qualities that I like to portray.

I describe television as feminine and movies as masculine, in the sense that television wants to examine a problem from all sides and talk about it for a long time, and movies just want to hit the climax and then maybe have a smoke.

We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.

Television's getting better because people are investing more money and time and respect into it. But the secret weapon of television is that, because it's a slow burn, you get to meditate on things and develop them. As opposed to film, where you have an allotted amount of time and hopefully you can wrap it up in there.

I'm still going to do television. I'm just not going to do morning television. I would like to do some things that satisfy interests, private interests.

There is some stuff on television that is shocking that it's on there, and shocking that it's not being censored. We run to that with torches and pitchforks and go after it. On Flavor Of Love, when a woman took a dump on the stairs, I mean, that's like J.R. being shot on Dallas, or like maybe the last episode of M*A*S*H. It's a milestone on television that's covered with chlamydia.

I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.

I'm in the art world so I use the art world a lot - or art world people as actors. I've also used television to criticize what I see on television. And now a lot of my work is made from the internet and a lot of it is made on my phone.

Most of the time people are aiming so low on television. They're trying to reach that common denominator, especially on network television.

What's better these days, television or film? It's a dead heat. In fact, one could argue for television with more regularity.

I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.

I really like working in television and I like exploring a character over a longer period of time, and I like the consistency of television.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

I think it's a great time to be a person of color and with talent. And actually, to be a woman as well. Our show is one of the most diverse television shows on television right now.

You always have to give back to the fans. I remember being a fan of television and film when I was growing up and if I would've had the opportunity to meet somebody that I watched on television, it would've made my day, it would've made my life.

I hate going to L.A. and dealing with the contempt people have for television and television actors. Its unbelievable the kind of attitude people take toward what is the most exciting medium weve got right now.

I love television. I think we're in a renaissance of epic proportion in television now.

People have said that I said I hate television. I never did say that. What I said was that I hated a lot of stuff that was on television. It's nothing about the medium itself.

As a child of the 1970s, I couldn't hold a narrative in my head; I was lucky if I could hold a joke in my head, because every time you turn on television or radio, it wipes the slate clean - at least in my case. After I gave up television, I found I could carry longer and longer stories or ideas in my head and put them together until I was carrying an entire short story. That's pretty much when I started writing.

When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.

He who is created by television can be destroyed by television.

Like the sorcerer of old, the television set casts its magic spell, freezing speech and action and turning the living into silent statues so long as the enchantment lasts. The primary danger of the television screen lies not so much in the behavior it produces as the behavior it prevents — the talks, the games, the family festivities and arguments.

The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.

I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.

I think anybody who has been in the theater, prefers it. Television is a... factory. You turn out things on a revolving assembly line. You don't have time to perfect anything in television.

When you listen to Christian radio stations - and there are thousands of them now in the United States - and when you listen to Christian television networks - and there are thousands of Christian television shows across the country - they are all politically right.

Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?

I really enjoy doing sitcom television. It allows me to stay in Los Angeles and spend more time with my husband and kids.

We film in front of a live audience, and I was a theater actor before I got into television, so I like that.

The faultless formulas of television-the ones that last-are simple.

We've been able to watch on our television screens sophisticated weaponry find a building; and we've seen dramatic reports from the front where Pulitzer Prize-to-be winning reporters stood up and declared, the United States is attacked, and all that.

I definitely acknowledge that The Matrix and Trinity had an influence on female action-oriented characters in television and in film. I think it's awesome.

I'm a maniacal perfectionist. And if I weren't, I wouldn't have this company... I have proven that being a perfectionist can be profitable and admirable when creating content across the board: in television, books, newspapers, radio, videos.

I just sit ther and do what I vowed I would never do - talk back to the television.

I was fortunate to be part of a very successful show on CBS in 1986. I switched to NBC for eight years and through these experiences have gotten terrific insight into television; it's a fascinating medium.

In this country, you have movie actors and theatre actors and television actors

We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.

I don't even have cable anymore, or a television. I just watch on computers. It's clearly the future of where we're heading.

All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.

Even in the 1960's, look at the minority percent of those kids being raised without a father. It was around 20 percent. America is at 80% today. I think the government is to blame for that. I think the media is to blame for that. I think you have to look at television shows and sitcoms. How do they portray fathers? They are dopey. They are dumb. They are fat. The mom is hot and the kids make fun of dad, and mom makes fun of dad. We have just relegated his role to be sort of the dumpy loser guy. And we need to get that back.

Under capitalism the common man enjoys amenities which in ages gone by were unknown and therefore inaccessible even to the richest people. But, of course, these motorcars, television sets and refrigerators do not make a man happy. In the instant in which he acquires them, he may feel happier than he did before. But as soon as some of his wishes are satisfied, new wishes spring up. Such is human nature.

I remember in high school trying to get home from water-polo practice in time so I could see Happy Days on television when it first came on, because I was so blown away by it. It was just such a cool thing.

I don't have a television. No. So, I don't watch anything.

I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.

We really didn't have the option of being couch potatoes when I was growing up. There were only three television channels and the only kid's programming was on Saturday morning. We always played outside until we could hear Mom calling us (not by cell phone but with her hands cupped around her mouth) that it was dinner time.

I don't really think about film or television or going directly to the internet. I just think about doing something that people are going to get excited about.

I am a Black revolutionary woman, and because of this i have been charged with and accused of every alleged crime in which a woman was believed to have participated. The alleged crimes in which only men were supposedly involved, i have been accused of planning. They have plastered pictures alleged to be me in post offices, airports, hotels, police cars, subways, banks, television, and newspapers. They have offered . rewards for my capture and they have issued orders to shoot on sight and shoot to kill.