Quotes About Television

I've got a lot to say about television. There's a lot going on in television right now and I feel like a huge part of television.

Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'

This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.

There is danger in the concentration of control in the television and radio networks, especially in the large television and radio stations; danger in the concentration of ownership in the press...and danger in the increasing concentration of selection by book publishers and reviewers and by the producers of radio and television programs.

I have now become so infatuated with television. I think television has become elegant.

Television is just the wrong medium, at least in prime time, to teach science. I think it is hopeless if it insists on behaving like television. . . .

I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.

You could do much more in movies than you could on TV, and even movies were heavily censored. But in television, the areas of timorousness were fairly laid out. Race relations. Sex. Politics. There was a whole conglomeration of taboo themes. And even to date, though television has become a much freer medium, it's still far less free, far less creatively untrammeled than are the movies. They're infinitely more adult in that respect.

There is some stuff on television that is shocking that it's on there, and shocking that it's not being censored. We run to that with torches and pitchforks and go after it. On Flavor Of Love, when a woman took a dump on the stairs, I mean, that's like J.R. being shot on Dallas, or like maybe the last episode of M*A*S*H. It's a milestone on television that's covered with chlamydia.

I think where Playground is heading is deeper into that marriage between stage, film and television, with the increasing number of people in the film business working in television, obviously something that we were very influential in starting and doing at HBO. And I think that that's the focus of where I see the company moving forward, continuing to explore that intersection of all that talent.

Television is in a different time because of reality television, so it's not as exciting.

Daytime television, you can tell who’s watching by the three kinds of commercials. Either it’s clinics for drying out drunks. Or it’s law firms who want to settle injury suits. Or it’s schools offering mail-order vocational degrees to make you a bookkeeper. A private detective. Or a locksmith. If you’re watching daytime television, this is your new demographic. You’re a drunk. Or a cripple. Or an idiot.

I'm a perfectionist, so doing a high quality, high caliber television show with great actors makes me feel like there's this whole world of television that I've never experienced.

I got into television criticism because I thought it would be easier than film criticism. Film, you had to know 100 years of history, and TV you only had to know 40 when I started. And I thought, "Well, that's going to be so much easier." But film stayed pretty much the same. And television has changed so many times that my head hurts. So I made the wrong call there.

Good television people have a sense of what television people relate to.

I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.

People have said that I said I hate television. I never did say that. What I said was that I hated a lot of stuff that was on television. It's nothing about the medium itself.

Coming back into television, I was very, very wary about committing to anything that could potentially take a long time. I don't mind movies, but I was nervous of television.

The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.

I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.

The program is only the excuse to get you to watch the advertising. Without the ads there would be no programs. Advertising is the true content of television and if it does not remain so, then advertisers will cease to support the medium, and television will cease to exist as the popular entertainment it presently is.

Television is a very highly constructed, and edited, and censored, and tailored, and marketed reality. But I'm not judgemental about it. I don't have anything against television. I just personally don't feel curious.

What little reality television I've seen seems to be about economic desperation. Like the marathon dancing of the Great Depression, which should give us pause. People willing to eat flies and worms for a sum that is less than the weekly paycheck of the show's producer. I haven't seen "reality television" that is other than this kind of painful, sadistic exploitation of fit young people looking for agents.

I've heard - when I first started, people were saying, "You know if it ends up being Trump against [Hillary] Clinton, it's going to be the highest-rated debate in the history of television - or, show in the history of television. And they also said something else. It'll probably be the greatest voter turnout in the history of this country. That could very well be.

Now, you always know there's going to be some compromise when you're doing something for television, and especially network television.

Television is certainly a writers-led medium. They're the ones who are there, they're the ones that are conferencing or whatever, with directors coming and going.

TV can be an acronym for television or transvestite. I prefer using it to describe the the latter. The former is strange and undignified.

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.

The charm of television entertainment is its ability to bridge the chasm between dinner and bedtime without mental distraction.

The faultless formulas of television-the ones that last-are simple.

I definitely acknowledge that The Matrix and Trinity had an influence on female action-oriented characters in television and in film. I think it's awesome.

Television, although It's in steep decline, still occasionally gives voices to people who don't have voices.

You can't just live in a comfortable little suburban neighborhood and get your education from movies and television and have any perspective on life.

If we wait for the entertainment industry to change its fundamental values, we may be waiting a long time. But we don't have to wait another day to scale back our own private consumption of television.

The fact that we don't' talk about it, that we don't have a politics in which this question of war and peace can even get onto the table, so that we can open up our Orwell, our 1984, or Animal Farm, or whatever, and read the political text that's being spotted to us on the television right off of the page; the fact that we don't have a politics robust enough to actually debate whether or not we want to be a country permanently at war. That's what keeps me from sleeping at night.

Television is coitus interruptus brought into aesthetics.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

I'm such an old fart that I started buying books on film and TV and radio and music when, for television, the entire shelf of books was only a couple of them. You go into the '70s before you start getting books on TV that you start wanting to collect. And by the time that you get to something like the Brooks and Marsh book it's invaluable. My house got hit by lightning in 1989 and burned down. And I got more than a half dozen Brooks and Marsh books sent to me by friends immediately, as though that's what you need more than clothes or food. That's how treasured that book was.

What's really important in life? Sitting on a beach? Looking at television eight hours a day? I think we have to appreciate that we're alive for only a limited period of time, and we'll spend most of our lives working.

A television advertisement must illustrate the scientific method to substantiate any claim.... That is why stains are lifted, ring-around-the-collar is removed, paper towels become soaked, excess stomach acid is absorbed, and headaches go away-all during the commercial.

Television is now the dominant factor in the lives of too many American children.

We can put television in its proper light by supposing that Gutenberg's great invention had been directed at printing only comic books.

Even in the 1960's, look at the minority percent of those kids being raised without a father. It was around 20 percent. America is at 80% today. I think the government is to blame for that. I think the media is to blame for that. I think you have to look at television shows and sitcoms. How do they portray fathers? They are dopey. They are dumb. They are fat. The mom is hot and the kids make fun of dad, and mom makes fun of dad. We have just relegated his role to be sort of the dumpy loser guy. And we need to get that back.

During the 1970s and 1980s, the popular television soap opera As The World Turns portrayed sunrise during the opening credits and sunset during the closing credits... The soap-opera sunrise showed the sun moving toward the left as it rose rather than to the right. They obviously had gotten a piece of film showing a sunset and played it in reverse... Had they called their local astrophysicists, any one of us might have recommended that if they needed to save money, they could have shown the sunset in a mirror before they showed it running backward.

Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title. - Virginia Woolf, from Jacob's Room Television is chewing gum for the eyes.

The only problem that those people have anyway is that they don't like new cars and hair sprays. That's why they are put away. They make the other members of the society fearful. Every asylum in this nation is filled with poor souls who simply cannot stand lanolin, cellophane, plastic, television, and subdivisions.

I think diversity in television is important. It's not about trying to fill a quota or satisfy some idea of diversity, but I think what diversity brings to any daypart is more eyeballs, just more opportunity.

Even though I'm English, I've all my life been heavily exposed to American television and culture in general.