Quotes About Think

I don't think you could function on set if you think like that. I think once you start to think of the impact, then you're not really coming from a truthful place. I think the best thing to do for me is what's worked in the past.

I think of myself as a social scientist. In order to get hired and to get promoted, we're forced to declare a disciplinary and sub-disciplinary specialty, so I am a psychologist and I am a social psychologist within that. But I think the exciting thing is to think about the social sciences in general and the nature of society. It's one of the hardest things to think about, because our brains aren't designed to think about these emergent entities. We're not good at it.

It is as if the soul of the continent is weeping. Why does it weep? It weeps for the bones of the buffalo. It weeps for magic that has been forgotten. It weeps for the decline of poets.It weepsfor the black people who think like white people.It weepsfor the Indians who think like settlers.It weepsfor the children who think like adults.It weepsfor the free who think like prisoners.Most of all, it weepsfor the cowgirls who think like cowboys.

I think there are some mass destruction capabilities that are still inside Iraq. I think there's some weapons that have been shipped over the border to Syria. But I don't think we're going to find that their capabilities provided the imminent threat that many feared in this country. So I think it's going to be a tough search, but I think there's stuff there.

Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.

The artist brain is the sensory brain: sight and sound, smell and taste, touch. These are the elements of magic, and magic is the elemental stuff of art. In filling the well, think magic. Think delight. Think fun. Do not think duty. Do not do what you should do-spiritual sit-ups like reading a dull but recommended critical text. Do what intrigues you, explore what interests you; think mystery, not mastery.

I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.

Think left and think right and think low and think high. Oh, the thinks you can think up if only you try!

I think that I've always been on a search. I have my own kind of belief in love is the being, but I think that I've always been searching for truth and I think there's lots of truths and I think we should respect that in each other, and that's really what I wanted to bring across.

One of the things about Herman Cain is, I think that he makes that white Republican base of the party feel okay, feel like they are not racist because they can like this guy. I think he giving that base a free pass. And I think they like him because they think he's a black man who knows his place. And I know that's harsh, but that's how it sure seems to me.

I think you only watch stuff you've done once because I don't think it's that beneficial to you. I think it's important to sometimes be like, 'What's that thing I'm doing with my face? I didn't think I was doing that.'

But having said that, regardless to what reviews come out whatever, I like love the movie. I think it's great, and so people can think what they think about it, but I'm very happy with what we did. I'm really proud of whatever all the actors what we all kind of accomplished and so regardless of how well it does or whatever I'm very excited about it and I think we set out to do the thing and accomplished what we wanted to do. Our goal was met, so yeah.

Let me say one thing to clarify my position. I think we can take distance from norm but I think we are also mired in norm, "empêtrés", I think you say in French. And I think the choices we can make are only in a certain struggle with the norms out of which we're constituted.

Here's what I think. I think that a lot of days, for me recently, it's like every split second the whole universe is created and destroyed. It's like constantly collapsing and reforming. And I think a lot of people feel that. I think that love is the answer and that's the only thing that matters.

I'm often asked what I think about the faith of the President George W. Bush. I think it is sincere. I think it's very real. I think it's deeply held.

I close my eyes and I take a deep breath and I think about my life and how I ended up this way. I think about the ruin, devastation and wreckage I have caused to myself and to others. I think about self-hatred and self-loathing. I think about how and why and what happened and the thoughts come easily, but the answers don't.

Now the Japanese companies are more focused on that. To have two independent directors - I think it's good to have outside people look at you and think of what you could be doing better. Those are voluntary, but most of the companies told me they're going to do it. And I think it's good for them to say our returns on equity, for example, should be higher. Also, I think some could be more ambitious.

I realized that if I went snowboarding, you can't think of anything else when you're snowboarding. You can't hesitate or think about anything other than not falling off and breaking your neck. If you want a holiday where you're not gonna think about work and you're not gonna think about anything, snowboarding is the best way to do it. Or skiing, I guess. I don't ski, so I don't know.

My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.

Many people think of me as just a riff guitarist, but I think of myself in broader terms. As a musician I think my greatest achievement has been to create unexpected melodies and harmonies within a rock and roll framework. And as a producer I would like to be remembered as someone who was able to sustain a band of unquestionable individual talent, and push it to the forefront during its working career. I think I really captured the best of our output, growth, change and maturity on tape - the multifaceted gem that is Led Zeppelin.

Every chance at destabilizing [Bashar] Assad... the bombing campaign causes a flood of refugees into Jordan, there's already half a million in Jordan. I think a bombing campaign - I think it's hard to argue that a U.S. bombing campaign is going to cause less refugees. And I think it causes more refugees and more of a humanitarian disaster. I think it causes, or allows, the risk of Israel being attacked with a gas attack to go up, if we attack Assad. So there's all kinds of bad things.

For some people, I got away with something. And you know what? That's a fair thing to say, for them. I'm not saying I agree with that, but I can see how they can say that. But it's a matter of just like...you know, I'm really fortunate. As a journalist, I don't have to agree with you to talk to you. My job is to figure out why you think the way you think. I want to get to the root of why you think the way you think. That's what I find most fascinating as a storyteller.

I basically don't think that the way we do things is that dependent on one resource, such as oil. There can be different kinds of engines for cars. I think that solar heating, wind heating can substitute for a lot of uses for oil. I'd like to see those things happen because they are more sustainable in any case. But I do not think that running out of oil is not going to bother us that much. I think we have got to be rescued by something or we really are going down a slippery slope.

When you think of power, you think the state has power. When you look at it in terms of revolution, in terms of the state, you think of it in terms of Russia, the Soviet Union, and how those who struggled for power actually became victims of the state, prisoners of the state, and how that led to the dissolution of the Soviet Union. We have to think of revolution much more in terms of transitions from one epoch to another.

I think that's what's - one of the things that is alarming to me is [Donald] Trump, and I think Trump supporters seem to believe, he won, huge upset, full credit to him, and has got the wind at his back. And Republicans on The Hill do want him to succeed, obviously, and they're deferring to him more than they deep down in private sort of wish - want to, but they are going to defer to him publicly for awhile. But I think that is going to run out faster than people think.

The problem is that everybody, everybody - Donald Trump, Paul Ryan, everybody - on the Republican side said they can't do tax reform until Obamacare is improved, they can't do it. I think a lot is known about Obamacare. I think that's why it's so consistently polls with people opposed to it. I think people know how much it's cost particularly to people that have entered the exchanges, but I think everybody does. there's not a person in the world in this country who is not aware of the oppressive, out of any scope of normalcy costs and prices associated with it.

I think if Unchained Melody does what I think it can do, I think there is an audience out there that would heave a sigh of relief, that finally there is a melody and orchestration, production and a vocalist that is giving them a song that they can just listen to... and not be annoyed by the vocal acrobatics that vocalists seem to think is impressive.

I suppose nowadays it's all a question of surgery, isn't it? Of course the notion is beautiful, the idea of staying a boy and a child forever, and I think you can. I have known plenty of people who, in their later years, had the energy of children and the kind of curiosity and fascination with things like little children. I think we can keep that, and I think it's important to keep that part of staying young. But I also think it's great fun growing old.

The only thing I can be sure of at any given time is what I am thinking myself. I have no idea what the others are thinking. Do they think space is big and dangerous? I do. What do they believe in? I think nobody ought to be alone. That one should be with someone. With friends. With the person one loves. I think it is important to love. I think it's the most important thing.

Think lightly of hell, and you will think lightly of the cross. Think little of the sufferings of lost souls, and you will soon think little of the Savior who delivers them.

I think there's very many paths to a nomination, and they don't all necessarily go through the bloggers. I don't think we, as bloggers, are all important. I don't think that we can make or break a candidate. I think we are a component, we are a piece of a larger piece of a puzzle. And so, no campaign is going to be able to have it all. No campaign is going to have all the money it needs, or all the media it needs, or all the staffers it needs or all the blog attention it needs. They're going to have various pieces, and there's more than one way to get to the nomination.

Best advice, bro: Think big. Don't think small. If you think small, then you're going to stay small. Think (about) the broad scope.

A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.

My goal is very clear, and I wrote about it in Lean In, which is that women run half our companies and countries and men run half our homes. As much as I wish that could happen in four years, I don't think that's a likely time period. But I think it can happen sooner than we think. Part of it is having that aspiration and that goal. I think we too often suffer from the tyranny of low expectations.

I don't think about the miles that are coming down the road, I don't think about the mile I'm on right now, I don't think about the miles I've already covered. I think about what I'm doing right now, just being lost in the moment.

I'm in my late 20s, and people are coming around to it again. I think they're realizing how much this stuff affects them. I think all the time about how much Judy Blume affected me, or Beverly Cleary. And I think that now some people are starting to come around and get more of an appreciation for [my stuff].

Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.

The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.

We are all living longer lives now, so this extra longevity gives us second, third or fourth chances to succeed at something or change careers. It is great to think big, but the formula for success in our time is also to THINK LONG. There is a huge waste of talent out there because people think they are 'too old' or 'too late'. Actually, if you take the span of productive life from 20 to 80, at 50 you still have 50% of productive years ahead of you.

They've been screaming about the death of literacy for years, but I think TV is the Gutenberg [printing] press. I think TV is the only thing that keeps us vaguely in democracy even if it's in the hands of the corporate culture. If you're an artist you write in your time. Moaning about the fact that maybe people read more books a hundred years ago - that's not true. I think the same percentage has always read.

My mother said, Don't worry abot what people think now. Think about whether your children and grandchildren will think you've done well.

I think if the White House or the President want to say anything about our conversations or anything I tried to do to help our country with their support or at their request, then I think they should be the ones to do that. But I think that former presidents should do that.

Even in the 1960's, look at the minority percent of those kids being raised without a father. It was around 20 percent. America is at 80% today. I think the government is to blame for that. I think the media is to blame for that. I think you have to look at television shows and sitcoms. How do they portray fathers? They are dopey. They are dumb. They are fat. The mom is hot and the kids make fun of dad, and mom makes fun of dad. We have just relegated his role to be sort of the dumpy loser guy. And we need to get that back.

I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.

I think people have a tendency to think of a writer as someone who wants to go take a walk, maybe case a library... I think that's great sometimes but we really treat it like Monday through Friday come in early. You're not late for inspiration. You're working through it no matter what is happening even if you're writing a terrible version.

We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.

I don't think Wall Street people in general are smart. I think that's one of the biggest myths in American lore. They're tough, aggressive, greedy, quick thinking but I don't think they're particularly smart at all.

I thought the other ones were so obviously - what are we going to do if she burns down the house? The DEA, which I think was maybe the best one because she's wearing the jacket when she goes through the mirror and I think that was kind of amazing because you really weren't expecting that. There's something almost slapstick about this in a way that worried me. It was a little pratfalley with the golf club and the - but I think it probably cut together okay.