Quotes About Want

We want character but without unyielding conviction; we want strong morality but without the emotional burden of guilt or shame; we want virtue but without particular moral justifications that invariably offend; we want good without having to name evil; we want decency without the authority to insist upon it; we want more community without any limitations to personal freedom. In short, we want what we cannot possibly have on the terms that we want it.

I want to see all the countries in the world and learn all the languages. I want to have thousands of friends and I want all my friends to be different. I want to play six instruments. I want to be the best in the world at two things. I want to be a great athlete and I want to be a great surgeon. I need to practice very hard every day. I need to sleep as little as possible. I need to read at least one major book every week. And I need to remember that my seventy years are going to go by too quickly.

Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.

Yes, we're dreamers. We want it all. We want a peaceful world. We want an egalitarian world. We don't want war. We don't want capitalism. We want a decent society.

Bod said, 'I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want,' he said, and then he paused and he thought. 'I want everything.

We don't just want what we want because we want it; we want what we want because that's what we've learned to want.

Practicing the Law of Giving is actually very simple; if you want joy, give joy to others; if you want love, learn to give love; if you want attention and appreciation, learn to give attention and appreciation; if you want material affluence, help others to become materially affluent. In fact, the easiest way to get what you want is to help others get what they want.

I look at you, angel, and I want you so badly. I want to be with you, listen to you, talk to you. I want to hear you laugh and hold you when you cry. I want to sit next to you, breathe the same air, share the same life. I want to wake up to you like this every day forever. I want you.

This objective of getting what we want from other people-or getting them to do what we want them to do-threatens the autonomy of people, their right to choose what they want to do. And whenever people feel that they're not free to choose what they want to do, they are likely to resist, even if they see the purpose in what we are asking and would ordinarily want to do it.

I want regulation. I want to protect our environment. I want regulations for safety. I want all of the regulations that we need, and I want them to be so strong and so tough. But we don't need 75 percent of the repetitive, horrible regulations that hurt companies, hurt jobs, make us noncompetitive overseas with other companies from other countries.

I wouldn't do my roles if I really hated it. I've done things I hated, but I didn't go into them thinking I would hate them. I want to have fun. I don't want to go to work and not enjoy it. So if I'm swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don't want to be a crap cartoon character. I want to be proud I'm a vitamin!

There's a lot of pressure to look good, have the gun, know what you're doing and be one of the boys. I was like, "I don't want to be one of the boys. I want to be a doctor. I want to be cerebral. I want to sit back and just use something else. I don't want to do the stunts. Let the boys do that. I'm just going to be the doctor who's about taking care of other people."

I want to become actor not because I want money and become more famous. No I don't want that. It is not that l want stardom, I want to contribute to good cinema.

When fans think WWE, I don't want them to think Hulk Hogan or The Rock or Stone Cold Steve Austin or John Cena. I want them to think of The Miz. I want to be on every show. When we need a guy to do Conan or Jimmy Kimmel, I want them to call me. I wanna be on the cover of all the video games. I want it all.

I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.

As a group, we are stronger than we are as individuals. We start to think we want everything for ourselves and we don't want to help anybody else. We want to succeed, but we don't want anybody else to succeed, because we want to be the winner.

I am no longer the left behind. I am the living. And I want everything this life has to offer. I stop for a second and look around at all the shops and stores and stalls. At all the people, going about their days, at all the moments they're living. This is what I want. I want to live every moment. I want to feel everything.

I Want To Ride My Bicycle I Want To Ride My Bike I Want To Ride My bicycle I Want To Ride It Where I Like

I tried eating vegetarian. I felt like a wimp going into a restaurant. "What do you want to eat sir? Broccoli?" Broccoli's a side dish, folks. Always was, always will be, OK! When they ask me what I want, I say: What do you think I want? This is America. I want a bowl of raw red meat right now.

I want to be a positive influence. I want to be someone who they want to call in and want here consistently, regardless of my role.

When you do comedy, the audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say. Sometimes you're not getting the laughs you want or at the place you want but that doesn't mean it's not funny. It means you haven't explored it enough. I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in.

I know what people want. I know what everybody wants - I know what the streets want, I know what the suburbs want, I know what corporate people want. I know what-all type of music these people listen to.

I don't want people to think about my age. Notbecause I don't want them to know my age, I just don't want them to think about it, I don't want itto be a factor.

The media want to maintain their intimate relation to state power. They want to get leaks, they want to get invited to the press conferences. They want to rub shoulders with the Secretary of State, all that kind of business. To do that, you've got to play the game, and playing the game means telling their lies, serving as their disinformation apparatus.

I want to be an example, the person who when they look at, they say, "That guy is a Christian, there's no doubt about it." I want to be blameless. I want to be an encouragement. I want to be a role model for the believer.

What is so weird is that young people who want to be 'celebrities' do not want to put in the hard work. They don't want to do the training, go to drama school, read Shakespeare, try different accents and study technique. They just want to be famous. It is not just in England; it's the same in America and all over Europe.

Her face felt like it was scattered in pieces and she could not keep it straight. The feeling was a whole lot worse than being hungry for any dinner, yet it was like that. I want--I want--I want--was all that she could think about--but just what this real want was she did no know.

I want to be the top player in the league, and I want to bring my game to another level. I want to play against the opposition's best players-and I want to beat them.

I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.

Isabelle: Do you want some soup? Jace: No Isabelle: Do you think Hodge will want some soup? Jace: No one wants soup Simon: I want some soup! Jace: No, you don't. You just want to sleep with Isabelle

I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.

I really do love doing stand-up, and I don't see why it should affect the acting. And I just want more interesting jobs. I just want to keep doing stuff that's different, rather than saying, "Okay, I've become known for this, and I'll just do this from now on." If I feel like I've done this one thing, I never want to do it again. I want to do something totally different.

I don't want to look like Connecticut, no offense, I don't want to look like Oklahoma, I don't want to look like California. I want to be uniquely Texas. And that's not to diss anybody else.

Much of an editor's job is in fact pretty nanny-like in nature: in many ways, you're there to protect and defend, to reassure and clean up. What I ask from writers is respect. I want them to respect me enough to turn in a clean draft. I want that draft to be as good as they can make it. I want to feel the thought behind those words. And I want it to be turned in on time. It drives me wild when I get a story that's obviously slapped together, and the same can be said for a manuscript; you should respect your reader enough to give her something that reflects your best efforts.

I want to take piano lessons, I want to study at university, I want to travel, I want to do other parts, make another movie.

Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.

It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.

I don't ever see movies by myself. I always see them with other people because I want to know what works. I want to know where they laugh. I want to know where they don't laugh. I want to know what they think about it afterwards because in the end that's what the art that I'm working with is.

Our footsteps run, and I don't want them to end. I want to run and laugh and feel like this forever. I want to avoid any awkward moment when the realness of reality sticks its fork into our flesh, leaving us standing there, together. I want to stay here, in this moment, and never go to other places, where we don't know what to say or what to do.

If there's a group like Amish people, that want to live their own lifestyle – they don't want to live in our city – they want to live out in the country, with their own projects. We’ll put up the buildings for them, design the buildings for them, design the food production systems for them – if they want us to. But we don’t control them.

Fundamentally, we all want the same thing. We want to love. We want to be loved, and we want to matter.

I just know that right now, we want to be proud. For once. We want to take the struggle and rise above it. We want to frame it, live it, survive it. We want to put it in our mouths and taste it and never forget it, because it makes us strong.

I want the presence of God Himself, or I don't want anything at all to do with religion... I want all that God has or I don't want any.

What's strange is, the people who want to be in the position are never asked to be in the position. Like, if you don't want to do something, then people really want you to do it. And the more you say, "No, really, I'm sorry, it's really not for me," the more they want to convince you that it is, in fact, for you, and that you'd be absolutely perfect.

Whether it's an attorney or a bond trader or a journalist, or a musician or pastor, you want to do your best. You don't want to seek acclaim. You don't want to seek awards. You want to seek to do your best at what God's given you.

That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.

I never want to make videos with people who don't want to make them with me. I don't want to force people to take part. Only people who want to collaborate. And that's important because otherwise, the videos wouldn't work. Them choosing to take part is very important to the videos.

I think that it's a great idea to have honest conversations about children before getting married. I also think it's impossible to promise someone, "What I want right now will never change, and as long as I promise you I do - or don't - want a child - or a specific number of children - before we get married, we will never have to experience fear, anxiety, uncertainty, or the pain of not getting what we want, when we want it.