There are very few comics that understand about exciting the crowd, and that's what I always prided myself on: giving a more confident macho attitude towards delivering material.

There are very few comics that understand about exciting the crowd, and that's what I always prided myself on: giving a more confident macho attitude towards delivering material.

Anything that I wanted to do in my career that I wanted to do always worked out. The stuff I got talked into always failed. All the stuff I was talked into, by brilliant managers, because it always came down to, "Know how much money you'll make?" And then it would just fail.

I've been getting in trouble my whole life and I really don't care what anybody thinks of what I do on stage as a comic.

Being onstage and performing, the high of that, and people coming to see you, and getting to make them laugh - that's what gets me hyped up. It's a nervous excitement.

All the subject matter I talk about isn't new; all comics talk about the same things. But it's how you talk about them or present them or what you look like up there that makes the difference between an okay comic and a great one.

I always believed you could fix whatever problems.