There's only a couple times when fame is ever helpful. Sometimes you can get into a restaurant where the kitchen is just closing. Sometimes you can avoid a traffic violation. But the only time it really matters is in the emergency room with your kids. That's when you want to be noticed, because it's very easy to get forgotten in an ER.

I don't answer fan mail. I don't have time for that. It's like hundreds of thousands of people who think they're going to become millionaires getting autographs from movie actors. I don't have time for those idiots. I've got stuff to do.

The way financing for independent movies goes is great. You get the money from the guy who's actually doing the distribution in France. You say, "Do you want a piece of this movie?" And he's got to sell this movie to get his money back. That's the brains of it; that's the genius of this financing. "You want Germany? Give us a million dollars and you've got Germany."

All parties are good.

My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'

Those are my people, you know? The ones who are going to crash and burn.

Somewhere there's a score being kept, so you have an obligation to live life as well as you can, be as engaged as you can.