Postmodern comedy doesn't work well with very old audiences, because it's making fun of the comedy they enjoy.

And two balls minus one, six titles at the tour de France.

I'm interested in taboos for certain reasons. They can dramatise things and they're scary, and they're important to think about. I'm also wary about the fact that if you don't proceed with caution and understand what you're doing, you understand these things are realities that you're dealing with, they're real things.

The biggest danger, for me, with making yourself your act is that a lot of people with think they know you for better or worse. That's an ongoing struggle with me and it can get really trippy sometimes. I try to be strong about it and assure myself that only my close friends and family can really pass judgement on me personally, but it's impossible to not let it get to you.

I've found, across the board, that comedians have been very respectful and kind to me. And that seems to stem from the fact that they are just respectful and kind people in general. Comedians get a bad rap for being dark and anti-social I think.

Happy Thanksgiving, everyone. I'm thankful for all of you. I am not thankful for the pilgrims. Buckles should never be on hats.

Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.