Postmodern comedy doesn't work well with very old audiences, because it's making fun of the comedy they enjoy.

Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.

Maybe life on earth could be heaven, doesn't just the thought of it make it worth a try?

I think the love-hate is fundamental. Everyone hates reality television, and everyone's watching it. Everyone hates Facebook, and everyone is on it.

I work really hard on the shows and I think the shows speak for themselves. I don't want to construct the show to prove something.

I'm interested in taboos for certain reasons. They can dramatise things and they're scary, and they're important to think about. I'm also wary about the fact that if you don't proceed with caution and understand what you're doing, you understand these things are realities that you're dealing with, they're real things.

My persona is most importantly just to communicate the material in a way that is most funny and meaningful in the moment. It's more like a character that's sculpted for whatever joke needs communicating at the moment.