I do try to keep my show very improvisational. I don't work off a set list; I like to keep it more in the moment. I like to have information about where I'm going, what might be happening in that particular region as well. I like for people to feel like the show is for them.

Start each day out the holy way..with Christ Chex, it's a miracle in a bowl. Just open the box and you hear AHHHHH....and then a lil' angel flies out and says 'good morning, life is beautiful!'.

It's not for any purpose such as religion, health, or things like that, I just never felt I had the need or want to drink or do drugs.

When you see somebody walking down the street wearing a Superman t-shirt, you just want to shoot them in the chest ... when they start to bleed go, I guess not

Because of what I experienced when I was a kid, I want kids to have that kind of an epiphany moment, that little jolt, that little spark that they see when Dusty ['Planes'] flies higher than he has before. That scene where he flies straight up, and he's starting to get dizzy, and then finally it comes together. We forget as adults. We get jaded and we think that's kids' stuff, but for a kid who doesn't know about anything technical or how a movie is made, they're just going to see this and hear this beautiful score and see this dynamic, fantastical thing happening in front of them.

I work with a lot of kids. Every year, for the past fifteen years, I work at Comedy Camp where I work with a lot of kids.

I say it with my tongue firmly planted in cheek but there's truth to it - being a comedian is very close to being a therapist. When you're working smaller clubs, you're listening. You're feeling an energy, you're going with a tone but when people start yelling out, you almost start a conversation with people.