When you hear "Seinfield," no one says, "the Jewish comic." You talk about Cedric the Entertainer, you don't say, "African American comedian Cedric the Entertainer." Even Margaret Cho - who's like one of three Korean performers out there - no one refers to her like that. They say, "It's Margaret Cho."

Be personal, and original. Try to work clean. Stay away from topical material, as it does not allow you to craft it to make it better for later. And always remember that it is the fans who will make you or break you.

I don't have to worry about writing jokes. I just tell stories about things that have happened to me. As long as I'm alive and I'm living and I'm experiencing different things every day, the show will always change.

I went up on stage, and said, "Why did the chicken cross the road? To check out the chicks." I was a genius at 10. Try telling that at 21, and you look hacky and stupid. That was the only joke I've ever told. Everything since has been character voices, doing impressions or just telling stories.

Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".

When I first got to St. Louis, I saw the arch and I said, 'I want to go to that McDonalds.

I don't even have a clue as to where to find a pregnancy test. I'm looking at all the aisles... they don't have one that says 'oops.