I don't have to worry about writing jokes. I just tell stories about things that have happened to me. As long as I'm alive and I'm living and I'm experiencing different things every day, the show will always change.

Every night, it's a bakery on the bus. It's a curse, because I talk about how much I love cake, people bring me cake. And now I just found out I'm diabetic, so I'm like, are you kidding me?!

As long as you have a director, that's your feedback. It's the director telling you, "Okay. That was great! Okay. Can we add a little? Can you tweak it like this? Can you make it more high pitched? Can you give it a little growl?"

Make sure you're doing impressions of people that are still relevant, and that everyone knows. Red Skelton impressions are a little outdated.

You gotta live life before you can talk about it. Sometimes when things don't work out in life, they work out on stage.

I'm not fat. I'm fluffy!

There's nowhere in the country that I can't go or won't go. I think it's because I've worked on making my show where everyone can understand it, everyone can relate to it, and no one feels like I'm alienating them.