Nobody knows that in reading we are re-living our temptations to be a poet. All readers who have a certain passion for reading, nurture and repress, through reading, the desire to become a writer.
Gaston BachelardWhen we are children, people show us so many things that we lose the profound sense of seeing... And just how could adults show us the world they have lost! They know; they think they know; they say they know.
Gaston BachelardSometimes the house of the future is better built, lighter and larger than all the houses of the past, so that the image of the dream house is opposed to that of the childhood home. Late in life, with indomitable courage, we continue to say that we are going to do what we have not yet done: we are going to build a house. This dream house may be merely a dream of ownership, the embodiment of everything that is considered convenient, comfortable, healthy, sound, desirable, by other people. It must therefore satisfy both pride and reason, two irreconcilable terms.
Gaston BachelardA man is a man to the extent that he is a superman. A man should be defined by the sum of those tendencies which impel him to surpass the human condition.
Gaston BachelardEvery corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.
Gaston BachelardWe comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
Gaston BachelardBy listening to certain words as a child listens to the sea in a seashell, a word dreamer hears the murmur of a world of dreams.
Gaston BachelardHere we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.
Gaston BachelardA book is a human fact; a great book like Seraphita gathers together numerous psychological elements. These elements become coherent through a sort of psychological beauty. It does the reader a service.
Gaston BachelardWhat action could bodies and substances have if they were not named in a further increase of dignity where common nouns become proper nouns?
Gaston BachelardPoetry is one of the destinies of speech... One would say that the poetic image, in its newness, opens a future to language.
Gaston BachelardReverie is commonly classified among the phenomena of psychic detente. It is lived out in a relaxed time which has no linking force. Since it functions with inattention, it is often without memory. It is a flight from out of the real that does not always find a consistent unreal world.
Gaston BachelardBaudelaire writes: In certain almost supernatural inner states, the depth of life is entirely revealed in the spectacle, however ordinary, that we have before our eyes, and which becomes the symbol of it." Here we have a passage that designates the phenomenological direction I myself pursue. The exterior spectacle helps intimate grandeur unfold.
Gaston BachelardThe best proof of the specificity of the book is that it is at once a reality of the virtual and a virtuality of the real.
Gaston BachelardIf there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.
Gaston BachelardInstead of looking for the dream in reverie, people should look for reverie in the dream. There are calm beaches in the midst of nightmares.
Gaston BachelardWe are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
Gaston BachelardAny work of science, no matter what its point of departure, cannot become fully convincing until it crosses the boundary between the theoretical and the experimental: Experimentation must give way to argument, and argument must have recourse to experimentation.
Gaston BachelardIn living off all the reflecting light furnished by poets, the I which dreams the reverie reveals itself not as poet but as poetizing I.
Gaston BachelardOf course, any simplification runs the risk of mutilating reality; but it helps us establish perspectives.
Gaston BachelardThe word chrysalis alone is an unmistakable indication that here two dreams are joined together, dreams that be-speak both the repose and flight of being, evening's crystallization and wings that open to the light.
Gaston BachelardAir is the very substance of our freedom, the substance of superhuman joy.... aerial joy is freedom.
Gaston BachelardThe reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
Gaston Bachelard