The rebellious mood of the country during those [60th] years allowed me to plug right back into my old hatreds. I could scream and holler, as I did on the albums, against religion, government, big business - all those assholes and their values. That hatred was very real.

There are three kinds of people: those who can count, and those who cannot.

If you love someone set them free. If they come back, set them on fire.

Most of the note-taking happens while I'm watching television. It's a broad window on the world, and a lot of things are already established in my mind as things I say, things that I'm interested in, things that are fodder for my [stand-up] machine. And when I see something that relates to one of them, I know it instantly and if it's a further exaggeration and a further addition, or an exception - if it plays into furthering my purpose, I jot it down.

For a long time, I've distinguished between entertainer and performer and entertainer and artist. To me, an entertainer is someone who pleases others, and an artist tries to please himself.

When you look at Earth from that one picture, the one from space, it's really a rather attractive thing. I have nothing against the planet per se. I root for the big comet or asteroid as a way of cleansing the planet. The comet or asteroid 65 million years ago is probably what gave us our opening to replace the reptiles. The greatest entertainment I have in my life is chronicling internally, not necessarily for the public, the slow dissolution of order.

Comedy is grievances. It's a recitation of grievances - whether they're inconsequential, superficial - like "my wife shops too much", or "kids today", all those old-fashioned themes - or, if it's deeper, and somewhat more thoughtful, about social imbalance and inequities, and the folly of human behavior. It's usually a complaint.