All writers learn this, in time: don't show your work to other people until it's safely finished. Even discussing your unborn book in quite general terms can be such an undermining experience that, afterwards, you give it up and go to live in Guatemala.

What I have always liked about Brighton is its impersonality. Since the 18th century, people have come, used the place and gone home again.

In my worst moments, I think the biggest effect of 'Eats, Shoots & Leaves' was to kill the happiness of people who had previously skipped through life, unaware of all the atrocities lurking in the world around them.

The idea of withholding a massive secret is obviously quite exciting to some people. It is also the basis of much classic drama, of course, from Sophocles onwards.

I used to help my dad with a stall selling eggs when I was about 12. People were so hard up they would ask for one egg. But mostly no one came by at all. It was very demoralising.

The rule is: the word 'it's' (with apostrophe) stands for 'it is' or 'it has'. If the word does not stand for 'it is' or 'it has' then what you require is 'its'. This is extremely easy to grasp. Getting your itses mixed up is the greatest solecism in the world of punctuation. No matter that you have a PhD and have read all of Henry James twice. If you still persist in writing, 'Good food at it's best', you deserve to be struck by lightning, hacked up on the spot and buried in an unmarked grave.

We read privately, mentally listening to the author's voice and translating the writer's thoughts. The book remains static and fixed; the reader journeys through it.