Marjane Satrapi Quotes

People are so afraid to say the word "comic". It makes you think of a grown man with pimples, a ponytail and a big belly. Change it to "graphic novel" and that disappears.

I wanted to make a real love story with a bad ending, because a love story that ends good is the life of everyone - you and I, for example. I always say to people, You know, if Romeo and Juliet got married, nobody would care about them. Imagine Romeo and Juliet, six kids yelling, mama, mama, papa, papa.

Image is an international language.

As a director, you have to understand what is happening - if I don't understand it, you can't make changes.

Of course, when you remember your life, you never remember anything in a chronological way. You always have pieces of memories, and some of these memories are full of details and very colorful. Some of them you just see the action and it's completely blank.

The first writing of the human being was drawing, not writing.

I'm extremely unbearable. You know, I'm narcissistic and at the same time I'm very charming - I think.

One can forgive but one should never forget.

Imagine if I cannot stand someone and every day he is here in my face, then I cannot work. Then, the whole time, I am thinking "I hate him, I hate him." But if I love him or I love her, then I can do anything, then I am comfortable. That's why it's so important to be surrounded by people that you really like.

I realized that I was more of a sprinter than a marathon man. With a long, long project, I get bored easily.

The language in a comic book or a graphic novel and the cinematographic language are really not the same language. They are false brother and sister. It's not at all the same.

A Muslim fanatic and a Christian fanatic, a Jewish fanatic, a secular fanatic, an atheist fanatic, a communist fanatic - all of them are the same. The thinking that, 'If you don't think like me, that if you are not with me, then you are against me;' this is something to condemn.

It is dangerous when you start calling people from one part of the world terrorists or fanatic, and you reduce them to some abstract notion. If evil has a geographical place, and if the evil has a name, that is the beginning of fascism. Real life is not this way. You have fanatics and narrow-minded people everywhere.

The novels have done so well because the drawings are abstract, black-and-white. This adds to the universality of the story. "Persepolis" also has dreamlike moments, and the drawings help maintain cohesion and consistency.

I became the voice of a generation in a very surprising way, because many Iranians recognize themselves in it. But that is not what I wanted.

I really didn't know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde. I was born with religion. At the age of six I was already sure I was the last prophet. This was few years before the revolution.

Once again, I arrived at my usual conclusion: one must educate oneself.

You see a picture and you understand perfectly, immediately, the basic thing that's happening. It's probably more accessible because we are in a culture of images. People are used to seeing stories that way. They understand looking at pictures.

With live-action I think we'd have lost the universal appeal of the Persepolis story. With live-action, it would have turned into a story of 'the Other' - people living in a distant land who don't look like us. It might have been exotic, but also a "Third-World" story.

When we're afraid, we lose all sense of analysis and reflection. Our fear paralyzes us. Besides, fear has always been the driving force behind all dictators' repression.

A cat can never be well-trained because they're too independent.

In a place like Israel, they're very concerned with Iran, so there's a lot of interest. So they want to see what this Iranian from France has to say in her comics. I guess that's good. My the books are coming out in other countries. And each time, they discover something different to be interested in.

To tell you the truth, I never wanted to become a moviemaker. It was like I was a cinepihile, and I go, like, three or four times per week to the cinema, and I like to watch films.

Life is too short to be lived badly.

I call Iran home because no matter how long I live in France, and despite the fact that I feel also French after all these years, to me the word 'home' has only one meaning: Iran. I suppose it's that way for everyone: Home is the place where one is born and raised.

You know, they say in France that translation is like a woman: she is either beautiful or faithful.

In all the dictatorships, there's such a non-understanding of what human beings are. I mean, if you believe in the Bible, you have the story of Adam and Eve and God tells them, "Do whatever you want. The only thing you shouldn't do is eat the apple." What do they do the first thing? They eat the apple. So if you know a little bit the psychology of human beings, you have to understand that if you say something you should not do, then everybody wants to do it.

I'm not a religious person at all.

I love the French for their sarcasm, their irony. I love them for their bad moods.

If you're not [Federico] Fellini you might make something very vulgar. Animation made it possible to maintain unity with all these different narratives.

Writing is not for me. I completely lose my sense of humor when I write. I become extremely pathetic, very sensational. Images give me possibilities that I don't have with words.

I don't like the word 'autobiography.' I rather like the term 'autofiction.' The second you make a script out of the story of your life, it becomes fictional. Of course, the truth is never far. But the story is created out of it.

It's fear that makes us lose our conscience. It's also what transforms us into cowards.

There are things that I love in Iranian cinema and things that I don't. In Iranian cinema, you have to use metaphor because you are living under a dictatorship.

Nothing's worse than saying goodbye. It's a little like dying.

Revolutions just spread blood. Evolution - this is something that changes in the long term. Because history is long term. But today, we don't talk about history. The past is two weeks ago, and the future is two weeks after.

I don't like 'graphic novel.' It's a word that publishers created for the bourgeois to read comics without feeling bad. Comics is just a way of narrating - it's just a media type.

If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.

You never have these moments that, you know, are always perfect. Always something happens.

I try to look at life carefully and reproduce life the way life is. It's a question of looking carefully at how it is. In life, you don't have total happiness. People always say that. But you don't have total sadness either, no matter what situation you are living in.

You have to be narcissistic to be an artist. You have to think you are the centre of the whole thing otherwise why do you create? The only thing is to recognise it, and then you make the best of it.

Hunger eats civilization. The West is not hungry; that's why they can say they're so civilized. Civilization is the biggest bluff!

You draw the character from all angles - side, profile, back, etc. so the animator has this character in all the ways it looks like.

Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ...," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that.

We always say we are equal in front of death, but when you are rich, for example, and you have everybody taking care of you, I think that you suffer much less. It must be much more painful to die when you are poor than when you are rich. But when your heart is broken, you can be rich, poor, whatever - a broken heart, we are all equal in front of it. And I think there is no subject more serious.

I don't want to quit smoking. I am convinced that if I quit smoking, the world would go to hell.

Death, torture and prison are part of daily life for the youth of Iran. They are not like us, my friends and I at their age; they are not scared. They are not what we were. They hold hands and scream: “Don’t be afraid! Don’t be afraid! We are together!” They understand that no one will give them their rights; they must go get them.

When you say 'revolution' when you have only men outside, you know that something is going wrong. I'm not like a hardcore feminist, but I think that one of the things that makes the society advanced is equality between men and women. If half of the society is oppressed by the other half, it's not fine.