The Simpsons and Futurama are such big projects, going on for years and working in different media, that everything involved with them, promotion and merchandise and online presence and all the rest, deserve to be scrutinized, so that's part of it. I have a great deal of sympathy for anyone at the core of a multimedia juggernaut, even if you might not care for the specific pop-culture invasion of your brain. The people who do it work really hard.

I was always frightened by taverns. They just seemed like very unpleasant places to go.

We've been running a little behind schedule. But only by about 15 years or so.

If something is too hard to do, then it's not worth doing. You just stick that guitar in the closet next to your shortwave radio, your karate outfit and your unicycle and we'll go inside and watch TV.

Love is a perky elf dancing a merry little jig and then suddenly he turns on you with a miniature machine gun.

I draw a weekly comic strip called Life in Hell, which is syndicated in about 250 newspapers. That's what I did before The Simpsons, and what I plan to do for the rest of my life.

Oh, loneliness and cheeseburgers are a dangerous mix.