She said, 'I'm your biggest fan,' and I said, 'Who are you?' She said, 'Paris Hilton.'

Of all the disciplines involved in making anything - TV, film or anything I do - the writing is the most valuable commodity.

That's what being nervous and sort of out of your comfort zone does. It's the same in "The Office" when a black guy comes to the office and all he thinks is `I better show this guy I'm not a racist.' So what does he do? Only talks about black issues.

What is the single most important thing for a company? Is it the building? Is it the stock? Is it the turnover? It’s the people, investment in people. My proudest moment here wasn’t when I increased profits by 17%, or cut expenditure without losing a single member of staff. No. It was a young Greek guy, first job in the country, hardly spoke a word of English, but he came to me and he went ‘Mr. Brent, will you be the Godfather to my child?’. Didn’t happen in the end. We had to let him go, he was rubbish. He was rubbish!

Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.

The service in L.A. is the best. You don't get sarcastic, surly, fed-up waiters and waitresses like you do in England. They're good at their job and they're there for the customer. The only depressing thing is a lot of them have written more screenplays than me.

If your boss is getting you down, look at him through the prongs of a fork and imagine him in jail.