It started off for me as just wanting to be an actor and sort of resenting in a weird way being expected to write as well as be a comedian and an improviser. And then you think about it for a minute, and I smartened up and realized that the only way to sustain a career is to generate your own material. Or to be in control of your career as best you can. And in allowing yourself to do that it opens up a whole new world of possibilities. And then you're like "Oh, producing is a thing."

I was going out for absolutely everything that was in Backstage.

I like playing really super-intense, live-in-the-moment characters. It asks me to not phone it in. It's impossible to phone it in. Every American boy has spent his childhood pretending to get shot.

I get all of my comedy from CNN.

I didn't hang any pictures in my office for a year because I thought that I would be jinxing myself and have to take them down the next day.

I don't know how this company got the name National Shakespeare Company, because it was literally like retards employing retards.

I am realizing how old I am 'cause I am meeting so many people that were born in the 80s, which is crazy to me that I was going through puberty and [they weren't] even alive.