I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.

Stand-up life is really hard. At one point, I got so paralyzed I could write five screenplays before I could write three jokes for stand-up. Later, I've finally allowed myself to relax quite a bit, to think I can do it because I've done it in the past. The pressure to come up with the material is the same but the anxiety about whether I can do it is gone.

You know that look that women get when they want to have sex? Me neither.

As much as I remember, I just thought, I want to sing a song that starts normal and ends crazy.

When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.

Performing music is a way to do comedy, but without the obligation to do a solid hour, hour and half of a standup. I could intersperse it with music, so it became a really good format for me.

I was not naturally talented. I didn't sing, dance or act, though working around that minor detail made me inventive.