I didn't come from a wealthy family. I had no money. Maybe it goes back to naivete which is your greatest asset when you're young. If I was starting in comedy today and if it didn't work the first time, I'd probably quit. But I kept at it, kept at it.

In a strange way, I don't have a job, so I have a lot of time on my hands. When I do work, it might be very concentrated, and it might be months where you're not really doing anything except maybe playing the banjo or writing something. You know, there's a lot of time in the day if you're not working 9 to 5.

I actually learned about sex watching neighborhood dogs. And it was good. Go ahead and laugh. I think the most important thing I learned was: Never let go of the girl's leg, no matter how hard she tries to shake you off.

I thought if I had a Twitter feed and say I had a following of a 100,000, that means 100,000 of them would be interested in my book. It was logical, but it didn't turn out to be true. It turned out if I had a Twitter feed of a 100,000, four of them were interested in my book.

Performing music is a way to do comedy, but without the obligation to do a solid hour, hour and half of a standup. I could intersperse it with music, so it became a really good format for me.

I don't really manage my time. I really just wait until I'm inspired to do something. And when I'm inspired to do something, it just happens.

I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea.