When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.

I couldn't see his face, because the light came in from behind him and he was in shadow, and he said, "I am Picasso." And I said, "Well, so what?

Romance takes place when you first fall in love. It stirs all emotions and you can manipulate and be manipulated.

The overhead lights reflect in the glass countertop and mingle in the gray and black of the gloves, resulting in a mother-of-pearl swirl that sometimes sends Mirabelle into a shallow hypnotic dream.

I saw the movie, 'Crouching Tiger, Hidden Dragon' and was surprised because I didn't see any tigers or dragons. And then I realized why: they're crouching and hidden.

Art as an aesthetic principle was supported by thousands of years of discernment and psychic rewards, but art as a commodity was held up by air. The loss of confidence that affected banks and financial instruments was not affecting cherubs, cupids and flattened popes. The objects hadn't changed: what was there before was there after. But a vacancy was created with the clamoring crowds deserted and retrenched.

When you're touring and if you go to a party, there's automatically a celebrity-audience distance. It follows you around, especially when you're on the road in small towns. Any time there is awe, it gets very difficult to be normal, to be yourself. But I'm not saying that that's what made me the way I am. I've probably always been distant.