When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.

I've always said if I could own one piece it would be Vermeer's The Love Letter, and if I could put it anywhere it would be in a David Chipperfield building. I'm almost there with the building - Chipperfield is building a new house for me in London. The Vermeer is a long way off.

The people in Miami are so different from anywhere else I've been in America. They're so down to earth, really friendly, and quite self-effacing, with a good sense of humor. I'm not saying other parts of America don't have a sense of humor, but Miami maybe has to have a really good sense of humor for lots of different reasons, and it works. It works for me.

They grew really quickly. One minute I didn't have any tits and the next I had the biggest tits in the world.

I found that life has to be edited to continue.

If I didn't want to work for a couple of years I wouldn't have to - it's a great feeling, to know I'm doing it because I want to do it.

I'm a terrible cook, but if I could cook, I would see that in art as well, it's how much creative energy you put into something.