I can't with any conscience argue for New York with anyone. It's like Calcutta. But I love the city in an emotional, irrational way, like loving your mother or your father even though they're a drunk or a thief. I've loved the city my whole life - to me, it's like a great woman.

My relationship with American audiences is the exact same as it always has been. They never came to see my films, and they don't come now.

As an artist, you are always striving toward an ultimate achievement but never seem to reach it. You shoot a film, and the result could have always been better. You try again, and fail once more. In some ways I find it enjoyable. You never lose sight of your goal. I don’t do my job to make money or to break box office records, I simply try things out. What would happen if I were to achieve perfection at some point? What would I do then?

Sometimes some of the best moments are contributed by the actors being creative, with their own improvisations.

I usually want to crawl into the ground after I make a film, almost invariably.

I hate reality but it's still the best place to get a good steak.

End production today. Wrap party as usual a little sad. Slow danced with Scarlett. Broke her toe. Not my fault. When she dipped me back, I stepped on it. Penélope [Cruz] and Javier [Bardem] anxious to work with me again. Said if I ever come up with another screenplay to try and find them. Goodbye drink with Rebecca [Hall]. Sentimental moment. Everyone in cast and crew chipped in and bought me a ballpoint pen.