Nothing worth knowing can be understood with the mind.

There is an advantage in having a routine and working with the same people when you can and in writing as a regular thing and filming as a regular thing. That routine pays off for you. You get a lot of productivity that way, rather than sitting around waiting for inspiration and waiting for the perfect thing to happen. I would be much less productive that way.

I don't have to 'freedom-kiss' my wife when what I really want to do is French-kiss her.

What people who don't write don't understand is that they think you make up the line consciously — but you don't. It proceeds from your unconscious. So it's the same surprise to you when it emerges as it is to the audience when the comic says it. I don't think of the joke and then say it. I say it and then realize what I've said. And I laugh at it, because I'm hearing it for the first time myself.

The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.

How am I immature? Intellectually, emotionally, and sexually. Yeah, but in what other ways?

These were always obsessions of mine, even as a very young child. These were things that interested me as the years went on. My friends were more preoccupied with social issues - issues such as abortion, racial discrimination, and Communism - and those issues just never caught my interest. Of course they mattered to me as a citizen to some degree...but they never really caught my attention artistically.