Quotes About Aesthetic

There is a sinister anachronistic interpretation of the aesthetic state as some kind of totalitarian regime that puts aesthetic over moral standards; one associates it with national-socialism. But this has nothing to do with the romantics, whose ideal of the aesthetic state has much more to do with the republican tradition.

Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression.

Aesthetic racism is almost always a sign of inexperience. Those who have not made their way far enough into the world of amorous delights judge women only by what can be seen. But those who really know women understand that the eye reveals only a minute fraction of what a woman can offer us. When God bade mankind be fruitful and multiply, Doctor, He was thinking of the ugly as well as of the beautiful. I am convinced I might add, that the aesthetic criterion does not come from God but from the devil. In paradise no distinction was made between ugliness and beauty.

How can any person justify an aesthetic that reduces a woman or child to an emaciated skeleton? Is it art? Surely fashion's aesthetic should enhance and beautify the human form, not destroy it.

The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness--too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth.

It is delightful to read on the spot the impressions and opinions of tourists who visited a hundred years ago, in the vehicles and with the aesthetic prejudices of the period, the places which you are visiting now. The voyage ceases to be a mere tour through space; you travel through time and thought as well.

Both Kant and Fichte thought of traditions of revealed religion as ways of symbolically (that is, with aesthetic emotional power) thinking about our moral condition. Both thought that religion would become more and not less powerful, emotionally and morally, if the claims of scriptures and religious teachings were taken symbolically rather than literally (whatever 'literally' might mean in the case of claims that are either nonsensical or outdated or historically unsupportable if taken as metaphysical or historical assertions).

The secret is to remain true to your aesthetic vision, so that people can see that you really believe passionately in what you are doing. That way, they can relate to your style. At the same time, you experiment-you try new things.

In the end, I believe that the most important influence on my aesthetic has been the photographs I have taken.

I come from a culture that was isolated for a long time - I have my own story to tell, in my own style, and an aesthetic approach that was mostly self-taught. So, does it fit a reader's curiosity? Will it meet their expectations?

Too much of what passes for design now is theater. It's one thing to be eccentric- and by the way, most eccentrics tend to be rather well-educated people - and quite another to be a faddist, by which I mean someone who tries to conjure a totally foreign aesthetic in a misplaced environment.

What always seems miraculous is when aesthetic necessities yield an insight which otherwise I would have missed.

The feeling of awed wonder that science can give us is one of the highest experiences of which the human psyche is capable. It is a deep aesthetic passion to rank with the finest that music and poetry can deliver. It is truly one of the things that make life worth living and it does so, if anything, more effectively if it convinces us that the time we have for living is quite finite.

Famously, Anne Boleyn was not a beauty: she was more about quirkiness and an innate sensuality, and there are a lot of references to her eyes. Which sends out a great message for women, because life is not about the aesthetic all the time.

I maintain that the expression of junk and objects has an intrinsic value, and I see no need to look for aesthetic forms in them and to adapt them to the colors of the palette.

From the viewpoint of analytic psychology, the theatre, aside from any aesthetic value, may be considered as an institution for the treatment of the mass complex.

They gutted the book, making an action movie for 15-25 year olds. Tolkien became...devoured by his popularity and absorbed by the absurdity of the time. The gap widened between the beauty, the seriousness of the work, and what it has become is beyond me. This level of marketing reduces to nothing the aesthetic and philosophical significance of this work.

My aesthetic is probably closer to a 15-year-old's than my dad's, but I get his conviction.

My mother loved fashion and always had a great aesthetic. But she also considered the cost of it, with the kids, that it wasn't something to allow herself. It also probably nourished my passion and my will to make fashion, because I've always felt that, because of having a big family to take care of, she sacrificed a bit of her femininity.

If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day.

For art to exist, for any sort of aesthetic activity to exist, a certain physiological precondition is indispensable: intoxication.

Literary imagination is an aesthetic object offered by a writer to a lover of books.

I'm definitely incredibly attracted to the aesthetic of what is typically deemed goth stuff, but. A lot of my experience growing up was in being around that kind of thing, and it's just what sinks into a person's brain.

A rich poet from Harvard has no sense in his mind, except the aesthetic.

Aesthetic matters are fundamental for the harmonious development of both society and the individual.

Marijuana is a useful catalyst for specific optical and aural aesthetic perceptions. I apprehended the structure of certain pieces of jazz and classical music in a new manner under the influence of marijuana, and these apprehensions have remained valid in years of normal consciousness.

The aim of art is to project an inner vision into the world, to state in aesthetic creation the deepest psychic and personal experiences of a human being. It is to enable those experiences to be intelligible and generally recognized within the total framework of an ideal world.

The good designer aims at a perfect fusion of the various considerations which enter into his design. He aims at an untortured unity-a direct whole. He arranges his levels consciously or subconsciously, adhearing to the requisites of the problem he is asked to solve or to his own inclination. Some designers see total act through a disc of aesthetic considerations-others, more practical minded, may put economic considerations at top level.

There are few humanities that could surpass in discipline, in beauty, in emotional and aesthetic satisfaction, those humanities which are called mathematics, and the natural sciences.

Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.

It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.

Form follows profit is the aesthetic principle of our times.

Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.

I don't think that just because a lot of my music has a quieter aesthetic; [it] excludes me from achieving that in a live setting, from being dangerous or something.

There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.

It is an admitted fact that the ordinary tomtit of commerce has a sounder aesthetic taste than the average female relative in the country.

For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.

I don't call myself an 'industrial designer,' because I'm other things. Industrial designers want to make novel things. Novelty is a concept of commerce, not an aesthetic concept.

Newton, for instance, attempted to comprehend the diversities of the universe with a single system of mathematical laws, the objectivity, sobriety and logic of Palladian architecture presented an aesthetic formula which, while accepting variations and adjustments according to climate and other needs, could be applied universally.

It was clear to me that the forms of consciousness of our inherited and acquired historical education - aesthetic consciousness and historical consciousness - presented alienated forms of our true historical being.

I think taking design out of the studio and really having a relationship with the people that you're making it for really convinced me of how powerful a thing design is. It's not just an aesthetic decoration.

The superhero aesthetic is all about the human form and showing the body, whether they be female or male.

I am suggesting that we can and do regain eternity when we are so immersed in life, in moral action, or in aesthetic contemplation, that we completely forget about time and anxiety.

Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.

When Hume insists that taste is a matter of delicacy, that it is a matter of having a sensitivity to features of an object itself, he is very close to the rationalist doctrine. Hume was really a covert objectivist (or partial one) about aesthetic pleasure because that pleasure had to be based on the sensitivity to features in the object.

My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.

It is an assumption that there is always one single dimension for assessing persons and their actions that has canonical priority. This is the dimension of moral evaluation; "good/evil" is supposed always to trump any other form of evaluation, but that is an assumption, probably the result of the long history of the Christianisation and then gradual de-Christianisation of Europe, which one need not make. Evaluation need not mean moral evaluation, but might include assessments of efficiency, ... simplicity, perspicuousness, aesthetic appeal, and so on.

McWorld is a product of popular culture driven by expansionist commerce. Its template is American, its form style. Its goods are as much images as matériel, an aesthetic as well as a product line. It is about culture as commodity, apparel as ideology. Its symbols are Harley-Davidson motorcycles and Cadillac motorcars hoisted from the roadways, where they once represented a mode of transportation, to the marquees of global market cafés like Harley-Davidson's and the Hard Rock where they become icons of lifestyle.