Quotes About Album

When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.

A concert is a concert is a concert is a concert. An album is an album is an album is an album. Musically, both have nothing in common.

I gave the album [You're Under Arrest] to Quincy Jones and he loved "D Train". We couldn't call it "D Train"; it's called "MDI/Something's On Your Mind/MD2". That's on the album.

I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.

When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.

I just remember that when Jennifer Love Hewitt released an album a few years back, it was like 'Oh, why is Jennifer Love Hewitt releasing an album?' But if Queen Latifah, or Justin Timberlake, or anybody else wants to be an actor, it's like 'Yeah, I'll go check that out.'

I didn't know how well my first album had done; it was enough to get me to do the second album, which was a continuation of the music I'd worked on and perfected.

I wrote an album about being in love. I don't think it's possible to write an album while you're in love - why on earth would you bother? I mean, Christ. If you're in there writing songs about someone rather than just being with them and kissing their every molecule, surely the person that you're with must be asking some questions as well.

We're not going to get into how many deals I've had. I don't think there is a label that I was signed to that we didn't deliver an album. Every time the album got ready to be mixed and mastered, it was always a situation. That's neither here nor there, because Tony Sunshine is a different guy now, a different entity.

A good album can make your day. A great album can change your life.

I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me.

The White Album is important to me for different reasons. One - I had left the band on the White Album.

I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.

A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.

In short, if we adhere to the standard of perfection in all our endeavors, we are left with nothing but mathematics and the White Album.

I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.

By the next one [albom],Occupation: Foole, I was right back into the trip again. I'm more frantic, more breathless. You can hear how sick I am. If you want to see a cokehead, just look at the pictures on the Occupation: Foole album.

That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.

An album is a thing you take time out and go work on.

I think that the creative process, especially in the beginning of making an album, I'm feeling very fragile, so to speak, because you are trying out so many different ideas, and if you are listening to it from the outside, it would sound horrible!

In 1975,Bob Dylan was almost 10 years past his prime - and then he released the best album of his career, Blood on the Tracks. Written and recorded amid a painful divorce, Blood on the Tracks is proof that heartbreak makes great art - just as many of the albums that followed were the opposite.

Just because you can make an album on a laptop computer in your back bedroom doesn't mean it's going to be any good. Like any 'product', it has to come from a good original idea. There are no shortcuts!

Everytime you put an album out with any producer you do the same thing.

If it came back I would be thrilled. I would be delighted to write more songs. I need them now because I want to make an album and I have to depend on other people's music, which I've done for years. But still, it'd be really nice to be able to sprinkle it with my own.

Making a Christmas album is looked upon by some people as the thing you do when you are heading towards retirement.

Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.

I never wanted to churn it out. Comedians tend to work all the time. They never put it down like musicians who might make an album then take three or four years off to recharge their batteries. Comedians tend to work straight through and they get stale because of that. Even when I didn't have a lot of money I never ever did it unless I had something new to say.

I was talking to Alan Jackson. He had his second Greatest Hits album. He said, You don't ever get into this really thinking you're gonna make it.

I'm a SoundCloud, online kind of artist. It's not like back in the day when everyone was like linking up physically to do music. But with the album, I did have my first experience with meeting with a producer and us making things from scratch.

There's so much music out there, and so many different styles that I've been influenced by, so each album reflects some of that knowledge or influence that I've had.

I honestly don't remember how I wrote or did the songs. Or the sessions. They all become very much a blur. And each album is like that. It may be that there are different locations, it may take longer, shorter, or whatever, but it's always something that just happened.

Yeah, the next Wu album should be out by late '95.

Each album comes from definitely a different period in the evolution of each of us individually as creators and the role that we take in life. The external stimuli changed... so the songs are full of lots of different meanings.

I heard this album as finished, I heard it in dreams . . . It was like the revelations of John the Baptist or something.

The hardest part was knowing that I would have to talk about the album when I released it. I think the hardest part was waiting to see how long it would take for me to be able to get through the questions people would ask me.

Yeah. It's all in the music first. The music is like women to me. It's like how you pick your music: everybody got their own different way how they pick their women and their music, and I guess that's what the album becomes.

I'm always happy when I see something written on an album that wasn't just typed on a computer.

Just think how minimal somebody's family album is. But you start looking at one of them, and the word everybody will use is "charming." Something just happened. It's automatic, just operating a camera intelligently.

I only made x amount of albums in 20 years and to still be living comfortably. A lot of people and friends look at me and be like yo Ra how do you do it? You don't go on tour every year and you don't make an album every year, you chill with your family and watch TV. Everyone else is out on tour getting that money. But I managed to do my thing right with the help of my accountant and I'm still comfortable.

I would never be angry at someone for downloading the album. Sometimes people just wanna listen to it first to see if they like it and that's totally fair.

Well, I heard of Sunny Ade, and looks as if his music is gonna be big on a global level, because I was in London the other day and some people asked me to review the album.

I just feel like I aint never did nothing foul in the game. My ghetto report card has always been straight A's across the board. So I said let me go ahead and name this "My Ghetto Report Card," and I'm touching down on all 4 angles of the game you smell me? I'm touching it from all basis. The album aint banana's, it's coconuts.

Well, I've heard a lot of people, but I think I would say a Brazilian musician named Hermeto Pascoal was one of my biggest influences. Through the years he mastered the keyboards. He use to play the organ Hammond B3, flute, saxophone, percussion and guitar. He is one of the most complete musicians that I ever met. Not too long after we came to the United States, Airto Moreira introduced him to Miles Davis, who recorded three of Hermeto's compositions on his album "Live Evil.

I wrote, in total, about 50 or so songs (finished and unfinished) in the 2 and a half years leading up until this moment, and trying to decide what songs to include on the Mini-Album was super difficult, because there were so many different sound/mood roads I could have gone down. But, after going through everything, these tracks seemed to fit together and communicate a similar sentiment and mood the best.

It feels great to have a #1 album.

I did the Broadway album unfortunately in a year when there were no hits.

To me, there are 3 parts of the album process: writing, recording, and my favorite part: getting to sing the songs with the fans every night.

I've expressed my gratitude to my son many times. And his career is far from undistinguished, and it was a great privilege to have someone of this skill bringing this album to conclusion.