Quotes About Album

Im a hip-hop guy, and the first time I heard Eminem was in 96. He was on a record with Shabban Siddiq. I was like, Who is this guy? Hes dope! First album came out: awesome. Second album came out: awesome. Third album, I was like, Eh. He started to get really successful. He wasnt mine anymore.

My reaction to Radiohead isn't as simple as jealousy. Jealousy just burns; Radiohead infuriate me. But if it were only that, I wouldn't go back and listen to those records again and again. Listening to Radiohead makes me fell like I'm a Salieri to their Mozart. Yorke's lyrics make me want to give up. I could never in my wildest dreams find something as beautiful as they find for a single song - let alone album after album.

I have to apologize with one of my album because I called it Unleash the Dragon but I didn't really unleash - I kind of stayed in the Dru Hill vernacular, and that's why the album was so ballad-heavy.

I want to leave an album behind that is classic, that people in 50 years will refer to and pass on to their children. An album that you never bored of.

I just put out a hardcore double album. Next I'm gonna put out an introspective album.

I've done gospel singing. I have a gospel album and country album.

There's no point that an album should sound like a watered down version of another album.

Obviously, this is our first album [Begin], so this is our first big body of work that's out there in the world and it really represents our journey, from where we started to now and all the music we created, our range, and all the things that we definitely shared, but weren't able to show our range on a full-scale until this album.

Mixtapes, it's for everyone and you throw them in the trash quickly. While an album is an object that only your real fans take the trouble to buy and know you have prepared something special.

I always wanted to make a cover album consisting of obscure psychedelic music from the 1960s - all re-shaped and customized, Ulver style.

I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.

I invested in the album. Look, if I never did anything again in music, it wouldn’t affect my life materially. I live a very satisfying life. Not because I’ve made a few dollars, but because I have a wife who loves me and children who wait for me to come home. And that is beautiful. I think that’s the American dream: to be at peace at home.

I think making an album is a difficult thing.

In short, if we adhere to the standard of perfection in all our endeavors, we are left with nothing but mathematics and the White Album.

I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination. I still like to go to record stores, I like to just wander around and I'll buy whatever catches my attention.

Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.

Like, in retrospect, this whole Mini-Album is about itself, and the process of letting go of the fear of what people will think about the music or of me or whatever and just putting it out there. But none of that was intentional at all.

I don't ever land on an album title until I know exactly what's going on the record, because you never know until it's all said and done.

But I've got to think of myself as the luckiest guy. Robert Johnson only had one album's worth of work as his legacy. That's all that life allowed him.

I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.

In five years' time I'd like to be a mum. I want to settle down and have a family, definitely sooner rather than later. I'd like to have finished my second album too, maybe even my third. I'd like a sound that sticks around that other people are inspired by and that people know is me.

I wanted to make an album that I wanted to put on myself and could listen to again and again. In the past I've done these records that are very in-depth. I love them and I'm very proud of them but I've always found it hard to listen to them again and again...they're very demanding.

I tried to take some of the same records that were important to me on my album Full Speed that my fans really vibed with content-wise and just made sure that the production and actual sound was put together differently and wasn't rushed as much.

Now that that album's done [TModern Vampires of the City], I have time to revisit things that I was working on earlier, previous to it. I actually found it very helpful to be working on some music on my own.

I'm working on my new album right now. Hopefully to get that out at the top of 2005, January 2005.

I don't want to do a gimmick. It's a bummer that that's how it is. I would say, personally speaking, consuming music now is harder than it was before. It's like being stuck in a slot machine. There's just so much noise. It's just constant noise. It's harder to clear your head and give the time to music that a lot of it really deserves. It's really crazy how different your relationship to an album or music becomes, even if it's digital, if you spend the $7 to $10 on it. It forms this relationship where you're not just going to throw it away.

If your album sells, that's cool, more people find out about you, more people get turned on to what we're really about-which is a live rock and roll band.

I played lead guitar in a band called The Federal Duck, which is the kind of name that was popular in the '60s as a result of controlled substances being in widespread use. Back then, there were no restrictions, in terms of talent, on who could make an album, so we made one, and it sounds like a group of people who have been given powerful but unfamiliar instruments as a therapy for a degenerative nerve disease.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

My first album was me finding myself and my voice, finding how I sing. I was rolling with the punches because everything was new to me.

I tend to just do whatever I want on an album and try to make it work. I'm just adventurous. It's most exciting to be at the edge of your abilities. I want to see how far I can push things.

Right now, when it comes to making an album, we really want to give our fans just Linkin Park. We don't want to water it down with anything else or confuse it with anything else. Meteora is just us and that's where our focus has been. So hopefully the fans can enjoy that.

I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.

As a producer, I'm an objective observer, helping a band form their ideas into a cohesive album. It's a step back from the intimacy of creation.

I have never taken more than two weeks to record an album throughout my career.

I honestly don't remember how I wrote or did the songs. Or the sessions. They all become very much a blur. And each album is like that. It may be that there are different locations, it may take longer, shorter, or whatever, but it's always something that just happened.

I heard this album as finished, I heard it in dreams . . . It was like the revelations of John the Baptist or something.

Music is art, and art is important and rare. Important, rare things are valuable. Valuable things should be paid for. It’s my opinion that music should not be free, and my prediction is that individual artists and their labels will someday decide what an album’s price point is. I hope they don’t underestimate themselves or undervalue their art.

The hardest part was knowing that I would have to talk about the album when I released it. I think the hardest part was waiting to see how long it would take for me to be able to get through the questions people would ask me.

I want to communicate through my music. If you want to know Geri Halliwell listen to my album: it tells you more about me than a documentary ever could.

Just think how minimal somebody's family album is. But you start looking at one of them, and the word everybody will use is "charming." Something just happened. It's automatic, just operating a camera intelligently.

Nothing is more frustrating to me than putting a song on an album and regret putting it on there. I'm excited that there are no songs on 'Tailgates & Tanlines' that I'm iffy about.

For me, each time I'm on stage, each time I'm working on a new album, it's like a dream. I can't believe it's happening.

I'm releasing a single. It's called 'Live it Up.' It was based on my Euro trip. I only write my own music. I don't let other people write it at all. So I've been working on that a lot. There's three singles coming out. The producer of The Fray who did their double-platinum album 'How to Save a Life,' I'm working with him. He's producing me.

The main focus for me is not trying to find duet partners. It's about just making great songs. I want most of my album to be in my voice, because it's my point of view.

Making an album should be an honest experience. It shouldn't be about trying to gauge where popular music is today; it should be about artistic expression and putting down what you want to put down.

I'm not an artist that has a big, huge radio record that's going to be on BET. I'm not, at this point, gunning for like, "Oh, I'm gonna kill them in the first week." But as people slowly discover the album they realize it's better than a lot of what they've been listening to all year.

My father collected turtles when he was young. My parent's wedding album, there's two pictures of them getting married and the rest are just pictures of turtles. I remember they had Galapagos tortoises that they had somehow imported illegally and a bunch of other turtles too. I like the animals themselves. They're so self-possessed and self-contained and there's something wise and mysterious about them. I also like that they are prehistoric animals.