Quotes About Almost

Differences of power are always manifested in asymmetrical access. The President of the United States has access to almost everybody for almost anything he might want of them, and almost nobody has access to him. The super-rich have access to almost everybody; almost nobody has access to them. ... The creation and manipulation of power is constituted of the manipulation and control of access.

We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. You're taking these random rock formations and you're bringing to it this interaction. It transforms it from being this random rock into almost this piece of art. It's almost like a sculpture or something. Just by finding the handholds, finding that line up the rock. Every climb is different, has its own unique set of movements and body positions. Climbing and my appreciation for nature are totally intertwined.

Faced with the opportunity to become the category of one, we almost always hesitate, almost always compromise, almost always dumb it down to play it a little bit safer

Almost any dog thinks almost any human is the Great Spirit, the Primal Creator, and the Universal Force Behind the Sun and Tides. What human can resist?

At the conscious approach of death, faith in the Biblical Religion, with its God and Christ and written Revelation, never weakens, but almost or quite always strengthens, and very often advances to a splendid assurance; while unbelief under the same circumstances never strengthens, but almost or quite always weakens and falters, and very often fails utterly.

Looking a dead insect in the sack of basmati that had come all the way from Dehra Dun, he almost wept with sorrow and marvel at its journey, which was tenderness for his own journey. In India almost nobody would be able to afford this rice, and you had to travel around the world to be able to eat such things where they were cheap enough that you could gobble them down without being rich; and when you got home to the place where they grew, you couldn't afford them anymore.

but as he plodded along a vague and almost hallucinatory pall hazed over his mind; he found himself at one point, with no notion of how it could be, a step from an almost certain fatal cliffside fall—falling humiliatingly and helplessly, he thought; on and on, with no one even to witness it. Here there existed no one to record his or anyone else's degradation, and any courage or pride which might manifest itself here at the end would go unmarked: the dead stones, the dust-stricken weeds dry and dying, perceived nothing, recollected nothing, about him or themselves.

The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.

The making of a picture ought surely to be a rather fascinating adventure. It is not; it is an endless contention of tawdry egos, some of them powerful, almost all of them vociferous, and almost none of them capable of anything much more creative than credit-stealing and self-promotion.

I don't understand what you're still doing here." She blinked and nodded miserably, then began to turn away. "No!" He pulled her back. "Don't leave. It's just that you've never—we've never... gotten this far." He closed his eyes. "Will you say it again?" he asked, almost shyly. "Will you tell me ... what I am?" "You're an angel," she repeated slowly, surprised to see Daniel close his eyes and moan in pleasure, almost as if they were kissing. "I'm in love with an angel.

From the happy-go-lucky days of oil exploration and drilling, when a lot of easy sources were being found and easily managed, we're gotten ourselves into this sort of apocalyptic time. We're willing to destroy almost everything, risk almost anything, and go ahead with techniques for which we have no way of responding to the known problems.

Hatred. Something almost as physical as walls, pianos, or nurses. She could almost touch the destructive energy leaking out of her body. She allowed the feeling to emerge, regardless of whether it was good or bad; she was sick of self-control, of masks, of appropriate behavior. Veronika wanted to spend her remaining two or three days of life behaving as inappropriately as she could.

Talking with Ken Shamrock was almost a one-way conversation. I knew Ken was a tough guy, one of the toughest in the world at one time and still tough as nails. I had heard he had a tough background, but there are two times in that interview when I teared up. I'm "Stone Cold" Steve Austin, and I didn't cry, but I teared up. Ken saw me, and he almost started tearing up, too. I'd never experienced anything like that. To hear some of the things that he went through, my jaw was on the floor.

I force my eyes upward and look at Mia for the first time. She's still beautiful. Not in an obvious Vanessa LeGrande or Bryn Shraeder kind of way. In a quiet way that's always been devastating to me. Her hair, long and dark, is down now, swimming damply against her bare shoulders, which are still milky white and covered with the constellation of freckles that I used to kiss. The scar on her left shoulder, the one that used to be an angry red weld is silvery pink now. Almost like the latest rage in tattoo accessories. Almost pretty.

Film relates to almost every other form of expression, but poetry is a bit abstract in its strength and sometimes even the white spaces on the page are evocative almost as much as where the text is. Certain poets have played with that.

It's gross. We use real brains - I think they're lamb or cow or something. Intestines smell. Brains don't really smell, but what's amazing about the brain is that it's almost like scrambled eggs or soft tofu, almost like a gel. The brain controls so much of what we do, but you could put your finger right through it.

I think of myself as a journeyman actress. I will attempt almost anything that I think that I can bring off. It could be almost anything.

Six months after 9/11, Jean-Marie Le Pen was almost elected president of France. There were a number of leaders and a number of parties running in the French national elections that year in the spring of 2002. But it ended up being not just a shock across France, and not just a shock across Europe. But it ended up being almost a worldwide shock when in the spring of 2002, Jean-Marie Le Pen came in second in those national elections. That put him in a two-man runoff for the presidency of France, spring of 2002.

I was in Mexico City. It's a very pleasant city in many ways. It's vibrant, lively, pretty exciting society, but also depressing in other ways, and sometimes almost hopeless, you know. So it's a combination of vibrancy and, I wouldn't say despair, but hopelessness, you know. Doesn't have to be, but it is. I mean, there is almost no economy.

If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.

I moved to New York when I was almost 21 and I've lived there for almost eight years, now I have a totally different relationship to L.A. There's like all this space and it's so beautiful seeing all these different landscapes and all my friends are here so now I really like it so much but my adjustment period was a little like "What a strange town".

It's almost impossible to separate the actions, or it's also, it's almost impossible to separate the oppression and exploitation, criminal oppression and criminal exploitation of the American negro from the color of the skin of the person who is the oppressor or the exploiter.

It almost seems as if autumn were the true creator, more creative than the spring, which is too even-toned, more creative when it comes with its will-to-change and shatters the much too ready-made, self-satisfied and really almost bourgeois-complacent image of summer.

Americans are an "almost chosen people," which is meant to suggest that there are clear parallels, literal, theological and everything else, between the American story and the Old Testament story of Israel and then the broader story of the Christian church. It's OK to recognize the parallels. It's OK to invoke them. But, you have to keep that "almost" in front of the "chosen." You can't go all the way and say, "America is Israel, America is the Church." That's where I think patriotism shades into, what I call, the heresy of nationalism.

The work in S, M, L, XL was almost suicidal. It required so much effort that our office almost went bankrupt.

The voice so filled with nostalgia that you could almost see the memories floating through the blue smoke, memories not only of music and joy and youth, but perhaps, of dreams. They listened to the music, each hearing it in his own way, feeling relaxed and a part of the music, a part of each other, and almost a part of the world.

I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.

I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.

For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.

I opened my mouth, almost said something. Almost. The rest of my life might have turned out differently if I had. But I didn’t.

Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.

The essay is a literary device for saying almost everything about almost anything

The unvarnished truth is that a trained dog is a perishable commodity. Few things are so subject to deterioration. It is almost as hard-and it takes almost as good a hunter-to keep a dog good as to make one as good. Eternal vigilance is the price of a good bird dog, regardless of who you are, or where and how virtuously you live.

People are stupid; given proper motivation, almost anyone will believe almost anything. BecauHse people are stupid, they will believe a lie because they want to believe it’s true, or because they are afraid it might be true.

We've always been here and we'll always be here. We are a specific arrangement of particles and this instant is infinite. Did we luck out, or didn't we? The odds against this sentence having ever being typed, much less the odds against you reading it were inconceivable. Smile, because the fact that you're able to is almost impossible to comprehend.

We play tag and kickball almost every day. It's one of the ways that I've figured out how to spend some fun quality time with my kids while getting exercise.

It is immoral from almost any point of view to refuse to defend yourself and others from very grave and terrible threats, even as there are limits to the means that can be used in such defense.

I see less and less... I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up... I will paint almost blind, as Beethoven composed completely deaf.

Duarte is a moderate when it comes to civilian control of the military and curbing death squads. On economics, the man is almost a Marxist.

It is clear that the building of models is not a purely mechanical process but requires skill of a high order - not merely mathematical skill but a sensitivity to the relative importance of different factors and a critical, almost an artistic, faculty in the selection of behaviour equations which are reasonable, tentative hypotheses in explaining the behaviour of actual economies.

Classically, there are three ways in which humans try to find transcendence--religious meaning--apart from God as revealed through the cross of Jesus: through the ecstasy of alcohol and drugs, through the ecstasy of recreational sex, through the ecstasy of crowds. Church leaders frequently warn against the drugs and the sex, but at least, in America, almost never against the crowds.

Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.

There's a lot about the character. It doesn't always happen, but there are some characters you really create a relationship with, almost as if they were your friend. And you never get into their heads again or think like them.

I know he did horrible things in the jungle. Things no amount of alcohol or pills could erase. War stains soldiers, all the way through their psyches, into their souls. I understand that, and could almost forgive him for taking his own life, to quiet the ghosts. But I can never forgive him for taking my mother with him.

I like men who are very cool but also so brilliant that they are almost insane. Sean Penn, Gary Oldman, Tom Waits - men who would be flipping burgers if they hadn't found an outlet for their brilliant mind-sets. I also like men who have hands with big masculine veins that you can squish and move.

A bad artist almost always tries to conceal his incompetence by whooping up a new formula.

Turkey's path toward Europe started back in 1959, almost 50 years ago. But we have been pushed to the side ever since. Despite all the hurdles we will not deviate from our course towards Europe –- even by one step.

Tennis is interesting because the women are almost more popular than the men. In the U.S. Open, women even get exactly the same money as the men.