Quotes About Angeles

There's sort of an open offer to work with a guy in Los Angeles who does big band and orchestra arrangements who was at least an acquaintance to Les Baxter before he passed away.

I still giggle when someone asks for my address and I say, Hollywood, Los Angeles.

I find that life just gets in the way and it gets so busy and there's so much chaos and stress that can come along with raising two teenage girls in Los Angeles and being married and working and, you know, everything that goes along with it. It's how do you find those calm moments, because everybody has this in their life.

More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.

I had a map on my wall that had a circle around Lubbock and then giant arrows pointing toward New York City and Los Angeles. Written across both arrows were the words 'Toward Civilization.' Of course, by the time I got to New York, I realized there really isn't any civilization.

There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.

I've always had a love affair with New York City, and I've threatened to get an apartment there one day. But it just made sense for me to set 'Burlesque' on the Sunset Strip in Los Angeles. It's a place I know intimately well and love, and I think there's a great story to be told with L.A.

I moved from Boston to Los Angeles, and took every opportunity that came along my way, trusting that God had a great plan for my life, giving me the willpower to move forward in a positive direction that gave me a feeling of purpose, joy and artistic freedom to fully express myself.

In those days, in 80th, people were really hungry for information - and, somehow, I had pretty good access because I had friends in London, New York, Los Angeles, everywhere. I'd been visiting many places and talking with people, so I had a constant flow of new info. I sometimes did articles for magazines and things, and people started to say, "If you want to know what's going on, ask Hiroshi." So that was the beginning with Goodenough.

As far as loneliness, I feel Los Angeles and its layout, having to drive everywhere - it is a lonely place. It's an isolated city in that respect because you're driving to places alone listening to the radio.

I could do an American accent, if I were immersed in the accent, meaning if I were living back in Los Angeles and rehearsing and auditioning the whole time.

I didn't want to go to college. I wanted to move to Los Angeles right out of high school.

I am back in Los Angeles after a very successful run in Chicago as Billy Flynn.

I really struggled moving from New Zealand to the United States. I still have very strong ties to my home, and it took me a couple of years to feel settled in Los Angeles. Fortunately, I have a great group of friends and found the places where I enjoy spending my time. Finding beaches to get to made me feel much more plugged into the environment here.

A clothing line is definitely something I've always wanted to do. I've done fashion shows and clothes for women that are plus sized. It's something that's very personal to me. I battle everyday like every full figured woman. My reason for moving to Los Angeles was to brand out.

My sense of Los Angeles was very New York provincial, as in 'all those people are crazy out there' (which they are), and stupid (which they're not), and immoral (it's more interesting than that).

Elevated locations imply elevated purposes, even in American cities departing as radically as Los Angeles does from the traditional planning patterns of the Eastern Seaboard.

Not to bash Los Angeles, but there is always a feeling in LA of where your stock is. Are you the top of the heap at the moment or do you have the blockbuster, did you get cast in that thing?

I grew up in Los Angeles and always wished I'd spent a childhood in a far different place.

I think the paparazzi might have chased me out of Los Angeles.

I live in Los Angeles. It's a very liberal city, but it's so hypocritical in what it's liberal about. You can be driving down Hollywood Boulevard, see a guy in lipstick and high heels wearing a fur coat masturbating into a mailbox. People giving him a hard time as they drive by: Hey, is that real fur? Of course not! That's sick!

Prejudices are useless. Call Los Angeles any dirty name you like - Six Suburbs in Search of a City, Paradise with a Lobotomy, anything - but the fact remains that you are already living in it before you get there

I'm from Los Angeles... I don't trust any air I can't see.

You know it's important to have a Jeep in Los Angeles. That front wheel drive is crucial when it starts to snow on Rodeo Drive.

I moved with my mom to Los Angeles for her to pursue her acting career, and she got a job casting atmosphere in some independent films.

Los Angeles can be a really sad city.

In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...

When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.

I like going to New York. I like the galleries and the theatre and the restaurants and bars and music. I think that city is more alive than Los Angeles.

I live in Los Angeles and I like to do a lot of hiking. I live a very relaxed life.

Media is everything, and when you live in Los Angeles and you live in New York, it's almost impossible to run into a conservative point of view because the conservatives that exist in Hollywood, where much of the media's done, and the conservatives that live in New York where a lot of the media's done are fearful of even expressing their conservative point of view.

I can't do Los Angeles. I've always been the anti-Barbie. I don't want to be in a place where almost every woman walks around with puffy lips, little noses and breasts large enough to nourish a small country.

I was just restless with being in school; so I went out to Los Angeles.

For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'

I thought, well, if we're inviting an audience, let's do it right. So I put in a proper studio audience at our studios in Los Angeles and it was just a little showcase and it was just for fun.

I love Los Angeles. It has a lot to offer culturally and has amazing restaurants.

There are two modes of transport in Los Angeles: car and ambulance. Visitors who wish to remain inconspicuous are advised to choose the latter

It feels great seeing posters everywhere, and bus stops promoting 'Black Nativity,' and billboards in Los Angeles. It's overwhelming. I can't wait for everybody to see what I got.

I can remember when I first got to los Angeles . I didn't have a car, I didn't have any money. I was walking the streets, you know, trying to get from place to place on foot almost. Sometimes, you know, you say, how am I ever going to get from here to there? There are a lot of people still having that dream and not being able to get there. So you never know. The idea is to keep on tap dancing, though.

I have a passion for modern and contemporary art. I spend a lot of time in museums; I particularly like the Guggenheim, MoMA in New York or LACMA and the Getty Museum in Los Angeles, for example. I cannot wait for the Louis Vuitton Foundation to open.

There are shows, a lot of small cable shows like Breaking Bad, where in the general population nobody watches them really, but everybody in Los Angeles in the industry watches them, and to get a small role on a show like that actually, in some respects, advances your career more than having a huge hit role on a genre show because they are somehow dismissed as a secondary market in this industry

There are two million interesting people in New York and only seventy-eight in Los Angeles.

Los Angeles is such a town of show business, and I'm a terrible celebrity. I find it difficult - it's the beast that must be fed. There's this big wheel of pictures and articles that goes around, and you get pinned on it.

Twenty-five years is a long time for a girl to live out of a trunk, and after looking over a few houses, I fell in love with one in Southwest Los Angeles.

It's impossible to walk a block in Miami, in Los Angeles, San Antonio without running into someone who is being deeply impacted by a broken legal immigration system.

Of course, in Los Angeles, everything is based on driving, even the killings. In New York, most people don't have cars, so if you want to kill a person, you have to take the subway to their house. And sometimes on the way, the train is delayed and you get impatient, so you have to kill someone on the subway. That's why there are so many subway murders; no one has a car.

I don't live in Los Angeles and I don't do a lot of superfluous press.

The almost Oriental politeness of the West Coast is one of its distinctive regional features, in marked contrast to the contentiousness of the East Coast.... So few human contacts in Los Angeles go unmediated by glass (either a TV screen or an automobile windshield), that the direct confrontation renders the participants docile, stunned, sweet.