Quotes About Artistic

Artistic simplicity is more complex than artistic complexity for it arises via the simplification of the latter and against its backdrop or system.

We all have our insecurity and that's normal. And you have to learn to accept that about being an artistic person or aspiring to be an artistic person is that fears and insecurity, they don't go away.

[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.

I have often noticed that when Fate has a phenomenal run of ill luck in store for you, she begins by dropping a rare piece of good fortune into your lap, thereby enhancing the artistic effect of the sequel.

Life! Life! Don't let us go to life for our fulfillment or our experience. It is a thing narrowed by circumstances, incoherent in its utterance, and without that fine correspondence of form and spirit which is the only thing that can satisfy the artistic

I just want to keep having the courage to raise the bar for myself, and to keep striving for excellence in artistic integrity and public service. And to continue to challenge myself to move outside of my comfort zone, personally and professionally.

There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." It's funny.

I was a completely normal kid, the school nerd. In Year 8 and 9 I got picked on. I was a freak- no one understood me. I was the kid who wanted to be abducted by ET. Then all the losers left in Year 10. But I was quite good at school, and very artistic. In Year 11 it turned around. I became one of the coolest kids in school. I was in school musicals- the kid who could sing. It was bizzare. I loved school. It's an amazing little world. The rules inside the school are different from the outside world.

This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.

Religious life is not going to go away. It will take a different form. Why am I so sure it's not going to go away? Because there are people whose personalities and gifts, and interests and soul, are simply immersed in living this kind of a spiritual lifestyle. That only makes sense. If you can live an artistic lifestyle, why can't somebody live a spiritual lifestyle? We've always, in every single great tradition, had a percentage of the population that stands in the middle of us being the beacon that calls us to realize that the spiritual life is an essential part of every life.

That very concentration of vision and intensity of purpose which is the characteristic of the artistic temperament is in itself a mode of limitation. To those who are preoccupied with the beauty of form nothing else seems of much importance.

Think of anybody - Dostoevsky or Jane Austen - [their work] was always something that now we would call political. So I don't see those separations too much, between what is artistic and what is political. Maybe in painting... no, I don't even believe that.

The fewer limitations the artist imposes on his work, the less chance he has for artistic success.

When I was 16 was just thinking about the future and - it sounds so stupid - but what my goal was going to be in life. I guess I was thinking about girls too. No girls liked me. That was bothering me. I was thinking about my height - I had a growth spurt right before high school and then that's when sports coaches started coming up to me, but that's when I had this artistic turn.

With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.

Artistic qualities that once seemed undeniable don't seem so now. Sometimes these fluctuations are only fickleness of taste, momentary glitches in an artist's work, or an artist getting ahead of his audience (it took me ten years to catch up to Albert Oehlen). Other times, however, these problems mean there's something wrong with the art.

I think people face that in any artistic field, this idea of: oh, I could do that, if I had the time.

If you look at how great artists of the past, like Beethoven, for example dealt with art and morality, you see that there was torture and pain in their work, but there was also dignity in the way that was dealt with. So I don't buy this contemporary notion that the only way to be artistic is to be arrogant, offensive or immoral.

It's probable that in the artistic hierarchy birds are the greatest musicians existing on our planet.

Derivative writers seem versatile because they imitate many others, past and present. Artistic originality has only itself to copy.

Every separate sector of artistic creation has its own basic rules . . . data which govern it. They are contained in the textbooks on these subjects. A professional knows the rules of the game as a matter of course so that he can achieve, in the upper strata above that, a high quality of art.

When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.

I don't mind being sexy, but on my terms. To this day, I love sexuality. I love the art of sexuality. I love Lady Gaga and the performance of sexuality. The mysterious, the artistic and the slightly perverse. I'm interested in all that.

I did some artistic nudes when I was I 8 with a French-Canadian photographer while I was modeling. They were beautiful shots, and they were not about nudity.

Adult movies with any artistic credit are released in the last quarter of the year and expected to gird for battle for Globes and Oscars. So the films aren't being seen just for themselves, but rather in a competitive context.

Suicide is the punctuation mark at the end of many artistic careers

Who would want the socialist Utopia? Especially if you were at all artistic - you want all those inequalities, because that's what makes life interesting.

...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in [the] future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.

The perfect detective story cannot be written. The type of mind which can evolve the perfect problem is not the type of mind that can produce the artistic job of writing.

For me, it's just a normal artistic endeavour to explore the dark side. Certainly, I'm not alone in it. Artists generally don't like to accept the version of reality that society and culture hand them. They want to know what's really going on. So you're always looking in the ceilings, under the floorboards and behind the walls, trying to find the mechanisms, the structures, and the truth. I find that often leads you into some dark places.

Actors work for many reasons. Sometimes you do it because the material is good. Sometimes you do it because the paycheck is good. We would love to only do things that are art, that are artistic and that satisfy us, but this is our job, as well.

In Germany, a certain artistic sense is fairly common, but the artist's sense is foreign there.

Fear goes hand-in-hand with artistic creation, and no amount of success will make the fear go away entirely.

Here and there, in some older houses, old faded daguerreotypes still hang on the walls... They seem to us to be very simple... compared with the artistic and skillful portraits made in later days... Here was a photograph that at one time had been the last word, a very modern portrait... Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.

I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.

[On gay men:] Let me say, a more artistic, appreciative group of people for the arts does not exist ... They are more knowledgeable, more loving of the arts. They make the average male look stupid.

Beethoven in c minor has come to symbolize his artistic character...where he seems to be most impatient of any compromise.

Theatre is the most perfect artistic form of coercion.

It is not about surpassing the masters who preceded us but more about opening new artistic vistas. It is about doing the things they didn't have a chance or the time to do.

The only person who has artistic control is the director, and 'director' is how you spell God in Hollywood.

The United States Justice Department, in my opinion, hasn't done a damn thing to alleviate this horrible manifestation of racism, bigotry and hate against blacks - the first African American President has done nothing. Even if he were inclined to do something to rectify what we are experiencing as a nation, I don't know if can go as far as an artistic expression can go, as salve for the collected suffering of the people.

Some are able and humane men and some are low-grade individuals with the morals of a goat, the artistic integrity of a slot machine, and the manners of a floorwalker with delusions of grandeur.

Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one

The short-term problems are economic - royalties, unions, irresponsible management. The long-term problems are artistic, and they started 40 years ago with the advent of television and the upgrading of films.

Some of our greatest historical and artistic treasures we place in museums; others, we take for walks.

'Frasier' was a classy gig. I didn't for one minute think it was less prestigious or artistic than doing a play.

Writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.

From building a fire one can learn something about artistic composition. If you use only small kindling and large logs, the fire will quickly eat up the small pieces but will not become strong enough to attack the large ones. You must supply a scale of sizes from the smallest to the largest. The human eye also will not make its way into a painting or building unless a continuum of shapes leads from the small to the large, from the large to the small.