Quotes About Author

I only know what it's like to be an author with social media. I can't compare. I do think we lose the mystery of the author. Today, I get tons of e-mails and Facebook messages from readers, and my goal with Twitter and Facebook is, if someone reaches out to me, I'm going to respond to them. I don't want to be an elitist author who is untouchable. I'm just a regular person, too. I will always respond to everybody.

The world is forever babbling of originality; but there never yet was an original man, in the sense intended by the world; the first man himself--who according to the Rabbins was also the first author--not being an original; the only original author being God.

I think overtly political novels - those that never transcend or contest their author's conscious intentions and prejudices - are problematic. This is not just true of the innumerable unread books in the socialist realist tradition, but also of novels that carry the burden of conservative ideologies, like Guerrillas, Naipaul's worst book, where the author's disgust for a certain kind of black activist and white liberal is overpowering.

Unfortunately what is little recognized is that the most worthwhile scientific books are those in which the author clearly indicates what he does not know; for an author most hurts his readers by concealing difficulties.

I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.

Either the translator leaves the author in peace, as much as is possible, and moves the reader towards him: or he leaves the reader in peace, as much as possible, and moves the author towards him.

Poets can tell the truth as they see it. It’s the author’s story, the author’s voice.

You don't expect me to know what to say about a play when I don't know who the author is, do you? . . . If it's by a good author, it's a good play, naturally. That stands to reason.

Between the reputation of the author living and the reputation of the same author dead there is ever a wide discrepancy.

Hollywood, to hear some writers tell it, is the place where they take an author's steak tartare and make cheeseburger out of it. Upon seeing the film, they say, the author promptly cuts his throat, bleeding to death in a pool of money.

Regarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.

A reader kindly pointed out to me recently that most of the quotes I include are by men. And it's true. Personally, I don't even consider whether the author is male or female, nor even care much who the author is - what's significant is the message. Of course, women are equally capable of great insights, however in our culture it's not so long ago that women could not even be published

If someone writes a great story, people praise the author, not the pen. People don't say, 'Oh what an incredible pen...where can I get a pen like this so I can write great stories?' Well, I am just a pen in the hands of the Lord. He is the author. All praise should go to him.

Nobody is the author or producer of his own life story ... somebody began it and is its subject in the twofold sense, namely, its actor and sufferer ... but nobody is the author.

The so-called paradoxes of an author, to which a reader takes exception, often exist not in the author's book at all, but rather in the reader's head.

The art path leads you to be increasingly free. And what does "because of being increasingly free" mean? Julio Ramón Ribeyro used to say a mature novel demands the author's death, not literal death but metaphoric death, which is the author has to truly erase himself. Therefore, to be truly free, you have to break free from internal and external pressures, to erase the self completely and become a sort of medium, let the story pass through yourself and let the story dance with you.

It is always dishonest for a reviewer to review the author instead of the author's book.

The author is the successor of the saint, everyone respects the author.

The author I wish I was reading right now and always is Nora Ephron. I love the humor, the awareness, the sense of self-deprecation. She is such a role model to me.

As a writer, author, creator of something the fact that people are still interested, is fantastic.

If at times I have thought myself unfortunate, it is because of a confusion, an error. I have mistaken myself for someone else... Who am I really? I am the author of The World as Will and Representation, I am the one who has given an answer to the mystery of Being that will occupy the thinkers of future centuries. That is what I am, and who can dispute it in the years of life that still remain for me?

Whatever an author puts between the two covers of his book is public property; whatever of himself he does not put there is his private property, as much as if he had never written a word.

A critic is never too severe when he only detects the faults of an author. But he is worse than too severe when, in consequence of this detection, be presumes to place himself on a level with genius.

God uses millions of no-name influencers every day in the simplest selfless acts of service. They are the teachers whose names will never be in the newspaper, pastors who will never author a book, managers who will never be profiled in a magazine, artists whose work is buried in layers of collaboration, writers whose sphere of influence is a few dozen people who read their blogs. But they are the army that makes things happen. To them devotion is its own reward. For them influence is a continual act of giving, nothing more complicated than that.

There are a lot of authors in the world, so it's difficult to find a unique niche to present your take on things. That is always a challenge for any author.

The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.

The stories on standardized tests don't have one author, therefore they can never authentically be in the first person. Imagine that! Everywhere, there are these tests that have been written by multiple people.

I have been an author for 20 years and an ass for 55.

The Bible is one story that unfolds in one book, by one author, about one subject. A story that moves from promise to fulfillment.

An author describing the methods of intensive farming, or the excesses of sport hunting, or even the harsher uses of animals in science writes with confidence that most readers will share his sense of concern and indignation. Sounding the call to action-convincing people that change is not only necessary, but actually possible-is more problematic. In protecting animals from cruelty, it is always just one step from the mainstream to the fringe. To condemn the wrong is obvious, to suggest its abolition radical.

I think I have done well, if I have acquired a new word from a good author; and my business with him is to find my own, though itwere only to melt him down into an epithet or an image for daily use.

I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.

You know what the critics are. If you tell the truth they only say you're cynical and it does an author no good to get a reputation for cynicism.

Sons of the Dawn is a page-turner, and author Hank Nuwer is to be thanked for enriching our sense of the West with this memorable novel.

Anita Johnston, Ph.D., author of Eating in the Light of the Moon, taught me to look in the mirror with curiosity rather than fear. So I may look at my reflection and think, 'That's interesting. I wonder why my body seems bigger today than it did yesterday. Maybe it's water weight. Maybe it's my outfit. Or maybe my eyes are just playing tricks on me.' I know it's not possible for me to gain a noticeable amount of weight overnight, so I will go no further than that. I move on with my day without skipping a beat-and definitely without missing a meal.

I definitely love history. I'm not formally trained or educated in history, but you could say I did go back to college in 2008 to do Untold History of the United States. That took five years. Co-author Peter Kuznick has been teaching history for something like 35 years, at American University and other places. His group of researchers brought me into contact with a lot of books.

To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.

Style has always been in my mind the author's Self, the creative expression of that Self.

The art of reading is the art of adopting the pace the author has set. Some books are fast and some are slow, but no book can be understood if it is taken at the wrong speed.

No author dislikes to be edited as much as he dislikes not to be published.

The attitude of, I will never self-publish, coming from any author, indicates that they have never been in a position where it is their only option.

There were other Anti-Christs among the Nephites, but they were more military leaders than religious innovators... they are all of one breed and brand; so nearly alike that one mind is the author of them, and that a young and underdeveloped, but piously inclined mind. The evidence I sorrowfully submit, points to Joseph Smith as their creator. It is difficult to believe that they are a product of history, that they came upon the scene separated by long periods of time, and among a race which was the ancestral race of the red man of America.

Anyone buying this book is going to be out a tidy sum if he is sucked in by the title. I wish I could write a real sexy book that would be barred from the mails. Apparently nothing whets a reader's appetite for literature more than the news that the author has been thrown into a federal pokey for disturbing the libido of millions of Americans.

It really depends on what the screenplay is asking of you, and what your responsibility is to that character. You have the author's intent to deal with, you have the filmmaker's vision, and then you have your own wants, desires and needs for the character. It's collaborative. But I knew, right off the bat, that there was no way to go into some sort of pink-haired, clown-nosed character with Ronald McDonald shoes.

Probably, indeed, the larger part of the labor of an author composing his work is critical labor; the labor of sifting, combining, constructing, expunging, correcting, testing. This frightful toil is as much critical as creative.

Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.

I hope to be remembered as an author who defined and exemplified excellence in crafting the modern love story.

The liberty, prosperity, and the happiness of our country will always be the object of my most fervent prayers to the Supreme Author of All Good.