Quotes About Author

I know publishing now more as an author than with occasional peaks inside those elite offices than as an industry insider. It was difficult publishing a novel the first time around, while working behind the scenes, knowing all that has to happen to make a book a success and to still make the leap as an author.

It is always a tense moment for an author to see how someone hasillustrated his or her story, because the author has lived for so long with these characters, sometimes for years.

Year after year, author/historian William Loren Katz continues to mine the lodestone of Black culture, and it is simply amazing how often he manages to find new treasures. Here, with the same insight he brought to Black Indians and his other books, the author traces the courageous role of Black women in settling the West. He deftly shows how these pioneering spirits helped stabilize early communities in Texas, Oklahoma, California and elsewhere.

Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author.

There was something appealing in thinking of a character with a secret life that her author knew nothing about. Slipping off while the author's back was turned, to find love in her own way. Showing up just in time to deliver the next bit of dialogue with an innocent face.

Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.

When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.

Reading a book should be a conversation between you and the author. Presumably he knows more about the subject than you do; if not, you probably should not be bothering with his book. But understanding is a two-way operation; the learner has to question himself and question the teacher, once he understands what the teacher is saying. Marking a book is literally an expression of your differences or your agreements with the author. It is the highest respect you can pay him.

The first lie of fiction is that the author gives some order to the chaos of life: chronological order, or whatever order the author chooses.

A creation of importance can only be produced when its author isolates himself, it is a child of solitude.

Under the law of nature, all men are born free, every one comes into the world with a right to his own person, which includes the liberty of moving and using it at his own will. This is what is called personal liberty, and is given him by the Author

It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry. Imagine then the interest that surrounded Miss Wintertowne! No young lady ever had such advantages before: for she died upon the Tuesday, was raised to life in the early hours of Wednesday morning, and was married upon the Thursday; which some people thought too much excitement for one week.

Character development is what I value most as a reader of fiction. If an author can manage to create the sort of characters who feel fully real, who I find myself worrying about while Im walking through the grocery store aisles a week later, that to me is as close to perfection as it gets.

All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

Don't explain your author, read him right and he explains himself.

He is intangible and invisible. But His work is more powerful than the most ferocious wind. The Spirit brings order out of chaos and beauty out of ugliness. He can transform a sin-blistered man into a paragon of virtue. The Spirit changes people. The Author of life is also the Transformer of life.

An author must be nothing if he do not love truth; a barrister must be nothing if he do.

Adaptation of books is never a success. When the author wants to make it, it's even worse.

In my opinion, understanding who your target audience is, and what they want, and writing to them (and only them!) is the most important component of being successful as an author.

I maintain that any writer of a book is fully authorised in attaching any meaning he likes to a word or phrase he intends to use. If I find an author saying, at the beginning of his book, "Let it be understood that by the word 'black' I shall always mean 'white,' and by the word 'white' I shall always mean 'black,'" I meekly accept his ruling, however injudicious I think it.

I think I have done well, if I have acquired a new word from a good author; and my business with him is to find my own, though itwere only to melt him down into an epithet or an image for daily use.

I'm probably the most loquacious author when it comes to my dedications. The reason is there is some symbolism there. I've been writing these books, bringing these stories to my readers who I love so much, and I have a greater love for my family.

The act of reading is a partnership. The author builds a house, but the reader makes it a home.

Certain I am that every author who has written a book with earnest forethought and fondly cherished designs will bear testimony to the fact that much which he meant to convey has never been guessed at in any review of his work; and many a delicate beauty of thought, on which he principally valued himself, remains, like the statue of Isis, an image of truth from which no hand lifts the veil.

I started Storyline after I'd accomplished all my goals and still wasn't happy. I'd become a New York Times bestselling author, which was my goal from high school, and yet I was less happy after accomplishing my goals than I was before.

A fine lady; by which term I wish to express the result of that perfect education in taste and manner, down to every gesture, which heaven forbid that I, professing to be a poet, should undervalue. It is beautiful, and therefore I welcome it in the name of the author of all beauty. I value it so highly that I would fain see it extend not merely from Belgravia to the tradesman's villa, but thence, as I believe it one day will, to the laborer's hovel and the needlewoman's garret.

A brilliant author or businesswoman or senator or software engineer is brilliant only in tiny bursts. The rest of the time, they’re doing work that most any trained person could do.

The task of an author is, either to teach what is not known, or to recommend known truths by his manner of adorning them; either to let new light in upon the mind, and open new scenes to the prospect, or to vary the dress and situation of common objects, so as to give them fresh grace and more powerful attractions, to spread such flowers over the regions through which the intellect has already made its progress, as may tempt it to return, and take a second view of things hastily passed over, or negligently regarded.

Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. I reflected on the subject of my spare-time literary activities. One Beginning and one ending for a book was a thing I did not agree with. A good book may have three openings entirely dissimilar and inter-related only in the prescience of the author, or for that matter one hundred times as many endings.

Every author ought to write every book as if he were going to be beheaded the day he finished it.

There were other Anti-Christs among the Nephites, but they were more military leaders than religious innovators... they are all of one breed and brand; so nearly alike that one mind is the author of them, and that a young and underdeveloped, but piously inclined mind. The evidence I sorrowfully submit, points to Joseph Smith as their creator. It is difficult to believe that they are a product of history, that they came upon the scene separated by long periods of time, and among a race which was the ancestral race of the red man of America.

For where is any author in the world Teaches such beauty as a woman's eye?

Meg Cabot is the best author ever

I hope to be remembered as an author who defined and exemplified excellence in crafting the modern love story.

We often forget that the author of our faith must be the finisher of it also.

Beware of books. They are more than innocent assemblages of paper and ink and string and glue. If they are any good, they have the spirit of the author within. Authors are rogues and ruffians and easy lays. They are gluttons for sweets and savories. They devour life and always want more. They have sap, spirit, sex. Books are panderers. The Jews are not wrong to worship books. A real book has pheromones and sprouts grass through its cover.

It is hardly useful if you trustingly play through variation after variation from a book. It is a great deal more useful and more interesting if you take part actively in the analysis, find something yourself, and try to refute some of the author's conclusions.

An autobiography should give the reader opportunity to point out the author's follies and misconceptions.

This is an extraordinary book of unique psychological power. It reveals not only scholarship and sophistication of the author, but deep and intimate knowledge of the recesses of the human psyche. By masterful juxtaposition of evocative images, poetry, and selected quotes from scholars, Flesh and Blood seems to engage both the right and left hemispheres in an unprecedented dialogue. The result is a multi-dimensional, almost holographic picture of the primordial foundations of the human mind.

The two most engaging powers of an author are to make new things familiar, familiar things new.

Crushed to earth and rising again is an author's gymnastic. Once he fails to struggle to his feet and grab his pen, he will contemplate a fact he should never permit himself to face: that in all probability books have been written, are being written, will be written, better than anything he has done, is doing, or will do.

I'm probably the only bestselling author you know who's written more books than she's read.

An author who enjoys writing may sometimes please other people by accident, but he can never pass on to any one else the zestful thrill he feels himself.

It is a terrible thing for an author to have a lot of people running about his book without any invitation from him at all.

For success, the author must make the reader care about the destiny of the principals, and sustain this anxiety, or suspense, for about 100,000 words.

Most bad books get that way because their authors are engaged in trying to justify themselves. If a vain author is an alcoholic, then the most sympathetically portrayed character in his book will be an alcoholic. This sort of thing is very boring for outsiders.

In Africa, when you pick up a book worth reading, out of the deadly consignments which good ships are always being made to carry out all the way from Europe, you read it as an author would like his book to be read, praying to God that he may have it in him to go on as beautifully as he has begun. Your mind runs, transported, upon a fresh deep green track.

The trouble is, I can't find a part of myself where you're not important. I write in order to be worth your while and to finance the way I want to live with you. Not the way you want to live. The way I want to live with you. Without you I wouldn't care. I'd eat tinned spaghetti and put on yesterday's clothes. But as it is I change my socks, and make money, and tart up Brodie's unspeakable drivel into speakable drivel so he can be an author too, like me.