Quotes About Author

I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.

It is always a tense moment for an author to see how someone hasillustrated his or her story, because the author has lived for so long with these characters, sometimes for years.

One hates an author that's all author.

I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.

The world is forever babbling of originality; but there never yet was an original man, in the sense intended by the world; the first man himself--who according to the Rabbins was also the first author--not being an original; the only original author being God.

Year after year, author/historian William Loren Katz continues to mine the lodestone of Black culture, and it is simply amazing how often he manages to find new treasures. Here, with the same insight he brought to Black Indians and his other books, the author traces the courageous role of Black women in settling the West. He deftly shows how these pioneering spirits helped stabilize early communities in Texas, Oklahoma, California and elsewhere.

The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.

I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.

The Internet obviously changes things; we've seen that in the music industry above all else. As an author, I'm now having to deal with the fact that it's happening in the publishing industry as well. And publishing is going through a very difficult time. Some view it as positive, some negative, but nobody really knows how to deal with it. If you're an author it looks very challenging because your work can be pirated so easily and there's very little you can do about it.

Poets can tell the truth as they see it. It’s the author’s story, the author’s voice.

I do not hold that because the author did a bad job of writing the player need trump it with the same kind of acting. When I go into a picture I have only one character to look after. If the author didn't do him justice, I try to add whatever the creator of the part overlooked.

Christ is the Master; the Scriptures are only the servant. The true way to test all the Books is to see whether they work the will of Christ or not. No Book which does not preach Christ can be apostolic, though Peter or Paul were its author. And no Book which does preach Christ can fail to be apostolic, although Judas, Ananias, Pilate, or Herod were its author.

I still pinch meself when I wake up of a morning...Who ever thought I'd be a children's author -- let alone a best-selling children's author? I feel I should still be driving a truck, or (working as) a longshoreman.

A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.

You’ve thrown down the gauntlet. You’ve brought my wrath down upon your house. Now, to prove that I exist I must kill you. As the child outlives the father, so must the character bury the author. If you are, in fact, my continuing author, then killing you will end my existence as well. Small loss. Such a life, as your puppet, is not worth living. But… If I destroy you and your dreck script, and I still exist… then my existence will be glorious, for I will become my own master.

Regarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.

If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.

At a tender age, I commandeered half a quire of foolscap from my father's desk and sat down to write a book. ...I had observed onprinted fly leaves the words "By the author of, etc." ...So under the title of my prospective work I wrote: By the author of "Les Miserables," "The Woman in White," "Dombey and Son," "Tom Brown's Schooldays" and "Our Life in the Highlands," the last-named being an opus of good Queen Victoria. I had not read all these works but they existed on our bookshelves, and I hoped to produce something worthy of comparison.

Computers will have to learn that when I quote from some old author who spelled differently from the machine, the wishes of the long-dead author will have to be respected, and the machine will have to mind its manners

A Diogenesian search for an honest person would rarely lead to the author of a memoir.

There is no author whose books I look forward to more than Vaclav Smil.

An author values a compliment even when it comes from a source of doubtful competency.

if an author would have us feel a strong degree of compassion, his characters must not be too perfect.

Although the great frustration about this [role] is the fact that there's one thing Maigret never does, and that's drive. He's always driven, or he takes the train, or he gets the bus. I was saying 'Well, why don't we ring the changes for the 21st Century, and stick him in the car?'. [Executive Producer and son of the author, John Simenon] said, 'Well, you can if you want, but there'll be lots of people who won't like it'. So he's a non-driver ... But no, Top Gear was never a consideration for me; and neither was I asked

It requires more than mere genius to be an author.

In my opinion, understanding who your target audience is, and what they want, and writing to them (and only them!) is the most important component of being successful as an author.

This is going to take a while. I'm a fantasy author. We have trouble with the concept of brevity.

A fortunate author can write maybe twelve novels in his lifetime.

As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.

There is no theory of a God, of an author of Nature, of an origin of the Universe, which is not utterly repugnant to my faculties. . .

There are, indeed, few kinds of composition from which an author, however learned or ingenious, can hope a long continuance of fame.

Perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by anything short- livedor local, but abode by real and abiding traits.

The awkwardness and embarrassment which all feel on beginning to write, when they themselves are the theme, ought to serve as a hint to author's that self is a subject they ought very rarely to descant upon.

Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.

Being a Georgia author is a rather specious dignity, on the same order as, for the pig, being a Talmadge ham.

You need to take small steps when you dream big dreams. I am a published author with dyslexia, a professional speaker who was in speech therapy for three years as a child because I had a lisp; and a slow stiff kid from the suburbs who became an All-Pro in the NFL.

I would go fifty miles on foot to kiss the hand of that man whose generous heart will give up the reins of his imagination into his Author's hands; be pleased, he knows not why, and cares not wherefore.

An author knows his landscape best; he can stand around, smell the wind, get a feel for his place.

It has been jestingly said that the works of John Paul Richter are almost unintelligible to any but the Germans, and even to some of them. A worthy German, just before Richter's death, edited a complete edition of his works, in which one particular passage fairly puzzled him. Determined to have it explained at the source, he went to John Paul himself. The author's reply was very characteristic: "My good friend, when I wrote that passage, God and I knew what it meant; it is possible that God knows it still; but as for me, I have totally forgotten."

I don't doubt that God can bring good out of tragedies, but the Bible is clear that God is not the author of evil!

An author accepting language's invitation to dance steps onto the floor of his her sensibility-charged consciousness and begins to move instinctively--even if with much dread--in ways that synchronize images, ideas, emotions, sounds, smells, ignorance, and knowledge.

The Physician, by the study and inspection of urine and ordure, approves himself in the science; and in like sort should our author accustom and exercise his imagination upon the dregs of nature.

To want to meet an author because you like his books is as ridiculous as wanting to meet the goose because you like pate de foie gras.

One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.

Too large a proportion of recent "mathematical" economics are mere concoctions, as imprecise as the initial assumptions they rest on, which allow the author to lose sight of the complexities and interdependencies of the real world in a maze of pretentious and unhelpful symbols.

My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few.

With the marketing pressures driving the book world today, it's much easier to get the author of a memoir on a television show than a serious novelist.

**New business concepts are always, always the product of lucky foresight.** That's right - the essential insight doesn't come out of any dirigiste planning process; it comes form some cocktail of happenstance, desire, curiosity, ambition and need. But at the end of the day, there has to be a degree of foresight -- a sense of where new riches lie. So radical innovation is always one part fortuity and one part clearheaded vision. [first-line bold by author] [2002] p.23