Quotes About Author

Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.

I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.

One thing should be put firmly. Where people have commented on that novel [The Paper Men], they generally criticize the poor academic, Rick L. Tucker, who is savaged by the author, Wilfred Barclay. I don't think people have noticed that I have been far ruder about Barclay than I have been about Tucker. Tucker is a fool, but Barclay is a swine. The author really gets his come-uppance.

The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.

Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author.

I do not hold that because the author did a bad job of writing the player need trump it with the same kind of acting. When I go into a picture I have only one character to look after. If the author didn't do him justice, I try to add whatever the creator of the part overlooked.

My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author.

Regarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.

I am not a "Christian author." I am an author who is a Christian. While my books reflect my faith, they are not intended as teaching tools for a Christian audience per se. My books are stories created around principles that work for everyone and they work every time.

My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite.

The art path leads you to be increasingly free. And what does "because of being increasingly free" mean? Julio Ramón Ribeyro used to say a mature novel demands the author's death, not literal death but metaphoric death, which is the author has to truly erase himself. Therefore, to be truly free, you have to break free from internal and external pressures, to erase the self completely and become a sort of medium, let the story pass through yourself and let the story dance with you.

The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.

A loving trust in the Author of the Bible is the best preparation for a wise study of the Bible.

Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre.

I've been waiting a long time to be a children's book author. I've spent decades getting good enough to write for children. When a kid likes my book, or just likes that I'm visiting and talking to him or her, and I get a hug, I feel reborn. That hug that says you made a connection - there's nothing better in the whole wide world.

The books we enjoy as children stay with us forever -- they have a special impact. Paragraph after paragraph and page after page, the author must deliver his or her best work.

Some people connect with a story and may find between the lines something that might be useful to him or her, but that's not the intention of the author, I think. At least not mine.

I think we have got to start again and go right back to first principles. The argument I shall advance, surprising as it may seem coming from the author of the earlier chapters, is that, for an understanding of the evolution of modern man, we must begin by throwing out the gene as the sole basis of our ideas on evolution. If there is only one Creator who made the tiger and the lamb, the cheetah and the gazelle, what is He playing at? Is he a sadist who enjoys spectator blood sports? ... Is he manuvering to maximize David Attenborough's television ratings?

A critic is never too severe when he only detects the faults of an author. But he is worse than too severe when, in consequence of this detection, be presumes to place himself on a level with genius.

The success of many books is due to the affinity between the mediocrity of the author's ideas and those of the public.

The problem of translation is to retreat to a simpler tenor of one's own style and creatively adjust this to one's author.

It seems to me as I reviewed the literature that, with few exceptions, the more confident were the prescriptions about how to behave with ethics and integrity, the further removed was the author from the life and work of the everyday manager.

If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.

A book becomes a mirror, with the author's face shining over it. Talent only gives an imperfect image,--the broken glimmer of a countenance. But the features of genius remain unruffled. Time guards the shadow. Beauty, the spiritual, Venus,--whose children are the Tassos, the Spensers, the Bacons,--breathes, the magic of her love, and fixes the face forever.

There are directors, and there are authors. I think I am more of an author than a director.

That part of a work of one author found in another is not of itself piracy, or sufficient to support an action; a man may adopt part of the work of another; he may so make use of another’s labors for the promotion of science and the benefit of the public.

As a writer I am proud that if you took my last four books, and they didn't have my name on them, I don't think readers would know they were by the same author.

Every song has a composer, every book has an author, every car has a maker, every painting has a painter, and every building has a builder. So it isn't irrational to take this simple logic a little further and say that nature must have had a Maker. It would be irrational to believe that it made itself.

I definitely love history. I'm not formally trained or educated in history, but you could say I did go back to college in 2008 to do Untold History of the United States. That took five years. Co-author Peter Kuznick has been teaching history for something like 35 years, at American University and other places. His group of researchers brought me into contact with a lot of books.

To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.

To most readers the word 'fiction' is an utter fraud. They are entirely convinced that each character has an exact counterpart in real life and that any small discrepancy with that counterpart is a simple error on the author's part. Consequently, they are totally at a loss if anything essential is altered. Make Abraham Lincoln a dentist, put the Gettysburg Address on his tongue, and nobody will recognize it.

Perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by anything short- livedor local, but abode by real and abiding traits.

The attitude of, I will never self-publish, coming from any author, indicates that they have never been in a position where it is their only option.

A successful author is equally in danger of the diminution of his fame, whether he continues or ceases to write.

The selection of topics for intensive research has often been a function of serendipitous opportunity. My forays into philosophy of education were largely in response to the prompting of friends and my dissatisfaction with much of what - at that time - passed for philosophy of education. I cannot honestly say that there has been either continuity or an overarching schema, though I suspect ,or at least hope, that someone who looked at my oeuvre might conclude that there was a philosophically integrated author.

Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.

If I become the most popular author in jump, please give me the right to end one manga I hate.

Smile, breathe and go slowly." - Thich Nhat Hanh, Vietnamese Zen monk, author and peace activist.

I am sure that no traveler seeing things through author spectacles can see them as they are.

If you cannot judge a book by its cover, surely we should not judge an author by one book alone?

It is possible to argue that the really influential book is not that which converts ten millions of casual readers, but rather that which converts the very few who, at any given moment, succeed in seizing power. Marx and Sorel have been influential in the modern world, not so much because they were best-sellers (Sorel in particular was not at all a widely read author), but because among their few readers were two men, called respectively Lenin and Mussolini.

If we are to continue to have the freedoms that came of the inspiration of the Almighty to our Founding Fathers, we must return to the God who is their true Author.

It is hardly useful if you trustingly play through variation after variation from a book. It is a great deal more useful and more interesting if you take part actively in the analysis, find something yourself, and try to refute some of the author's conclusions.

Crushed to earth and rising again is an author's gymnastic. Once he fails to struggle to his feet and grab his pen, he will contemplate a fact he should never permit himself to face: that in all probability books have been written, are being written, will be written, better than anything he has done, is doing, or will do.

And when he [the author of the universe] had compounded the whole, he divided it up into as many souls as there are stars, and allotted each soul to a star. And mounting them on their stars, as if on chariots, he showed them the nature of the universe and told them the laws of their destiny. - "Timaeus" by Plato 427-347 B.C.

The Noonday Demon explores the subterranean realms of an illness which is on the point of becoming endemic, and which more than anything else mirrors the present state of our civilization and its profound discontents. As wide-ranging as it is incisive, this astonishing work is a testimony both to the muted suffering of millions and to the great courage it must have taken the author to set his mind against it.

Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.

Correction of Earlier Entry: 8/01/12We read over the shoulders of giants; books place us in dialogue not just with an author but with other readers.