Quotes About Authors

Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.

Michael Koryta isn’t just one of the finest authors working in the crime genre today. He’s simply one of today’s finest authors, period. His stories are taut, compelling, and beautifully rendered. His understanding of human nature-the good, the evil, and all the gray between-is masterful. THOSE WHO WISH ME DEAD is Koryta at his best.

Under true peer-review...a panel of reviewers must accept a study before it can be published in a scientific journal. If the reviewers have objections the author must answer them or change the article to take reviewers' objections into account. Under the IPCC review process, the authors are at liberty to ignore criticisms.

The city keeps reinventing itself. And each generation thinks, as they enter it, that they've missed the best of it, and then they become the authors of the next "best." And so it goes on and on and on. And New York keeps redefining itself and reinventing itself, and then you look at it and it's pretty much the way it was back in the 1920's., or in the 1930's. Something stylistically different in some ways, but it's still got the same vitality.

I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.

The one thing all famous authors, world class athletes, business tycoons, singers, actors, and celebrated achievers in any field have in common is that they all began their journeys when they were none of these things.

Authors should be as involved with the marketing of their books as they want to be. No more, no less. I happen to recognized, quite early on, that no one was going to buy my book if I didn't do everything I could to let them know that the book existed.

I think that when you pay tribute and are citing, not only through naming the authors but also through the acknowledgement of the form, that you are in no way plagiarizing.

My father thought a novel was a broken short story. There's something to that. Many of my favorite novels are novellas. The authors of brief things must reckon with the precision of language.

From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words.

Authors communicate with the people by some special extrinsic mark; I am the first to do so by my entire being, as Michel de Montaigne.

Authors, like coins, grow dear as they grow old.

The question I hate the most is "How did you DO it - write novels and raise your children simultaneously!" I mean, do MALE authors get asked that??

Successful salesmen, authors, executives and workmen of every sort need patience. The great liability of youth is not inexperience but impatience.

Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.

With every literary genre or form come some conventional expectations that the biblical authors either follow or deviate from.

As many have noted, the peril for authors is that our work space is too easily our play space.

[Confiscating a book and punishing its author] is a sign that one does not have a good case, or at least doesn't trust it enough to defend it with reasons and refute the objections. Some people even go so far as to consider prohibited or confiscated books to be the best ones of all, for the prohibition indicates that their authors wrote what they really thought rather than what they were supposed to think . . .

Others have questions about how it is that God and human beings can both be speaking through the one document such that you can see and read the personalities of the human authors with their individual vocabularies and literary genres, and yet this is nevertheless the word of God. How can that be? This is quite a contrast with Islam, for example, which holds that the Koran has been dictated in Arabic by God and as a result Mohammed is nothing more than the one who memorizes the word so as to pass it on. There is nothing of human contribution.

Anyone who wants to be a writer should, if given the opportunity, hang out with "real writers," that is, poets or writers who are lions in literature, semi-lions, or published authors.

There's no doubt that scientific training helps many authors to write better science fiction. And yet, several of the very best were English majors who could not parse a differential equation to save their lives.

But anyone can write, right?'" Conner asked. "I mean, that's why authors get judged so harshly, isn't it? Because technically everyone could do it if they wanted to." "Just because anyone can do something doesn't mean everyone should," Mrs. Peters said. "Besides, anyone with an Internet connection feels they have the credentials to critique or belittle anything these days.

Not surprisingly, the chief way self-published authors get the word out about their books is through the Internet.

Plays, gentlemen, are to their authors what children are to women: they cost more pain than they give pleasure.

Authors are far closer to the truths enfolded in mystery than ordinary people, because of that very audacity of imagination which irritates their plodding critics. As only those who dare to make mistakes succeed greatly, only those who shake free the wings of their imagination brush, once in a way, the secrets of the great pale world. If such writers go wrong, it is not for the mere brains to tell them so

We are authors, all of us, concerned with beginning, with making, with sources and substance.

In societies that worship money and success, the losers become objects of scorn. Those who work the hardest for the least are called lazy. Those forced to live in substandard housing are thought to be the authors of substandard lives. Those who do not finish high school or cannot afford to go to college are considered deficient or inept.

The world is crawling with authors touring now. They're like performance artists.

There seemed to be a mystifying universal conspiracy among textbook authors to make certain the material they dealt with never strayed too near the realm of the mildly interesting and was always at least a long-distance phone call from the frankly interesting.

An avid reader, I never missed a book by Judy Blume or Agatha Christie. They both remain two of my favorite authors. If I could have combined these ladies into one person, that's who I would have wanted to be when I grew up.

Jewish authors would never have invented either that style nor that morality; and the Gospel has marks of truth so great, so striking, so utterly inimitable, that the invention of it would be more astonishing than the hero.

Books have their destinies like men. And their fates, as made by generations of readers, are very different from the destinies foreseen for them by their authors. Gulliver's Travels, with a minimum of expurgation, has become a children's book; a new illustrated edition is produced every Christmas. That's what comes of saying profound things about humanity in terms of a fairy story.

Authors have established it as a kind of rule, that a man ought to be dull sometimes; as the most severe reader makes allowances for many rests and nodding-places in a voluminous writer.

Classic authors should be older than I am, and wiser, and on-top of all their deadlines.

What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we're truly the authors of our own ambitions. Because it's bad enough not getting what you want, but it's even worse to have an idea of what it is you want and find out at the end of the journey that it isn't, in fact, what you wanted all along.

I am one of those authors who believes (perhaps foolishly) that she is in complete control of the story.

When Christians speak of the authority of Scripture, because Christians believe that this word, even though it's mediated through many different human authors, nevertheless is God breathed and is revealed by God and is utterly reliable and all that it says, with all of its different literary genres, it's trustworthy and without mistake or distortion. It is trustworthy and therefore, because it is from God it has God's authority.

Never measure literature by accounting statistics. A quarter of working authors earn less than $1,000.

What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true!

Authors do not supply imaginations, they expect their readers to have their own, and to use it

Authors always take rejection badly. They equate it with infanticide.

In old days the public didn't really mind much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws.

It's essential to have sacred time for writing. All successful authors have some daily commitment to keep on-track and moving forward.

You get a good review, and it’s like crack. You need another hit. And another. And another. I know authors are like Tinkerbell and generally need applause to survive, but it’s a slippery slope.

While growing up, I always had to depend on foreign authors for page-turners. I think of myself as a commercial writer, and my job is simple to entertain you.

Jesus' death by crucifixion under Pontius Pilate is as sure as anything historical can ever be. For if no follower of Jesus had written anything for one hundred years after his crucifixition, we would still know about him from two authors not among his supporters. Their names are Flavius Josephus and Cornelius Tacitus.

Why were so many Americans treated by their government as though their lives were as disposable as facial tissues? Because that was the way authors customarily treated bit-part players in their made-up tales.

I feel a kind of reverence for the first books of young authors. There is so much aspiration in them, so much audacious hope and trembling fear, so much of the heart's history, that all errors and shortcomings are for a while lost sight of in the amiable self assertion of youth.