Quotes About Band

There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.

When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.

I enjoy playing the band as the band. I be the whole band and Im playing the drums, Im playing the guitar, Im playing the saxophone. To me, the most wonderful thing about playing music is that.

The Animals were their own worst enemy. The Animals were a band that couldnt live up to their name. I was the singer in the band and as long as I was enjoying myself I would keep on working with the band. But it got to be rather nasty once the big money showed up - things started to turn toxic.

There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.

My first job was in a Bohemian polka band, the Rejcek family polka band in Abbott. The old man in the band had another blacksmith shop in Abbott, but he liked me. All he had was horns and drums, and I was set up over there with my little guitar with no amps or nothing. I would play as loud as I wanted to, and nobody could hear me.

I'm in a funny position: I've been in one band in my life and that was with my brother. As incredible as that has been, I feel like I'm missing out a little bit on being in a real rock band - or how I imagine being in a real rock band to be. It's like being in a street gang: you all wear the same leather jacket or whatever.

I know what it takes to make a band, how they should interact, what makes a record sound like it's a band - everything having to do with a band, I happen to be into.

What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.

I think that everybody that's coming out to Warped Tour, when they come to see the show, they're always like; let's go see that band that band that band and... that girl. I think that I tend to be that girl sometimes and I think that it's cool that I get to hang out with this Summer camp of smelly boys.

We just were a band one day. We woke up and in the morning we were a band.

I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.

Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it’s as if the audience—dancing, singing to the refrains, laughing—is part of the band.

Even when I'm touring, I feel like a sideman ... everybody's working together. We get to play longer solos; it's not just "Here's the record! Thank you for coming Goodnight" ... it has always had a "band" feel instead of being a singer and his backup band.

I'm not going to say I'll never rock with a band, because I'm too much of a fan of the aesthetic of a great band. But a girl group? Not again.

Acting had always been the social scene I'd fallen into. It was sort of a merry band of band geeks and theater nerds.

The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.

I just want a band and keep them working, people that I like and who I think a lot of. Once my band is happy, then I am happy.

Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.

Due to people's health, and certain things that have happened to people's physicality because of their healthy, that would probably keep us from touring per se. It doesn't mean that the original band wouldn't someday do a song. But our focus is on the current band, and moving into the future, as far as touring is concerned.

Yeah, after making Pablo Honey, we started experimenting with cloning myself in order to double the band's creative energy. However, the experiment was a failure, and the defective Thom Yorke clone escaped. And formed a band called Muse.

I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.

I've always seen My Chemical Romance as the band that would have represented who me and my friends were in high school, and the band that we didn't have to represent us - the kids that wore black - back then.

What we've noticed is that people latch onto our music, and are very, very supportive of it, even almost defensive about it. Quite fanatical, some fans, aren't they? Just like they are in England, once they get a hold of "their" band, they don't want their band to get too big anyways.

You know, in the 1970's, when I was in high school, I belonged to a band called the Happy Funk Band. Until an unfortunate typo caused us to be expelled from school.

If a band isn't coming up with two to four of those when they pick up their instruments, then they have problems - even if none of them turn into a song. If that's not happening in a band, it's time for therapy or breaking up.

I don't really care about labels that much. I wouldn't really call our music retro. There are influences of things from the past, which there is in everything. I think we're quite a modern band, actually. We don't record with old equipment. We use computers and programmed drums. We don't use any guitar amplifiers. We're very much a modern band in the sense that we love computers and what they can do to music. I guess we're just good at a different sound.

Being a part of a band is easier to brainstorm, and it's fun - you're encouraged and inspired by the others. In this band, it's especially that way for me, because they're my favorite musicians - they've been my favorite musicians for so long, and I get to play with them now. A lot of times onstage, I'm overcome with admiration or something, which also means that you need to step up, you need to really bear down to match the level of musicianship or artistry. It's really challenging.

We still talk about [school band]. Almost 40 years later. It's like people are talking about, "Man we need to have a morning band reunion".

I hope to find the perfect band as well, I really do, and I'm working very hard to find that band.

When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'

I think we're a little bit protective in that way. You're always trying to balance between what's spreading the word about the band and what's good money and what's a shitty look. Is this good for the longevity of the band? Do people even care these days? We care, but do we care more about the money? We've had a lot of discussions about things. It gets us into a lot of fights, but it also makes you question your own morals in a really good way.

Papa Roach is actually a band that's great at playing arenas. Not every band is suited for that environment. But besides the huge energy you guys bring, the songs are very grand and anthemic. "Kick in the Teeth" being an example as a song that's made for huge crowd sing-alongs, not tiny little club shows.

People don't seem to care about convictions any more. When I was a teenager, the deal was that, y'know, you had a band that you were really loyal towards, almost to a fault, and you stayed really loyal to that band. That was the whole thing, that was such a big deal.

Youths write me and tell me that their band will go nowhere because of all the bad bands in the world. I tell them there has always been awful music and that no great band ever wasted any time complaining, they just got it done. Their ropey ranting is just a way to get out of the hard work of making music that will do some lasting damage.

Instead of just being a band that's constantly replacing members, we figured we'd done all of the stuff we wanted to do. It seemed to make sense to see if we could live our lives without the band.

We're not a band because we're trying to be the Mother Teresas of the music industry, out to serve everybody. We're a band first and foremost because we love playing pop music.

Like all bands, the first two albums are always the ones most written about, and the most covered. When a band gets to their third of fourth album, the story of the band has already been told.

I've got the big name, but I've always wanted to be in a band, one of a band.

The Replacements definitely changed my life, I think they're just amazing. The thing that blew me away [a band like that] is that you'll get into a band from hearing one interesting song and then you'll realise that you've got seven or eight albums to listen to afterwards and every single one of them is a great record. The Replacements definitely changed my life.

We, Autolux band, write in very different ways; sometimes we play with the band and write music first and then form vocal parts and lyrics. Or I'll find some music, or a guitar part or something, and I'll just write an entire sketch of an idea from that. So I think things have always been that way, it's just that this time around we had some more obstacles off and on all the time.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

I played in rock bands in college and then right out of college I moved over to Europe and lived in Ireland for about four years playing in indie rock bands. I love and miss being in a band, I still am in a band but pursuing that as a career I definitely missed it but I felt like that ship had sailed.

We started the band with a work ethic of 'it's us against the world' and that is something that our fans aligned with, too. Together, we speak a common language. I think that motto has helped us keep the creative force alive all these years while the fans have kept the fire burning for us to always be excited to create new music for them. Without the fans, we are a band without a home.

I have so many indie bands on my iPod. What I don't really understand is the attitude that if a band is unknown, they're good, and if they get fans, then you move on to the next band.

Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.

It always offended me when I was in the studio and the engineer or the assumed producer for the session would start bossing the band around. That always seemed like a horrible insult to me.

One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Mötley Crüe could be the first band to play on the moon.