Quotes About Band

I actually knew Sully's sister, and I was in a band called Stripmind, and then I became roommates with Sully and being out of a band, he asked if I wanted to join in his. Tony was originally the second guitarist in the band; a guy by the name of Lee Richards was the first. The rest is pretty much history.

I said that the only way I could have a band that would work in the format of my show is if the band were crap. So if I have a band they'd have to really suck.

The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.

The act of the being in the band has very little in common with writing songs. The songs come out of it, and the band is necessary for the songs to emerge, but the band doesn't exist just so the songs can emerge.

Cornelius Cardew very famous in Britain, because he was the darling of the avant-garde, and he played in a band called AMM, which was an improvising band in the '60s. Paul McCartney used to come watch them. Later on in life, he became disenchanted with avant-garde music, because he felt it couldn't reach the public. It didn't have a wide enough appeal. So he'd take these tunes of old English folk songs and write Stalinist lyrics over the top of them. I do think that when he changed to folk songs, he actually lost the tiny audience he already had, which is quite interesting.

I'm happy doing different things. Being in a band is great, but being in a band can be difficult sometimes.

I'll come in with a string of riffs and direct the musical ideas. But you still need a band and their input to make the ideas come alive. You can't underestimate band chemistry.

Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it’s as if the audience—dancing, singing to the refrains, laughing—is part of the band.

Even when I'm touring, I feel like a sideman ... everybody's working together. We get to play longer solos; it's not just "Here's the record! Thank you for coming Goodnight" ... it has always had a "band" feel instead of being a singer and his backup band.

I'm not going to say I'll never rock with a band, because I'm too much of a fan of the aesthetic of a great band. But a girl group? Not again.

My brother was in high school and he had a garage band going, but no one would sing. They were covering a Hatebreed song at the time and I knew the words for it. My brother knew I knew the words, so he came inside the house and he's like 'Hey Mitch, come out here and sing'. I did it and after that I started a band with my older brother. That's how I got started.

My grammar school graduating class in 1941 had a little party for 13 or 14 year-old kids. [Trumpeter] King Kolax's band played for the party and Gene Ammons was playing tenor saxophone with the band. And that's when I said, "That's it!" Just like that, tunnelvision ever since.

We'd started out as a garage band and it became like a huge band, which was fine. But everything was so magnified, drug addictions, personalities, it just became too much.

Well, I was in a band. I was the singer with a band called the Soul Satisfiers. I sang then quite a bit of Jazz and some Top 40 stuff.

Gym Class is a band I am more directly involved with than any other band except for Fall Out Boy.

We care about equality and democracy within the band and outside the band. For us life is about cooperation and solidarity, not about egotism, greed, or competition. This means that we prefer to work with people and bands that have a similar sort of mentality and attitude.

I keep telling Ron Lorman and them in the control room, "It's my band! The reason I have a band is because I can't stand for somebody to tell me what to do."

It kills me when I see some metal band trying to pass themselves off as an 'alternative band.

I think some of my inspiration came from just being around music. My family was into music. My uncle had his own band and my father use to sing in my uncle's band. If you want to go to the music influences we could be here all day. That's everybody from Michael Jackson all the way up to people in the game now that inspire me.

Kiss is the number-one American band in gold-record sales. In the world, only the Beatles and the Stones are ahead of us. Every other band should be wiping my ass. The line forms over there to the left.

Yes, but I have to say this: the band is going to decide where the band plays.

As I said to Ringo, I was in a successful Rock N Roll band. He was in a band that changed the world. That's the difference.

When that band started out, I was 18 years old. So that was my reality all the way up until I quit the band. And even then, you know, Guns N' Roses has a nasty way of sticking around.

A lot of people change their band names because they're looking for a change of atmosphere.

Another factor is that in terms of the original compositions, this is our strongest year yet. Everyone wrote a fantastic piece and everyone really had a greater sense of how to write for this band -- not only for this particular instrumentation, but for these particular players. Each year, the reality is getting closer to the ideal of a collective.

A slow band can be great. A slow 100-metres runner is just obsolete.

The biggest secret weapon we had in regards to really being true to this part of the world, and making sure this part of the world could see themselves in this film [Moana] in a way that felt positive and accurate, was Opetaia, my co-writer, Opetaia Foa'i, who has a great band called Te Vaka and is an amazing musical and cultural ambassador.

There's people that say “It's not fair You have all that stuff.” I wasn't born with it. It was a horrible process to get to this. It took me my whole life. If you're new at this- and by “new at it.” I mean 15 years in, or even 20- you're just starting to grow traction. Young musicians believe they should be able to throw a band together and be famous, and anything that's in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.

You can't live the Christian life without a band of Christian friends, without a family of believers in which you find a place.

If you are any competent musician, if you have creative ideas, ideas of songs, of arrangements, in a band like the Stones, where these 2 people do all the things, there is no freedom.

I think of rock 'n' roll as a combination of country blues and swing band music, not Chicago blues, and modern pop.

I've always chosen my band members based on their sense of humor. It might sound stupid, but it means not only are they fun to live with on a tour bus for years, but humor implies intelligence.

People in my band and in my life see me as someone who is seeking out chaos, and that's why it comes to me. And these people who have never met me say because of when I was born and how the planets are aligned, chaos sees me as a portal.

Years ago I was in a band called Two Lane Blacktop - we deliberately named ourselves after the 'Two-Lane Blacktop' movie, 'cuz it's a car chase movie. All our songs were based on movies, every single song. I love movies, and that was something that me and the singer in Two Lane Blacktop bonded over - we were design students together, we did a film-class together, so we became obsessed with movies. It's followed me around ever since then, it's a constant theme.

I think we have a little added appreciation for the Canadian fans, maybe because there's a lot of Canadians that want a Canadian band that seems to tour a lot more in the U.S. that are like, "Whatever. You guys don't care about us. You just turned your back." Our fans, the people that we hang with in Canada when we play, seem to be super-supportive still. We have a lot of love for that.

The great thing about rock-n-roll is you realize the top of the mountain is big enough for more than one band.

Music expresses what cannot be put into words I like to think, and I think the band makes a good go at it.

When you get a chance to play with people - informally is one thing, but when you hook up and make something that's going to last or mean something to someone, I take it very seriously. I take it no less seriously than the band I was in for 15 years; it's just a new place that I'm in. I'm in the Gutter Twins right now and that's what I am. But if I'm a Twilight Singer next year, it will be with no less passion.

The Meatbats are a throwback band.

Can we just do this?” Ray asked tightly, clinging to Zheng’s already slightly elongated arm. Because Louis-Cesare wasn’t the only one with a master power around here. “Let go,” Zheng told him. “I’m the rubber band; you’re the spitball. And spitballs don’t hold on to rubber bands.” “Die in a fire,” Ray told him savagely. But he let go.

In Europe they look upon jazz as art. In America it's a diversion. Somebody opens a restaurant and installs another band off to the side. People don't listen.

We few. We happy few. We band of brothers, for he today That sheds his blood with me Shall be my brother.

It is a great pleasure to be performing with a big band. Those people took part in a group that played the music from the Kino Kultura album i.e. the soundtrack music I've been doing. It is difficult to organise them all and to have those people for a certain date since they all have their own obligations and arrangements. It is a great privilege to gather all those musicians at one place, especially these that I work with, since they perform regularly abroad, at weddings or are working somewhere else.

It is not very practical in today’s world when you tour all over the place having a big band.

My dad was a singer in a band and neither of my parents went to college, and I ended up getting into Harvard and was the first person in my family that went to college and it happened to be Harvard.

It's how I learned to play guitar - sitting with Led Zeppelin and Cheap Trick records, backing the needle up and learning how to play along. When the band started, by doing something that was very obvious to us and sort of traditional, it set us apart at the time from what was happening musically.

I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring - just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.

Capricorn was one of the homes of the Southern rock movement with the Allman Brothers and Charlie Daniels and the Marshall Tucker Band. I don't think you can come from that area and not be influenced by that stuff a little bit, no matter what generation you grew up in.