Quotes About Band

Hopefully people can look at our band and see that we're a heavy rock band. We're definitely not a metal band, but we're a band that focuses on meaningful lyrics and melody.

When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.

My favorite band was The Band, and nobody compares in my mind with The Band.

All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.

Kurt Cobain was Nirvana. He named the band, hired its members, played guitar, wrote the songs, fronted the band onstage and in interviews, and took responsibility for the band's business decisions.

I would rather write songs and then practice with the band. Just the band camaraderie is awesome and then writing music and then just listening to it and saying 'Dude, we made that music!' That's really fun.

Some of the best trades come when everyone gets very panicky. The crowd can often act very stupidly in the markets. You can picture price fluctuations around an equilibrium level as a rubber band being stretched -- if it gets pulled too far, eventually it will snap back. As a short-term trader, I try to wait until the rubber band is stretched to its extreme point.

Being in a band is about making the band the priority.

I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.

Mysticism is concerned primarily with moving our awareness field from the beginning of the band of perception, the human band, up to the enlightened bands of perception.

When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.

To me, the producer is there to make sure the album gets done and gets done as good as possible. So if that means that you have to help write a bridge or help write a part, that's what you do. If that means you help tune the guitars, then that's what you do. If that means all you do is tell the band their takes are good and they should stop f——— with things, then that's what you do. If it means you don't do anything except make sure the band doesn't fight, then that's what you do. Sometimes it's a little more stressful than others, but for the most part, you just don't complain about it and you just get it done.

I formed a band called Atomic Rooster. The Atomic Rooster was sort of an underground cult band, sort of psychedelic. We did very well.

The main reason we didn't break up is because we weren't really a college band. We were just, two dudes who were messing around with music. We never played off-campus except for once or twice. We never had any ambitions to make it as a band after college, or anything like that. So that probably worked in our favor. We never took anything seriously, we still don't!

With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.

My musical background in Tyler, Texas was quite outstanding. Uh, I grew up with, uh, with high school teachers who were in bands, they could play music. And we had a nine piece band there in Tyler, and I joined them when I was about, oh, 15 years old and traveled all over Texas in that band, playing for the elite oil people. Hah. And um, I was making about 50 bucks a night, and uh, it taught me, they taught me how to find my timing and to learn the songs that I wanted.

The chances of a reunion now are less likely. I was thinking of having a 40th anniversary of the band, but now they are really another band, so it's all a bit weird.

Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.

We care about equality and democracy within the band and outside the band. For us life is about cooperation and solidarity, not about egotism, greed, or competition. This means that we prefer to work with people and bands that have a similar sort of mentality and attitude.

I've never treated anyone in my band like they're not on the same level as me. I'm not that kind of person. In the past, I have disrespected people in my band and that was my weakness. I think some people have a hard time understanding how I think.

The shows are so different from each other, depending on whether I play with my band, Nine Stories, other musicians, an orchestra, only one or two members of my band.

The Tragically Hip, more so than any other band I've worked with, approach their work like a team. This might sound way too pat, but they're like a great hockey team: all five of them have their roles. They go at their shows like an athletic event; they're in it to win it, and they'll lay it out there on the proverbial ice in order to win and get the crowd on their side. You can't do that when you just throw a band together. There's a sixth sense there that makes it easy.

It kills me when I see some metal band trying to pass themselves off as an 'alternative band.

When you're in a band that's so big when you're young, you kind of lose your identity a little bit. You just become part of the band. I just needed to get away from it.

I was trying to take the band in a direction that I thought was appropriate, and Roth was trying to take the band in more of a Las Vegas direction. And there he is.

I'm sure that a lot of women and men feel differently about it, but for me this isn't about being the girl in the band... it's just about being IN the band, if that makes sense? We're trying to keep it in a pure and genuine place for us and not break it down to gender, because it's just a bit boring and obvious isn't it?

Throughout my whole life, as a performer, I've never played with a band. I've always played alone, so I was never required to stay in rhythm or anything. So it was a real different experience for me to start playing with a band. There were so many basic things for me to learn.

REGARDING THE MARCHING BAND: How much more interesting it would be to see a creeping band.

It ["Begin the Beguine"] became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.

We started the band with a work ethic of 'it's us against the world' and that is something that our fans aligned with, too. Together, we speak a common language. I think that motto has helped us keep the creative force alive all these years while the fans have kept the fire burning for us to always be excited to create new music for them. Without the fans, we are a band without a home.

My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.

A slow band can be great. A slow 100-metres runner is just obsolete.

Ironically, when I was playing in my first band, I would deliberately not write down any lyrics. I have a really good memory and I would just keep them in my head.

We've gotten better at shooting down routine material or stuff we feel like we've done better in the past. Getting different people in the band for periods also keeps it from going stale.

I've always thought, "I could probably write one of these country songs and send them to these places and make up this fake country band. Wouldn't it be awesome to have a completely parallel career and have nobody know about it?" I think I could get away with it. I'd be the guy from Oklahoma with country cred.

In the long-run I think we lost some of our audience because of noise. I don't think people were ready for it, OK? And after we did it nothing really happened, but then 4-5 years later when there was a rap-rock emergence, we were already over it. We could have made Bring the Noise part 2, Bring the Noise part 3 - but like I said we're a METAL band, we didn't want to do that.

Nikki lives around the corner from me and I see him all the time. We talk a lot, and of course we're still friends. That was our baby, Motley Crue, we put that band together.

I feel like if you let someone else create your vision, then it's not true to your band. No one can ever do as good as you want, or as good as you can yourself.

People want you to produce records. They don't care what it took to make it. When a band is out doing concerts, the fans don't want to know about equipment difficulties. They want their hour-and-a-half release, and that's it.

There was a time in our very recent history when it was “interesting” to be a Star Wars fan. It was sort of like admitting you masturbate twice a day or that your favorite band was They Might Be Giants. Star Wars was something everyone of a certain age secretly loved but never openly recognized

One day when I was like 9, I heard the Beatles on the radio, and I asked my dad who they were. He told me they were the best band in the world, and I became obsessed. He started giving me their albums in sequential order, and I listened to them - and only them - until I was probably in high school.

Usually, the best thing is when the band goes to the bar and gets the corner table, we sit there like kings, and then they bring people to us. It's just rock 'n' roll. It's stupid, really.

And what do the Theban hoplites see in this extended rending of the sky, this white-bright glory of Enlil's lightning? The future, but not theirs: paired cavalry fighters; formed ranks of armored death; grim men on their tall horses with lightning limning weapons tailored to the task; men spoiling for a fight if the gods allowed - the Sacred Band of Stepsons, out from shadows and the dark.

The Stones are not the kind of band that want to get in the details. That's why they have a producer and engineer - to pull the magic out of them and make them sound so great.

I definitely prefer to be in a band. There's too many solo people, and bands are suffering. There's too many great bands that have split up because somebody's got an ego, and then he goes solo.

It's hard to cover for someone who's disrespectful and ungrateful...To say, 'I didn't quit the band' is just not true. It's disingenuous.

My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.

My daughter Meredith Moon from my second wife has a band that does Appalachian music, with five-strong banjo, clawhammer style. I may have to direct her somewhere. Meredith was my middle name. I would have to direct her because I am always directing something. She's in the musician's union and she is only 21. Your kids surprise you.