Quotes About Basically

Basically, actors arrive in a bubble. They have a little sealed bubble around them and it's basically [comprised of] their agents, their last film, their next film, their press agent, and their per diems - all these things, they cocoon themselves with and you have to puncture that bubble on each of them to make them be in your film.

A conservative government survives essentially by dampening expectations and subduing hopes. Conservatism is basically pessimistic, reformism is basically optimistic.

I`ve heard this theory that this is basically Jeb`s [Bush] people trying to get their supporters to basically put the stake in Marco Rubio because if people are talking about accepting [Donald] Trump over [Ted] Cruz, what they`re really saying is Marco Rubio`s no longer viable.

I would describe our band "Paper Walls' growth as the natural evolution for anyone the age of 25 to 27, but with "Paper Walls' we focused on the best of what Yellowcard had to offer from our previous work. Meaning we took the energy we had from Ocean Avenue and blended that with that sharp rock edge and all the different sonic evolutions we have on "Lights and Sounds', and we basically mashed them together. So what we have on "Paper Walls' is basically the finest Yellowcard sounds we have to offer.

The car as we know it is on the way out. To a large extent, I deplore its passing, for as a basically old-fashioned machine, it enshrines a basically old-fashioned idea: freedom.

I work, and then whenever I have any other time, I'm with my daughter, and then I go to sleep. I think you basically have to abandon the dreams of having any other adult activities in your life. You have to go to sleep whenever your child goes to sleep. That's basically how we're doing it.

I did it through our ministries. We had ordination and basically understanding there ought - to be ordained that God has set apart, for the purposes of ministry. This is an important thing because of that defining moment, when I held that word up, I said I want to spend the rest of my life helping people.

Basically I am a low-culture person. I prefer watching baseball with a beer and some meatballs.

The trouble with poverty, as an issue, is that it has basically exhausted the patience of the general public.

Basically, if I ever went and worked on a crime drama or something, it was usually just for the work.

I think every director's different. Every director's got his own style. I mean, when I directed, I basically just screamed for eight hours a day, twelve hours a day.

I'm basically a sexless geek. Look at me, I have pasty-white skin, I have acne scars and I'm five-foot-nothing. Does that sound like a real sexual dynamo to you?

Basically no, I mean I think that it's very easy to like I say, smoke a joint or even to wear a Chairman Mao button, or do a lot of these things with out knowing what's behind it, and what it really means.

My first reaction was that the adult world was fake and liars and basically worked for money and power. I didn't want to live in that world, so I spent a year, aged 17 to 18, trying to kill myself. I didn't want to live in a world of violence and injustice.

The funny thing is that Sydney, who worked on the first film [Tron], developed a bike that had an exposed rider, but they couldn't do it because the computers weren't fast enough, so they gave it a roof, which became the iconic one. Ironically what we do now is basically what they envisioned in the first one but couldn't do technically. I mean this a full on homage in every aspect.

Bulk collection means all of your communications are being secretly intercepted. They are being stolen as they cross India, and they're being stored in these silos so that they can be rifled through at the convenience of secret agents, basically.

You have to be able to observe life as if you were a camera all the time, constantly looking at light and the way that things are placed and the way people hold themselves. You need the ability to see something in someone or something that no one else really sees and be able to bring that to light. Basically, you have to be an obsessive crazy person.

The United States basically accepted protection abroad as the price of post-war recovery. Now, that these countries have caught up to our level of prosperity, it is time for them to catch up to our level of openness.

Denmark is a country built on a commercial fleet. That's basically what we have been doing. We're just a small country of islands, and every family has a sailor.

I remember very distinctly being so tall I didn't fit sleeves, so I ended up modeling lingerie and bathing suits, sleeveless stuff, basically. I didn't have a good body, but I believed I knew how to stand or pose to mask it.

Sometimes the public says, 'What's in it for Numero Uno? Am I going to get better television reception? Am I going to get better Internet reception?' Well, in some sense, yeah. ... All the wonders of quantum physics were learned basically from looking at atom-smasher technology. ... But let me let you in on a secret: We physicists are not driven to do this because of better color television. ... That's a spin-off. We do this because we want to understand our role and our place in the universe.

Now the time comes that I decided I only will do art films, basically. In a way, very similar to Isabella Rossellini. I prefer to work only with people like Lars von Trier or Guy Maddin or Gus Van Sant, just to name a few. But also there's bills to pay, and sometimes you have to make a movie. So my decision from now on is art movies, or movies which are commercial, but for real money. That is my decision.

Basically we should stop doing those things that are destructive to the environment, other creatures, and ourselves and figure out new ways of existing.

Being a geek is all about being honest about what you enjoy and not being afraid to demonstrate that affection. It means never having to play it cool about how much you like something. It’s basically a license to proudly emote on a somewhat childish level rather than behave like a supposed adult. Being a geek is extremely liberating.

Kurt [Sutter] is one of the few showrunners that actually sits down and talks to the actor alone, and then with all of the other writers, and basically tells you what he has in mind and what's going to go down.

Well, I think they're all basically the same story. Every culture in the world has them. When you strip it down and analyze it, it's the young man or girl who goes through a trial or ordeal and hits a very low ebb but manages to get guidance from a Merlin type figure.

I'm approaching a period in my life though where I'd like to be totally absorbed into music, doing concerts, writing something. Basically, that IS what I am doing.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

There was a time, right up until the end of the Second World War and beyond, when white people in Europe thought that they basically owned the world and that everybody else was a sort of servant, or a curiosity, or whatever. And that informed 99 percent of the photographic practice that was done. Without being able to address that, I felt I would have failed in my attempt to explain what the urge to document is.

Basically what you want in any profession - I would say the same thing if I were a lawyer or a doctor - is you want bright undergraduates to look at your profession as something they would be interested in getting into.

Militarism is basically a way of thinking, a certain interpretation of the function of the state; this manner of thinking is, moreover, revealed by its outer forms: by armaments and state organization.

I'd love to say something heroic. I'd love to say we made history. But basically it was a bunch of guys parked around the Bay there, and somebody grabbed a board and went surfing, and it looked so good the rest of us guys said, 'Hey, we got to get in on this.'

I think I did experience culture shock. When I first arrived in Boston, I was basically told to go home. "Homeboy" is what they called me - very funny. I didn't take offense. I just thought, This is exactly where I want to be. The pace was different. Houston is a sprawling city. Boston is just crammed into the size of a postage stamp.

The character of Brent Spiner. We certainly collaborate on the concept of that, but he basically writes the script, then it's sort of a combination of his voice and my voice.

I think the greatest work in social psychology from the 1950s and '60s is enormously important. I wish every high school kid could take a course in social psychology. I think we're making enormous strides in understanding the brain. These aren't yet giving us great insights, but I feel like we're on the verge of it. In five or ten years this basically searching the brain is really going to change things.

Acting, to me, is about the incredible adventure of examining the landscape of human heart and soul. That's basically what we do.

A lot of people want a shortcut. I find the best shortcut is the long way, which is basically two words: work hard.

When I go and speak now at all sorts of conferences, later in the night there's always a better Maxie Walker than me. Billy Birmingham's legendary for basically being able to verbally kneecap any of a number of Australia's characters, particularly in the commentary box.

It's great that people are basically spending their two weeks of vacation to come out and be with us in some weird part of the world. And I think we owe it to them to take 'em to some cool places.

I think it's child abuse to have someone in the public eye too young. Society basically values wealth and fame and power at the cost of well-being. In the case of a child, it's at the cost of someone's natural development. It's already hard enough to develop.

Obviously we're doing a comedy [Fresh Hell], and our intent is to entertain, but we're also really aware and trying to stay aware of the subtext of what it's like to reach a certain age and be dismissed, basically, from the fraternity you've always wanted to be a part of, and the desperation involved in trying to claw your way back into it.

It really was something, to see Ram Bahadur Bomjon, apparently living without food or water. Before I went on that trip I'd asked advice on it from a very wise person who I love and revere - basically trying to see if I was somehow disrespecting Buddhism by trying to write about it, and also looking for some grounding on what stance to take ... and my friend said, "Well, why don't you just go and see?" And I hear that in my head all the time now: "Why don't you go and see?"

For many years, I shut down that place inside myself that needed to rage, cry, ask questions and basically just express herself. I made a conscious choice when I put (the song) 'Me and a Gun' on the record not to stay a victim anymore.

You're basically the sum of all the experiences you've ever had, and they're sort of shaken up in you and reproduced in the things you create, and that includes seeing movies.

As security or firewall administrators, we've got basically the same concerns [as plumbers]: the size of the pipe, the contents of the pipe, making sure the correct traffic is in the correct pipes, and keeping the pipes from splitting and leaking all over the place. Of course, like plumbers, when the pipes do leak, we're the ones responsible for cleaning up the mess, and we're the ones who come up smelling awful.

Those who have had the most impact and influence throughout history and certainly the people who've had the most impact and influence on me personally have been basically entirely unaware of any such influence and made their chief concern their personal devotion and obedience, and the pleasure of God in the hidden things of their lives.

I will continue modeling until they don't want me anymore basically because I do love it very much.

His advice to me is basically to just love what you do and don't let the fear of failure stop you.