Quotes About Buildings

I think green buildings are extremely important but it's only part of the equation. A lot of people think that if I put a green building everything is going to be fine, but actually it's not just the green buildings we need, but green businesses, green governments, green economics. We have to extend the greening of buildings to our business and our lifestyles - that is the most important thing to do next.

I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.

A country whose buildings are of wood, can never increase in its improvements to any considerable degree.... Whereas when buildings are of durable materials, every new edifice is an actual and permanent acquisition to the state, adding to its value as well as to its ornament.

If there's a group like Amish people, that want to live their own lifestyle – they don't want to live in our city – they want to live out in the country, with their own projects. We’ll put up the buildings for them, design the buildings for them, design the food production systems for them – if they want us to. But we don’t control them.

Building places that are worth living in and worth caring about require a certain attention to detail, and of a particular kind of detail that we have forgotten how to design and assemble. And that involves the relationship of the buildings to each other, the relationship of the buildings to the public space, which in America, comes mostly in the form of the street. Because it's only the exceptional places in America that have the village square or the New England green. You know. The street is mostly the public realm of America. And we have to design these things so that they reward us.

I'm very interested in buildings that adapt to changes in climatic conditions according to the seasons, buildings capable of responding to our physical and psychological needs in the way that clothing does. We don't turn on the air-conditioning as we walk through the streets in high summer. Instead, we change the character of the clothing by which we are protected. Layering and changeability: this is the key.

A lot of the buildings [in Toronto] around Yonge and Bloor is the architectural equivalent of Kipper Ties and 8" collar points. It's ghastly and no amount of street-level retail glitz can lift it.

I remember when Martin Luther King was assassinated and riots broke out in the city. We celebrated Palm Sunday on 14th Street. I have a memory of walking down the street with buildings smoldering, and soldiers and cops everywhere. Anyways, it [St. Stephen’s] was a church that really taught me the things I needed to learn to not go to church. But I think it is a church that does great work, I went to a wedding there three days ago.

Just as blueprints don't necessarily specify blue buildings, selfish genes don't necessarily specify selfish organisms. As we shall see, sometimes the most selfish thing a gene can do is build a selfless brain. Genes are a play within a play, not the interior monologue of the players.

So what’s the use of repentance, and what do you care for goodness, and what if you should die in a quake, so who the hell cares? So I walked downtown, so these were the high buildings, so let the earthquake come, let it bury me and my sins, so who the hell cares? No good to God or man, die one way or another, a quake or a hanging, it didn’t matter why or when or how.

I live in the Village right near NYU, which is taking over most of the Village. I've lived there for most of my time in New York. One of the things I like about the Village is, it's considered the kind of area where you can't have skyscrapers or, actually, many tall buildings. So you can see the sky which, I think, is a benefit.

I am weary seeing our laboring classes so wretchedly housed, fed, and clothed, while thousands of dollars are wasted every year over unsightly statues. If these great man must have outdoor memorials, let them be in the form of handsome blocks of buildings for the poor

The difference between regulated architects and unregulated designers is, unlike buildings, letterheads don't fall down and kill people.

Let the painter composing narrative pictures take pleasure in wealth and variety, and avoid repeating any part that occurs in it, so that the uniqueness and abundance attract people to it and delight the eye of the observer. I say that a narrative painting requires (depending on the scene), wherever the eye falls, a mixture of men of diverse appearances, of diverse ages and dress, combined together with women, children, dogs, horses, buildings, fields, and hills.

The buildings that I build very often have a dreamlike reality. I don't mean by that they have a fantasy quality at all, in fact quite the reverse. They contain in some degree the ingredients that give dreams their power... stuff that's very close to us.

I have a lovely room and bath in the hotel. It's a little inconvenient, they're in two separate buildings!

Sustainable development: Meeting present needs without compromising the stock of natural resources remaining for future generations. In terms of buildings, it implies resource efficiency, minimum energy use, flexibility and long life

When we came within sight of the sea, the waves on the horizon, caught at intervals above the rolling abyss, were like glimpses of another shore with towers and buildings.

Fifteen-year-old girls produce children with sixteen-year-old boys in the backseat of cars and in the stairwells of apartment buildings. Why can't two loving adults who have contemplated parenthood and are prepared to offer love, patience, and devotion come up with enough chromosomal matter to stick together and create a child?

What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings - younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stone-masonry to look older.

The American dream is not about how much money you make or how many buildings have your name on it.

A world in which time is absolute is a world of consolation. For while the movements of people are unpredictable, the movement of time is predictable. While people can be doubted, time cannot be doubted. While people brood, time skips ahead without looking back. In the coffee houses, in the government buildings, in boats of Lake Geneva, people look at their watches and take refuge in time. Each person knows that somewhere is recorded the moment she was born, the moment she took her first step, the moment of her first passion, the moment she said goodbye to her parents.

The more sophisticated we get, the more advanced our buildings and vehicles become, the more vulnerable we are.

I dreamed there would be a time to come together to "build out the Hope Reformation that would bring certain shifts to the leaders in the Body of Christ." In this dream, I saw the buildings of revival and prayer and there was some divine activity that was good and needed and foundational for what God was doing on the earth.

I know that New York is big, there are huge buildings, but in fact, it's quite small and contained.

From a sequence of these individual patterns, whole buildings with the character of nature will form themselves within your thoughts, as easily as sentences.

I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.

There are masses of people who need affordable housing in New York. I think that, politically, it is very difficult to give preference to artists over another group. Now, could there be an impressive envisioning process where developers would be asked to collaborate with urban designers? Maybe envision a large-scale development with local shops, dense housing, maybe a few towers, maybe a few mid-rise buildings, and art workshops in the mix? That would be great. I don't see a call for those proposals. But I think that it would not be outrageous to propose that kind of vision.

All I have is a voice to undo the folded lie, the romantic lie in the brain of the sensual man-in-the-street and the lie of Authority whose buildings grope the sky: There is no such thing as the State and no one exists alone; Hunger allows no choice to the citizen or the police; We must love one another or die.

The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].

If the factory people outside the colleges live under the discipline of narrow means, the people inside live under almost every other kind of discipline except that of narrow means -- from the fruity austerities of learning, through the iron rations of English gentlemanhood, down to the modest disadvantages of occupying cold stone buildings without central heating and having to cross two or three quadrangles to take a bath.

We can go for days, weeks, and even months without saying or thinking the word 'education.' And yet, day in and day out, we are educating others and being educated ourselves. In the narrower sense of education - those classrooms and buildings and campuses where teachers and taught are brought together for purposes stated and unstated, for outcomes intended and unintended - we have all been profoundly affected by the pattern of days essentially not of our own making.

The heart of Paris is like nothing so much as the unending interior of a house. Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.

As a child I drew objects that caught my eye outside the window of my room - the dry twigs, leaves and lizard-like creatures crawling about, the servant chopping firewood and, of course, and number of crows in various postures on the rooftops of the buildings opposite.

The religions are the buildings or the institutions, the groups, but inside of that is what moves, is what's alive, is the beating heart of spirituality, and really, the heart's blood is the mystical experience. Not airy fairy vague mystical experience, but transformative, intimate experience that really touches your heart with love, and not just sex.

The apparition of an evil, sick unconscious wild city rose before me in visible semblance, and about the dead buildings in the barren air, the bodies of the soul that built the wonderland shuffled and stalked and stalked and lurched in attitudes of immemorial nightmare all around.

Terrorist attacks can shake the foundations of our biggest buildings, but they cannot touch the foundation of America. These acts shatter steel, but they cannot dent the steel of American resolve.

They haven't killed us yet," I say, and I imagine that one day I will fly a plane over Portland, over Rochester, over every fenced-in city in the whole country, and I will bomb and bomb and bomb, and watch all their buildings smoldering to dust, and all those people melting and bleeding into flame, and I will see how they like it. If you take, we will take back. Steal from us, and we will rob you blind. When you squeeze, we will hit. This is the way the world is made now.

Haiti is the kind of place that grabs your heart, and never lets go ... When you arrive in Port-au-Prince, the first thing that strikes you is how vibrant the colors are. Buses, buildings, fences, clothing, everything is brightly painted in primary hues. On closer inspection, you see the reality behind this brightly colored landscape: a dark, grinding poverty, the worst in the Western hemisphere.

I am willing to admit that some people might live there for years, or even a lifetime, so protected that they never sense the sweet stench of corruption that is all around them - the keen, thin scent of decay that pervades everything and accuses with a terrible accusation the superficial youthfulness, the abounding undergraduate noise, that fills those ancient buildings.

Oh, indeed there is a tie between Iraq and what happened on 9/11. It's not that Saddam Hussein was somehow himself and his regime involved in 9/11, but, if you think about what caused 9/11, it is the rise of ideologies of hatred that lead people to drive airplanes into buildings in New York.

As a child, I really did see buildings bombed, and what makes me different from an American that's the same age as I am is that I can understand what happens when there is fighting in a way that they couldn't.

By law, all buildings should be white.

Industry is not a collection of machines and tools and buildings. It is a social entity that has the responsibility of realizing the happiness of those who work in it.

The bottom line may be that my inventing buildings is, indeed, a very private kind of activity. But it's done to be shared. It is comforting and consoling. From the reactions I get I can see I'm not doing something strange.

Amid the moon and the stars, amid the clouds of the night, amid the hills which bordered on the sky with their magnificent silhouette of pointed cedars, amid the speckled patches of the moon, amid the temple buildings that emerged sparkling white out of the surrounding darkness - amid all this, I was intoxicated by the pellucid beauty of Uiko's treachery.

As taxpayers, we have quietly accepted the fact that our taxes will be spent to pay big bucks for all sorts of ugly, twisted metal to be displayed in front of or inside government buildings, in the name of 'art' that was obviously never meant to give the public any enjoyment and often represented a thumbing of the artist's nose at the public.

I live in Brooklyn, New York. It is a melting pot of cultures and people. I walk down the street, and there is art on the buildings and people congregating who have been neighbors for years and events and music and freedom.