Quotes About Came

Many years later, after Niemöller had been imprisoned for eight years in concentration camps as the personal prisoner of Adolf Hitler, he penned these infamous words: First they came for the Socialists, and I did not speak out - because I was not a Socialist. Then they came for the Trade Unionist, and I did not speak out - because I was not a Trade Unionist. Then they came for the Jews, and I did not speak out - because I was not a Jew. And then they came for me - and there was no one left to speak for me.

First they came for the Jews, but I did nothing because I'm not a Jew. Then they came for the socialists, but I did nothing because I'm not a socialist. Then they came for the Catholics, but I did nothing because I'm not a Catholic. Finally, they came for me, but by then there was no one left to help me.

Then I turned to him commanding That he go the way he came, whence he came. But he answered me in sorrow, "May the Past not seek to borrow From the Present without blame - Just one memory from its store, Ere it goes to come no more, Back the pathway that it came, whence it came?"

My parents are proud of their Indian heritage, but they came halfway across the world so their children could be born here, raised here as Americans. They came legally, but they came here in search of the American dream, in search of freedom and opportunity.

I went to watch a movie in a theater, a couple weeks ago, and the trailer came on. My face is in the trailer, and then my name came up on the credits, and this is the dream you dare to dream, that came true.

That was very appreciative because all the players vote for that. That's the highest award anyone can get in the NFL. Every team in the NFL votes for the most valuable player. I was injured. I had appendicitis the first part of the season, but I came back after ten days. Nobody came back that early. No player wants to sit on the bench. No player wants to be inactive. Everybody wants to play.I came back in ten days. I had the uniform on and played. I played those next games until I got kicked in the head.

Most people who came here came for economic reasons or sometimes for religious or political reasons. I didn't have any of this. I came here, I liked it, I stayed. So I'm a pure American - even more than people who are born here - because I did it by choice as an adult.

The sound of the freezing of snow over the land seemed to roar deep into the earth. There was no moon. The stars, almost too many of them to be true, came forward so brightly that it was as if they were falling with the swiftness of the void. As the stars came nearer, the sky retreated deeper and deeper into the night color. The layers of the Border Range, indistinguishable one from another, cast their heaviness at the skirt of the starry sky in a blackness grave and somber enough to communicate their mass. The whole of the night scene came together in a clear, tranquil harmony.

Before music videos first came out, you’d listen to a song with headphones on, sitting in a beanbag chair with your eyes closed, and you’d come up with your own visions, these things that came from within. Then all of a sudden, sometimes even the very first time you heard a song, it was with these visual images attached, and it robbed you of any form of self-expression.

When 'Supernatural' came out, there were a lot of procedurals and you were either a doctor or a cop or lawyer, otherwise the show didn't stay on TV. And then we came around, and I don't want to say we were trailblazers, but we found our niche.

You never came out the way you came in.

The idea was that we would decide the order when we looked at the proofs. I remember Brion Gysin saying "Well, why change it? It's perfect the way it is, the way it came from the printer." Made one major change, that is, the first chapter that came from the printers, which would be the beginning, we moved to the end. The first chapter became the last chapter. There's no actual cutups in Naked Lunch.

I believe that the confidence, really being okay with myself, and really being okay with my gift have grown over the years. It just came with time, and it came with getting my feelings hurt, a few times, and realizing to stop performing for people but if perform for God, who gave you the talent, then you can care less about what any casting directors, producers, or what any of them think. You're doing it for a higher purpose. If they don't like it, that's okay! God does.

I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities.

I came from an Italian house. The refrigerator was always full. I never knew you had to buy food. I thought there were food fairies that came at night.

My memory of 3D movies is Fernando Lamas in a swashbuckling movie. And I suppose it had been the fifties, in which swords came out at you, bullets came out at you, things were thrown into the auditorium, apparently. All that sort of cheap, "Oh, look at us, we've got 3D" isn't in the film.

There are some artists that I'll always be cool with. We'll kick it and we'll check on each other from time to time. It's not always about number one records or gaining something off from being around me. I experienced all of those people that came into my life that vanished as soon as the rumor came out. They didn't even call to ask what was going on. Those that know me know that it's not true. Those people really broke my heart because they treated me differently. Just going from having everything to losing it all. I lost everything because of that.

See, the 'On the Road' that came out in 1957 was censored. A lot of the honesty of it, the bitter honesty, is in the original scroll version that came out in 2007 on the 50-year anniversary. Back then, there was so much post-Second World War fear that was imposed on everybody - 'You must live life this way' - and these guys were bored.

People assume that I came back to Washington because of the Post, but the truth is less romantic. I came back for a job.

Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.

I do miss the people in the audience and the fun: "I came with my mother! And this is my mother!" I miss that. I miss: "My cousin and I came all the way from...." I miss that. I don't miss this - who is left to interview?

I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.

Fun... human nature... does no one any harm... Regular as clockwork the old excuses came back into the alert, sad and dissatisfied brain--nothing ever matched the deep excitement of the regular desire. Men always failed you when it came to the act. She might just as well have been to the pictures.

One day I wrote her name upon the strand, But came the waves and washèd it away: Again I wrote it with a second hand, But came the tide and made my pains his prey. Vain man (said she) that dost in vain assay A mortal thing so to immortalise; For I myself shall like to this decay, And eke my name be wipèd out likewise. Not so (quod I); let baser things devise To die in dust, but you shall live by fame; My verse your virtues rare shall eternise, And in the heavens write your glorious name: Where, when as Death shall all the world subdue, Our love shall live, and later life renew.

I remember when TiVO first came out I was all about TiVo. I came home and that thing was frozen, and I thought 'This is awful. This is the end of the world'. Then I unplugged it, and I plugged it back in, and still frozen. It was paralyzing. I called them. They said, 'Just unplug it longer.' Fixed. But it also taught me I'm an addict.

The wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight, over the purple moor, And the highwayman came riding-- Riding--riding-- The highwayman came riding, up to the old inn-door.

It was pretty fun [auditioning on the Millennium Falcon], because I enjoyed the material a lot. Last year I read for the directors, then came to England and did a test on the Falcon, then came back and did a couple more screen tests in Los Angeles.

In all honesty, because my name is Cinco and I grew up in Phoenix, I had a lot of exposure to Latin culture and those sorts of things, and that inspired the idea of this villain, El Macho. The name came first and everything else came after that. We loved the idea of this villain. Ken actually has a lot of Latino roots in his family, too.

I was baking cakes for a gourmet shop and put two chocolate cakes in oven to bake and when I opened the oven an hour later, they were raw - the oven wasn't working. I didn't know what to do. I couldn't borrow an oven and I didn't want to waste the batter, so I came up with the idea of steaming them and they came out great! Thick and fudgy, like pudding cake. That happy accident was always in the back of mind.

I still think most of my success came from the audience's reaction to me. It's weird when that happens but a lot of it came from what I did inside the ring.

Where do I get my ideas from? You might as well have asked that of Beethoven. He was goofing around in Germany like everybody else, and all of a sudden this stuff came gushing out of him. It was music. I was goofing around like everybody else in Indiana, and all of a sudden stuff came gushing out. It was disgust with civilization.

I can only describe it as: the whole experience was imprinted on my body. And when I started to write it, it just came from such a very, In The Body of the Worldvery physical... it just came from my body. I don't know how to explain it better than that. I guess my head was transmitting it. It was a very, very physical experience writing this book.

The conqueror writes history, they came, they conquered and they write. You don't expect the people who came to invade us to tell the truth about us.

When Mats came in the evenings, they would drink tea in the kitchen while reading their books and talking about them. If Katri came in, they were quiet and waited for her to leave. The back door would close, and Katri would have gone. “Does your sister read our books?” Anna wanted to know. “No. She reads literature.

My dad was in the Korean War. He got shot seven times. He had seven bullet holes in him. And out of his troop of 35 guys, he was one of nine guys that came back. And when he came back from that he had seven kids in seven years.

Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.

They've gotta stop reporting wind chill. That's nonsense. It really is. I don't know where they came up with it, why they came up with it, but it's a lie. They come on, "Well, it's 27 degrees today, but with the wind chill, it's minus 3." Well, then it's minus 3, asshole! I don't need to know what the weather was like if the conditions were perfect!

I never meant to hurt you, Isabel. Had I known what I would find when I came north, I would never have agreed to Leighton's request... That is a lie. Had I known that I would find you when I came north, I would have come years ago.

For me, the end of childhood came when the number of candles on my birthday cake no longer reflected my age, around 19 or 20. From then on, each candle came to represent an entire decade.

I met my manager when I was in high school and I just started playing guitar. He came from a line of managing incredible artists. He said instead of opting for the quick fix he wanted me to go out and live my life and get some experience under my belt and keep in touch. It took me a long time to get to where I am but I wouldn't change it for nothing. It's been very valuable. Life happened and then the music came.

While Jesus was at Jerusalem there came a voice from heaven. For what purpose was the voice sent? For the sake of those who stood by. "Jesus answered and said, This voice came not because of me, but for your sakes" (John xii, 30). Of what benefit was the voice when those who heard it were unable to distinguish it from thunder? "The people therefore, that stood by and heard it, said that it thundered" (29).

When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."

Along with reading as much as I could about Andy, several of the real folks came in besides Andy [Hertzfeld] - Joanna Hoffman and John Sculley and Steve Wozniak all came in and spoke with us - so we had the advent of being around the real people and feeling their spirit, in talking to them about what Steve was like, what their relationship was like, and how they felt about each other.

I had a great deal of pressure to move to LA after Romancing the Stone came out and I'd become very popular. But people came to me anyway.

Moments later a huge male with a cropped mohawk came out. Rehvenge was dressed in a perfectly tailored black suit and had a black cane in his right hand. As he came slowly over to the Brotherhood's table, his patrons parted before him, partly out of respect for his size, partly out of fear from his reputation. Everyone knew who he was and what he was capable of: Rehv was the kind of drug lord who took a personal interest in his livelihood. You crossed him and you turned up diced like something off the Food Channel.

Spring came late, but when it came it was hand-in-hand with summer, and almost at once everything was baking and warm, and in the villages the people danced every night on concrete dancing floors under the plane trees.

Once we realized that there were these 25 invariable types - the class politician, the frigid popular girl, the kid who tags along behind the jocks - once we came up with these key characters in a cloud of marijuana, the whole thing just came together. One of the things I'm really proud of is how much of a high-school yearbook it is in its look, so much so that Hunter Publishing had the art director, David Kaestle, and I come for years to their annual convention and do a little talk on how not to do a yearbook.

The idea for me came when I was watching a 60 Minutes segment about resveratrol, the chemical in red wine that lets you live longer, supposedly. And they were like, "Who knows, maybe one day it will help to cure aging." And I thought, "Well, if they did that, we'd all kill each other." And then I laughed, and then I thought about how precisely that would happen. That's how the book came to be.