Quotes About Came

When the Spirit came to Moses, the plagues came upon Egypt, and he had power to destroy men's lives; when the Spirit came upon Elijah, fire came down from heaven; when the Spirit came upon Gideon, no man could stand before him; and when it came upon Joshua, he moved around the city of Jericho and the whole city fell into his hands; but when the Spirit came upon the Son of Man, He gave His life; He healed the broken-hearted.

I don't think I came to music. I think music came to me - or was already embedded when I came into this sphere, this realm, this Earth.

Well, it came from the White House, it came from people around the White House. It came from all over. I got a call on 9/11. I was on CNN, and I got a call at my home saying, 'You got to say this is connected. This is state-sponsored terrorism. This has to be connected to Saddam Hussein.

So when the book came out, my mother stunned us all by leaving my father. I think three months before the book came out, she left my father the day he retired from the Marine Corps. They had a parade and march, and she came home and left.

The biggest surprise for me, without a doubt, was that the first black people who came to the United States weren't the 20 who arrived in Jamestown in 1619. All of us had been taught that. Well, guess what? The first African came to Florida in 1513. And the huge shock is we know his name, Juan Garrido, and that he wasn't a slave. He was free! This brother was a conquistador who came with Ponce de Leon. He was looking for the Fountain of Youth just like the white people were.

Most people who came here came for economic reasons or sometimes for religious or political reasons. I didn't have any of this. I came here, I liked it, I stayed. So I'm a pure American - even more than people who are born here - because I did it by choice as an adult.

I think Justin Bieber played a couple of songs up the block from it - and they said that some-one in his camp came and got him a burger. We had been talking about him a lot. Especially actually, last time we came to Australia, C.T. was on a real big Justin Bieber kick. I just thought it was really interesting to finally cross paths with him in New Zealand. And like really - the TV, everyone's just talking about it on the radio - it's a big deal that he was here. I think he just left.

The Soviet Union came apart along ethnic lines. The most important factor in this breakup was the disinclination of Slavic Ukraine to continue under a regime dominated by Slavic Russia. Yugoslavia came apart also, beginning with a brutal clash between Serbia and Croatia, here again 'nations' with only the smallest differences in genealogy; with, indeed, practically a common language. Ethnic conflict does not require great differences; small will do.

I was sleeping in the woods one night after a gig we'd played somewhere, when I saw this girl appear before me. That girl was Emily. (on how he wrote "See Emily Play") "Chapter 24"-that was from the "I Ching", there was someone around who was very into that, most of the words came straight off that. "Lucifer Sam" was another one-it didn't mean much to me at the time, but then three or four months later it came to mean a lot.

I played soccer growing up, and then high school came along and the football coach came out one day and was like, 'Hey, do you want to kick for us?' I was like, 'Sure, I'll come out and kick one day.' I got moved up to varsity and that's how the story began.

I had a lot of fun bantering back and forth with Kennedy. But for ease and comfort, it would be Gerald Ford. He was a down-home type. I came from the Midwest and he came from the Midwest. He was nonaggressive and kindly.

This time I particularly loved because it came from a real experience with my grandchildren. Having them alone alone for the first time for six or seven days and going "Wow, this is exhausting," because when you're not around little ones for a long time, you forget about how much work that is. So I came in and started writing the story that became this movie ['PARENTAL GUIDANCE'].

I'll remember this to my grave. We all walked into a room to see the screen tests. The first screen test was Marion Hutton's. Then came Janis Paige [who ended up with a part in the film]. Then on the screen came Doris Day. I can only tell you, the screen just exploded. There was absolutely no question. A great star was born and the rest is history.

I came from an Italian house. The refrigerator was always full. I never knew you had to buy food. I thought there were food fairies that came at night.

I came up with the term 'mindfreak' because I didn't like the word 'magician.' I felt like I wanted to coin a term that would be basically the reaction to my art. It would be a mindfreak and so that's why I came up with that. But, many people say I'm really a student of humanity and psychology.

I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.

when your time came, it came, and that was that. You might say something smart on your way out, but you might just as easily say something stupid.

You have trusted Him as your dying Savior; now trust Him as your living Savior. Just as much as He came to deliver you from future punishment did He also come to deliver you from present bondage. Just as truly as He came to bear your stripes for you has He come to live your life for you.

People assume that I came back to Washington because of the Post, but the truth is less romantic. I came back for a job.

The long, long road over the moors and up into the forest - who trod it into being first of all? Man, a human being, the first that came here. There was no path before he came.

Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.

When I came out of service, the first couple of releases didn't really hit so I just took a little hiatus and sat down to see what was happening. I just glued my ears to the radio and then I started writing - the first hit record that came out was "Everybody Loves a Winner.

The rockets set the bony meadows afire, turned rock to lava, turned wood to charcoal, transmuted water to steam, made sand and silica into green glass which lay like shattered mirrors reflecting the invasion, all about. The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke.

There was no language barrier when it came to kids, and when it came to play.

It wasn't shared social status or ethnicity that brought Jesus' followers together either, nor was it total agreement on exactly who this Jesus character was - a prophet? The Messiah? The Son of God? No, there is one thing that connected all these dissimilar people together it was a shared sense of need: a hunger, a thirst, a longing. It was the certainty that, when Jesus said He came for the sick, this meant Jesus came for me.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.

The Fun Girl video which was directed by Bijoux Altamarino really came out of her vision. I feel she understood the mystery, danger and power of the song and It really came through in the end.

The wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight, over the purple moor, And the highwayman came riding-- Riding--riding-- The highwayman came riding, up to the old inn-door.

When I was younger, I would mess about and have a laugh with everyone. I was doing Atonement when I was about 12, and as we went to do this very serious scene, the director Joe [Wright] came up to me ... I'd been giggling right up to the beginning of the take. And he came up to me and said, "Okay, you need to be serious now." I completely idolized him.

Beauty was not everything. Beauty had this penalty — it came too readily, came too completely. It stilled life — froze it.

Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.

America's relationship with Haiti has always been very complicated. I often say to people, "Before we came to America, America came to us in the form of the American occupation from 1915 to 1934."

I never prayed sincerely and earnestly for anything but it came at some time; no matter at how distant a day, somehow, in some shape, probably the least I would have devised, it came.

Every piece of legislation which came to my desk in the coming years as the governor, I came down on the side of preserving the sanctity of life.

I was being brought up on peasant stories; my mother came from Europe and she'd been a peasant and that was the area where the Frankensteins and the Draculas came from and it was entertainment for the people. Nobody had TV, and that was the way peasants would entertain themselves, by telling these stories.

When 1:45 came, half the class left, and Danny Hupfer whispered, "If she gives you a cream puff after we leave, I'm going to kill you" - which was not something that someone headed off to prepare for his bar mitzvah should be thinking. When 1:55 came and the other half of the class left, Meryl Lee whispered, "If she gives you one after we leave, I'm going to do Number 408 to you." I didn't remember what Number 408 was, but it was probably pretty close to what Danny Hupfer had promised. Even Mai Thi looked at me with narrowed eyes and said, "I know your home." Which sounded pretty ominous.

I'm finding that people reading the book [The Heroin Diaries: A Year In The Life Of A Shattered Rock Star] are saying, "You came from one background, I came from this background - you were a rock star, I was a CEO. I didn't have a heroin/coke problem, but I had a pill problem. But I also fell from grace, didn't know how to get recovery, and I am now in recovery." People tell me that their kids read it and told them they'll never do drugs - "This book really shows me where it goes."

On the Gang of Eight bill, there was no provisions really for extra scrutiny or safety for refugees. At the time the bill came up, two Iraqi refugees came to my home town, Bowling Green, Kentucky. Their fingerprints were on a bomb from Iraq. They were in the database, but we didn't pick them up.

Not so great in England at the moment; in an online poll we came last, we actually came bottom of European countries for quality of life, because of things like the weather, obviously, late retirement, poor holiday, poor public services, poor health service; it's basically just a kind of grey, godless wilderness, full of cold pies and broken dreams.

When Wikileaks came out... never heard of Wikileaks, never heard of it. When Wikileaks came out, all I was just saying is, "Well, look at all this information here, this is pretty good stuff." They tried to hack the Republican, the RNC, but we had good defenses. They didn't have defenses, which is pretty bad management. But we had good defenses, they tried to hack both of them. They weren't able to get through to Republicans. No, I found it very interesting when I read this stuff and I said, "Wow." It was just a figure of speech. I said, "Well, look at this. It's good reading".

Our leaders have described the recent atrocity with the customary cliche: mindless cowardice. Mindless may be a suitable word for the vandalising of a telephone box. It is not helpful for understanding what hit New York on September 11. Those people were not mindless and they were certainly not cowards. On the contrary, they had sufficiently effective minds braced with an insane courage, and it would pay us mightily to understand where that courage came from. It came from religion.

My big "double-aha" moment came while anchoring the national news at CBS News. It was at the height of the recession, and on top of the usual negative stories, my newscasts became full of especially heart wrenching stories of people losing their homes, jobs, and retirement savings. Starting the morning off like that could leave even the most optimistic person feeling helpless and hopeless. The lightning bolt came when we changed how we talked about the negative.

For me, the end of childhood came when the number of candles on my birthday cake no longer reflected my age, around 19 or 20. From then on, each candle came to represent an entire decade.

The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.

I loved the masculine style of dressing of Katharine Hepburn, who came from the same town that I came from. I was fascinated by the way she wore trousers. So I think the romanticism of the movies also influenced my life and my interest in fashion greatly.

When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."

Pot came first when I was young. But I did the work. It wasn't a battle of what came first. They went together like "love and marriage, horse and carriage!"