Quotes About Came

Roland grabbed Jake and hauled him to his feet. “You came!” Jake shouted. “You really came!” “I came, yes. By the grace of the gods and the courage of my friends, I came.

I believe you came into the world to accomplish something, and that the something you came to accomplish is not small or insignificant, that's not worthy of you. You came here to make a major contribution to life on this planet.

When I was born, the umbilical cord came wrapped around my neck, so when I came out, I wasn't breathing. The cord had cut off my oxygen - not the entire time, just at the end, when my mom was giving birth. When I came out, I wasn't conscious, so they had to work on bringing me back. It was a crazy moment.

I think Justin Bieber played a couple of songs up the block from it - and they said that some-one in his camp came and got him a burger. We had been talking about him a lot. Especially actually, last time we came to Australia, C.T. was on a real big Justin Bieber kick. I just thought it was really interesting to finally cross paths with him in New Zealand. And like really - the TV, everyone's just talking about it on the radio - it's a big deal that he was here. I think he just left.

People who came to the clinics or came to the fundraiser knew what was happening in their state but didn't realize the profundity of what was happening all over the place. But the third thing [was] that at every single clinic I went to, somebody who worked there - it could have been the doctor, it could have been the receptionist - said, "Thank you for coming, no one ever comes." And it broke my heart...I've used these services, I've had an abortion, I got to be where I am because of access to making choices to have the life I wanted.

Little Britain… ever since it first came on… I come here a lot, we have a lot of friends here, my wife used to work with a lot of Brits, so we were always keyed into the hot shows when they first came out. So, I fell in love with Little Britain.

I'll burn myself, or I'll cut myself. For a burn or a cut might be shown, might be nursed, might scar or heal, would be a miserable kind of emblem; would anyway be there, on the surface of her body, rather than corroding it from within. Now the thought came to her again, that she might scar herself in some way. It came, like the solution to a problem: I won't be doing it like some hysterical girl. I won't be hoping she'll come catch me at it. It won't be like lying on the sitting-room floor. I'll be doing it for myself, as a secret.

I will not die an unlived life. I will not live in fear of falling or catching fire. I choose to inhabit my days, to allow my living to open me, to make me less afraid, more accessible; to loosen my heart until it becomes a wing, a torch, a promise. I choose to risk my significance, to live so that which came to me as seed goes to the next as blossom, and that which came to me as blossom, goes on as fruit.

In the concentration camps, we discovered this whole universe where everyone had his place. The killer came to kill, and the victims came to die.

She [my mother] said that if I listened to her, later I would know what she knew: where true words came from, always from up high, above everything else. And if I didn't listen to her, she said my ear would bend too easily to other people, all saying words that had no lasting meaning, because they came from the bottom of their hearts, where their own desires lived, a place where I could not belong.

As they used to say 'What if they gave a war and nobody came?' How worthwhile if they declared a day of peace and everybody came.

In the end, everything came down to money. It came down to what a person actually did, as opposed to who they thought they were.

I came back, Uncle Eddie. Last year, after the Henley, I could have gone to any school in the world -- I could have done anything, but I came back." "You ran away, Katarina." "And now I'm back." "You're still running.

Jesus came from heaven down to earth. He left all grandeur behind Him, He passed by palaces and thrones-to be born in a manger! He was born lowly, that He might raise men up to God. The poor have a friend in Jesus. If no one else loves them, He loves them. He came to give them liberty, to proclaim to them the gospel of God's grace.

You have trusted Him as your dying Savior; now trust Him as your living Savior. Just as much as He came to deliver you from future punishment did He also come to deliver you from present bondage. Just as truly as He came to bear your stripes for you has He come to live your life for you.

The biggest surprise for me, without a doubt, was that the first black people who came to the United States weren't the 20 who arrived in Jamestown in 1619. All of us had been taught that. The first African came to Florida in 1513. And the huge shock is we know his name, Juan Garrido, and that he wasn't a slave. He was free!

That which came to me as seed goes to the next as blossom, and that which came to me as blossom, goes on as fruit.

When I came back, after all those stories about Hitler and his snub, I came back to my native country, and I could not ride in the front of the bus. I had to go to the back door. I couldn't live where I wanted. Now what's the difference?

The big studio era is from the coming of sound until 1950, until I came in ... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.

Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.

There was no language barrier when it came to kids, and when it came to play.

I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.

I guess the best way to describe that would be to connect with the fact that I came out of college just before the big Depression, and I came to New York.

In all honesty, because my name is Cinco and I grew up in Phoenix, I had a lot of exposure to Latin culture and those sorts of things, and that inspired the idea of this villain, El Macho. The name came first and everything else came after that. We loved the idea of this villain. Ken actually has a lot of Latino roots in his family, too.

I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.

I think there's such a thing as a performance gene. If it's in your DNA it needs to come out. For me, it originally came out through music, then segued into acting and came out through there. I always needed to get up and perform.

Fox came to us with the concept for ICE AGE and they came to us with the first draft of the script. They also gave us a mandate to make it into a comedy from what was previously a rather dramatic action concept.

Where do I get my ideas from? You might as well have asked that of Beethoven. He was goofing around in Germany like everybody else, and all of a sudden this stuff came gushing out of him. It was music. I was goofing around like everybody else in Indiana, and all of a sudden stuff came gushing out. It was disgust with civilization.

When 1:45 came, half the class left, and Danny Hupfer whispered, "If she gives you a cream puff after we leave, I'm going to kill you" - which was not something that someone headed off to prepare for his bar mitzvah should be thinking. When 1:55 came and the other half of the class left, Meryl Lee whispered, "If she gives you one after we leave, I'm going to do Number 408 to you." I didn't remember what Number 408 was, but it was probably pretty close to what Danny Hupfer had promised. Even Mai Thi looked at me with narrowed eyes and said, "I know your home." Which sounded pretty ominous.

I was protected behind the walls of my house, the walls of the mosque and later, walls of my school. I didn't know that I was Palestinian. I knew that I was a girl, but the identity issues came later when I was 12 or 13 - then, they came in a very strong way.

One time there was a student at Punjab University in Lahore who came down with cancer and his friend came to me for help. I stood outside on the street in Lahore and asked the people in that city for help. Within four or five hours, I received more than 40 million rupees [more than US $670,000].

Younger feminists actually care about stuff that came before them, the same way that I totally cared about and loved and felt so lucky to have access to the feminism that came before me. To have younger people take what me and my friends have done, and to say 'We have access to that, but we're going to put that through our own Internet generation filter and we're going to make it into something that speaks to us and is a lot smarter.'

So that when I came to New York again, it was, I'm not too sure right now, but it was '74 or '75. I went to Miami in '74 and then I came to New York, I think, at the end of '74.

Ultima came to stay with us the summer I was almost seven. When she came the beauty of the llano unfolded before my eyes, and the gurgling waters of the river sang to the hum of the turning earth. The magical time of childhood stood still, and the pulse of the living earth pressed its mystery into my living blood.

Most writers are secretly worried that they're not really writers. That it's all been happenstance, something came together randomly, the letters came together, and they won't coalesce ever again.

There were different kinds of strength. I knew that now. It didn't always come from a knife or a willingness to fight. Sometimes it came from endurance, where the well ran deep and quiet. Sometimes it came from compassion and forgiveness.

For me, the end of childhood came when the number of candles on my birthday cake no longer reflected my age, around 19 or 20. From then on, each candle came to represent an entire decade.

It's so different now coming out as a new artist today than it was when I came out almost ten years ago. Now, it's all about singles, it's really quick, it's online. I came out when people sold records and they still do today but - I don't know what the key is.

I loved the masculine style of dressing of Katharine Hepburn, who came from the same town that I came from. I was fascinated by the way she wore trousers. So I think the romanticism of the movies also influenced my life and my interest in fashion greatly.

I soon came to understand that drink, tobacco and prostitutes were all great means if dissipating (even for a few moments) my dread for human beings. I came even to feel that if I had to sell every last possession to obtain these means of escape, it would be well worth it.

I came from nothing. I came from the projects and welfare and ended up a millionaire with no frame of reference. I was bound to hit a wall sooner or later.

I'm feeling better after the game than I did when I came off the floor with cramps. ... I was going to try to give it a go, and 'Spo said 'No.' You know, after I came out of the game, they kind of took off. And it was frustrating sitting out and not being able to help the team.

I don't think we really planned it ahead of time but rather oozed out of our pores. All three of the demonstrative themes of Corrosion of Conformity are on there. The Hardcore/Punk from the 80's, the late 80's/early 90's mathy metal and finally the more Pepper, swampy/doomy stuff. We love all three so that's what came out on the album and I think it came out magically.

If a book were written all in numbers, it would be true. It would be just. Nothing said in words ever came out quite even. Things in words got twisted and ran together, instead of staying straight and fitting together. But underneath the words, at the center, like the center of the Square, it all came out even. Everything could change, yet nothing would be lost. If you saw the numbers you could see that, the balance, the pattern. You saw the foundations of the world. And they were solid.

I'm a child of the 70's. R&B to me is Curtis Mayfield. Then a transition came in and I was part of the Hip Hop era when Sugar and Kane came out. That was a good transition for me. Then now R&B is Hip Hop and Hip Hop is R&B.

But once I'd come up with it, I realized it really was the perfect plan. Instead of waiting for Maria to come to me, I was simply going to go to her and, well... Send her back to where she came. Or reduce her to a mound of quivering gelatinous goo. Whichever came first.

Throughout our history Americans have put their faith in God and no one can doubt that we have been blessed for it. The earliest settlers of this land came came in search of religious freedom. Landing on a desolate shoreline, they established a spiritual foundation that has served us ever since.

From my mother came the idea that going down to the sea repaired the spirit. That is where she walked when she was sad or worried or lonely for my father. If she had been crying, she came back composed; if she had left angry with us, she returned in good humor. So we naturally believed that there was a cleansing, purifying effect to be had; that letting the fresh wind blow through you mind and spirits as well as your hair and clothing purged black thoughts; that contemplating the ceaseless motion of the waves calmed a raging spirit.