Quotes About Challenging

We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.

What the Clintons have always done is embraced challenging. They can't have enough photo opportunities with Al Sharpton or Jesse Jackson. They communicate to blacks that they agree with their challenging identity. So, in a sense, Hillary is blacker than Barack Obama. Their alignment with this black identity makes them 'black' in a metaphorical sense, I guess.

I felt like challenging myself and challenging my readers with something darker and heavier. I don't know how to explain it, because I'm not a political person. I have two political stories, and that's it: 'Human Diastrophism' and 'Poison River'.

Throughout history, the arts and humanities have helped men and women around the globe grapple with the most challenging questions and come to know the most basic truths. In our increasingly interconnected world, the arts play an important role in both shaping the character that defines us and reminding us of our shared humanity. This month, we celebrate our Nation's arts and humanities, and we recommit to ensuring all Americans can access and experience them.

I do think you have to scare yourself. That's where your creativity or your growth comes from. Scaring yourself, challenging yourself, taking those risks, and not caring about what anyone thinks.

I love making fiction films as well as nonfiction ones, and hope to keep challenging myself to make better and better work.

You just have to work with your discomfort. ... It’s challenging, but you have to dance the dance that the band’s playing. You can’t say: “I came here to Cha Cha and they’re playing a Waltz, godammit!”

Curiosity and irreverence go together. Curiosity cannot exist without the other. Curiosity asks, "Is this true?" "Just because this has always been the way, is the best or right way of life, the best or right religion, political or economic value, morality?" To the questioner, nothing is sacred. He detests dogma, defies any finite definition of morality, rebels against any repression of a free, open search of ideas no matter where they may lead. He is challenging, insulting, agitating, discrediting. He stirs unrest.

I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.

The more you frame the marathon as a stressful experience, the more negative messages you'll receive. But it's just as easy to frame it as a positively challenging journey.

My job is exhilarating. It's challenging. I find that the governance part of it, the decision making part of it - actually comes - comes pretty naturally. I think I've got a great team. I think we're making good decisions. The the hardest thing about the job is staying focused. Because there's so many demands and decisions that are pressed upon you.

The beginning and the end are never really the journey of discovery for me. It is the middle that remains a puzzle until well into the writing. That's how life is most of the time, isn't it? You know where you are and where you hope to wind up. It's the getting there that's challenging.

It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.

There's much to be said for challenging fate instead of ducking behind it.

People think by challenging me they're going to show they're tough. But I'm not tough. Decent drinker. Not such a bad kisser. But not a great fighter.

A true principle makes decisions clear even under the most confusing and challenging circumstances.

Love is the great test of the human. The human is tested by our ability to withstand love. Love is so difficult, it is so challenging, it demands of us that we wreck it with ourselves. It demands of us an honesty that few of us could sustain.

Working anti-social shifts in a difficult environment is undoubtedly challenging. But even militant staff may privately concede that some of the working conditions they enjoy are unusually benign.

My beliefs really haven't changed since I was in government. If anything, it gave me appreciation for how challenging it is for the government to balance and play the roles that it needs to, both wanting to keep the nation secure, both having the rights to collect extensive intelligence overseas, less so within the country.

The imposing edifice of science provides a challenging view of what can be achieved by the accumulation of many small efforts in a steady objective and dedicated search for truth.

Also, when we did "Smallville," we didn't have an opportunity to interact with people who watched the show. And see what they had to say and listen to criticism and listen to praise at the same time. So a lot of this is a new experience and it's very interesting and rewarding for us. I think we get honest feedback. You get hate. You get a lot of love as well. And I'm actually very curious what people think of the show. For us, it's been a passion project of ours, and an incredibly challenging show to make.

Making a profit is no more the purpose of a corporation than getting enough to eat is the purpose of life. Getting enough to eat is a requirement of life; life's purpose, one would hope, is somewhat broader and more challenging. Likewise with business and profit.

At the same time, you see in those studies, you see the emergence of various movements among black youth that are really challenging the ideology of neoliberalism since the 1980s.

You ask why London has to 'stand for' anything. One response is that in fact it always inevitably does. One could say at the moment it stands for a complex mix of multiculturalism and financial power. Interestingly, that is a political mix of progressive and oppressive. What I'm arguing is simply that we should take responsibility for the effects of 'our place' around the world. To take responsibility for our embeddedness. If you don't want to, so be it. It does demand an imaginative engagement with our planetary interdependence and that can be quite challenging.

I know that it's very dispiriting for people in their twenties, who expected to graduate from college, get their own apartments, get a job, and move forward with their lives, and in fact are still now living with Mom and Dad, which is challenging for all involved.

Being pregnant taught me how to be a better writer. It was a lesson in negative capability and surrendering to necessity. Suddenly, my body instinctually yielded to the needs of this growing being, and I had no choice but to embrace what was happening and all that lay ahead, even if I was afraid and uncertain. So, while being a parent has made writing more challenging, it has also made being a writer more certain. There's no room to procrastinate; there is to time for fear.

Do you want to make progress? If so, then take each problem not as a challenging rival, but as an encouraging friend of yours, who is helping you to arrive at your ultimate destination.

The reality is each new day and each project is another opportunity to learn, experiment and try something I haven't done before. I've found that's what keeps me motivated and moving forward - learning new things and challenging myself on a daily basis to improve as a composer, recording engineer, percussionist, guitarist, producer...the list goes on and on!

It's very challenging. The most important thing you need as a sportsman is to be clear on what you're actually doing.

You can't let other people dictate what your art is supposed to be. That's the opposite of art. You should constantly be challenging yourself to grow and change and create and evolve. I'm into that spirit of experimental and underground music. The constant, the groping, seeking, moving forward, regardless of where it might take you at that moment. It's all part of a larger arc.

I just want to do something challenging.

I do a lot with characters' sense of identity. I also like challenging stereotypes, gender roles, things like that. Give me a stereotype or a genre expectation and the first thing I want to do is stand it on its head. In the Nightrunner books I wanted to see if I could create a believable gay hero, one who wasn't someone's sidekick or a victim.

Anything we experience, no matter how challenging, can become an open pathway to awakening.

What happens so often as an actor is that you retain the information about the scenes that you yourself shot and you obsess over certain scenes that you found the most challenging or interesting. The rest of the film kind of falls away in your memory or it fades a little bit.

Many women assume they can't be good mothers and have challenging careers at the same time, so they might give up trying to do both as they get to a crucial point in their career. Although it can be hard at times, it's important for women to recognize the benefits of working outside the home.

With the frenzied pace in our own country, with the degenerating school system, with a crime rate that rises 30% a year, and with politicians that seem more interested in posturing than in governing, it has become more difficult, or should I say challenging, to achieve that inner symbiosis with life.

Isn't art about breaking rules, about challenging existing systems, isn't it about discovering meaning in things or situations before others see anything in them??

Hang on to the inner body, let it be the anchor, then you're present. If they say something challenging and you lose it again, pause, and anchor again. Practice, practice, continuous practice-becaus e when you're in touch with the inner body, spaciousness arises.

Every poet gets to choose what kind of community he or she serves with the poems, and it's true that there is a community for very difficult, challenging poetry. It's a community that's established itself over the last 80 years, that was originally, in effect, really started by T. S. Eliot and Ezra Pound. They believed that poetry ought to contain learning, that it ought to rise upon all the learning that went before.

Motherhood is the most challenging as well as the utmost satisfying vocation in this world.

Over his illustrious career, John Harris has explored the most challenging bioethical questions with insight, engaging wit, and eloquence. In Enhancing Evolution, Harris does it again. He argues that it is not just an option but an obligation for people to use available biomedical technologies to enhance their own--and their children's--physical and mental abilities. Harris rightly deserves his reputation for fearlessly following his ethical arguments wherever they lead.

Begin challenging your own assumptions. Your assumptions are your windows on the world. Scrub them off every once in awhile, or the light won't come in.

I'm also a big believer of being a scrappy entrepreneur. To be successful you don't have to have all this crazy start-up capital or a ton of knowledge. I think it's actually helpful sometimes to not know all the rules because that way it's easier to break them. And that's why it's so much easier for younger people, I think, to start companies that are challenging more traditional business models than older people. Especially if you're trying to do something good.

In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.

With any mannerisms or dialogue, you have to be careful you're not just serving yourself. What happens with improving is a lot of times, if you're not in the framework of the script, you're just making everything easier so it fits you. It's much more interesting and challenging to go to it, rather than it coming to you.

I see young people being dismissed for supposedly wanting only "stupid" and "easy" material, or that they don't have an attention span longer than three minutes. I disagree with all those statements; I just think they aren't true. I'm saying that our generation wants stuff that is substantial and challenging, as well as thoughtful and endearing. Well, I don't know if I'm doing that, but I'm trying.

Palestinian believers have a unique experience with US foreign policy and our close ties with Israel. This alliance has many layers, but given the strong support of the US church, and the frequency of religious language surrounding these policies, Palestinian Christian friends raise important and challenging questions about how we understand the intertwining of theology and politics in the US.

It's getting harder to make decisions to work for the sake of working. Like everybody, I'm trying to find things that are extremely challenging or mean something to me deeply. Sometimes something like The Tourist comes up and it's just fun, but it's not as easy to find projects that I have to do. I have to be home and I have to do other things, but I don't have to work as much.