Quotes About Chicago

I had been in Chicago for 22 years, and my wife and I didn't want to see another Chicago winter. Its a wonderful town but the winters are brutal. My wife and I are both east coast people and we wanted to live someplace a little bit warmer but didn't want to live way down south. So Delaware seemed like a good compromise.

I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.

Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.

I have a place in Chicago and I get there as much as I can... The city is so unbelievably beautiful. It's one of the greatest cities on the planet. My heart beats differently when I'm in Chicago. It slows down and I feel more at ease.

I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.

When I think about a Chicago sound, I think about the Great Migration from the South. Many of Chicago's black artists are from Mississippi, Arkansas, and with them was brought blues and gospel music.

Chicago will give you a chance. The sporting spirit is the spirit of Chicago.

Chicago is not a bad place to live. But the usual story of immigration is the happy fulfillment of human potential in America that is not available anywhere else - it's propaganda, really. It's more complicated than that.

I grew up in the suburbs of Chicago.

I would never have become music director of the Chicago Symphony, which would have been an extremely sad loss.

I tell you, Heaven is a real, literal, physical place, a city as material, as physical, as literal as Chicago or London or New York or Tokyo.

The murder rate in Chicago is skyrocketing and you see who's doing it and perpetrating it, they all look like Chief Keef.

I drug your ghost across the country, and we plotted out my death. Every city and memory we whispered "Here is where you rest." Well I was determined in Chicago but I dug my teeth into my knees And I settled for a telephone, sang into your machine: "You are my sunshine, my only sunshine.

Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs.

I want to be on that team that wins the world championship here in Chicago and sees the city go crazy.

I moved to Chicago in the early 1990s and I studied improvisation there. I learned some rules that I try to apply still today: Listen. Say yes. Live in the moment. Make sure you play with people who have your back. Make big choices early and often. Don't start a scene where two people are talking about jumping out of a plane. Start the scene having already jumped. If you're scared, look into your partner's eyes — you will feel better.

We've directed the creation of a task force for reducing violent crime in America, including the horrendous situation - take a look at Chicago and others - taking place right now in our inner cities.

Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are 'story cities'- New York, of course, New Orleans, and, best of the lot, San Francisco.

I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.

I adore Chicago. It is the pulse of America.

First of all, I'm a Midwesterner, being from Kansas, and Chicago is basically a big Midwestern cow town. It was built from the stockyards, and everyone is very friendly, and it's at the edge of the tallgrass prairie. There's just a good feel to it.

I come from a very small, poor town just outside of the Chicago area and I know what it's like to dream and accomplish some of your goals, but I would never want to do a show where I am preaching to anyone because I do not like being preached at. I want to learn right along with my audience and every show will be a collaborative effort. I am so thankful to Debra Lee and everyone at the BET Network for providing me with this unique opportunity and platform.

In '75, the year both A Chorus Line and Chicago hit Broadway, my head spun around and I became the ultimate theater queen for life.

There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.

Every year, my family and I would go visit my moms family in Texas. We would drive from Chicago to Texas, and once we started to get towards San Antonio, everyone looked like me! It was such a great feeling. Everyone had the same brown skin that I did.

I am back in Los Angeles after a very successful run in Chicago as Billy Flynn.

When I went south in the 1960s, I knew I could die. If I went down there and did what I did up in Chicago and made all of those hatin' white folks laugh, then I would have been defeated.

Quite frankly, we have seen liberal policies in cities like Chicago, like New York and others, have led to increased crime.

T.J. Miller and Kumail Nanjiani I met when I was in Chicago, learning how to do comedy.

Surely the President can agree with us, that theft from government is not good. I know it's bold. It's out on the edge. I know from a Chicago-Springfield background it's hard to fully grasp that honesty could be part of government.

Well, I design costumes because I started with the theater in Chicago, but somehow a few lines just sort of fell to me to do it. And I studied it in school and I always liked it.

I have seen, the desperation and disorder of the powerless: how it twists the lives of children on the streets of Jakarta or Nairobi in much the same way as it does the lives of children on Chicago 's South Side.

What I didn't know at the time [of my scholarship] was that the ceramic class was not really a very good class. This was many years ago and should not reflect on the conditions at the Art Institute of Chicago to this day, but we didn't know anything and we started to learn about how to work with clay.

Mea culpa, mea culpa. MIT and Wharton and University of Chicago created the financial engineering instruments, which, like Samson and Delilah, blinded every CEO. They didn't realize the kind of leverage they were doing and they didn't understand when they were really creating a real profit or a fictitious one.

In a 50 mile radius around Chicago one can see the red aura of pain, agony, terror, anger from all the animals being butchered there.

Could anything be more indicative of a slight but general insanity than the aspect of the crowd on the streets of Chicago?

I like Chicago. It's a great city. It's always fun to revisit it.

I don't think my grandmother would ever be convinced, but my family was convinced that I was convinced, and actually, they came around. My mother ended up going to fundraisers in Chicago that were raising money to send to the students in the South and actually, over years, she went to an elevated train bus station one day at 6:00 a.m. to hand out leaflets protesting the war.

I always wanted to play Roxie Hart in Chicago and also Sally Bowles in Kander and Ebb's Cabaret, but I have a feeling I won't now! I've also always wanted to play Maria in The Sound of Music, but don't suppose I'll ever do that either!

Chicago is many things to many people, and to me, it is a place where you can write.

Chicago seems a big city instead of merely a large place.

I was reading Emily Dickinson and Edwin Arlington Robinson, but these weren't the poets that influenced me. I think Gwendolyn Brooks influenced me because she wrote about Chicago, and she wrote about poor people. And she influenced me in my life by giving me a blurb. I would see her in action, and she listened to every single person. She didn't say, "Oh, I'm tired. I gotta go." She was there, and present, with every single person. She's one of the great teachers.

We're proud of the work we're doing to make Chicago a great city for people of all ages. Nothing's more important than keeping in mind the needs of older adults - and how valuable a role they play in improving the city, based on their amazing collective talent and wisdom.

Chicago happened slowly, like a migraine. First they were driving through countryside, then, imperceptibly, the occasional town became a low suburban sprawl, and the sprawl became the city.

I grew up on the south side of Chicago in a working class community. There were no miracles in my life, there's nothing miraculous about how I grew up, and I want people to know when they look at me, to be clear that they see what an investment in public education can look like.

I give you Chicago. It is not London and Harvard. It is not Paris and buttermilk. It is American in every chitling and sparerib. It is alive from snout to tail.

Since I left Chicago, I'm a lone wolf. I put on the record player and sit and try to play on the guitar. I've got five guitars here and can't play them, but I'm always whompin' around.

I did say, at Chicago, in my speech there, that I do wish to see the spread of slavery arrested and to see it placed where the public mind shall rest in the belief that it is in course of ultimate extinction.