Quotes About Classical

Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

In France cooking is a serious art form and a national sport. I think the French enjoy the complication of the art form and the cooking for cooking's sake. You can talk with a concierge or police officer about food in France as a general rule. It is not the general rule here. Classical cuisine, which I hope we are going back to, means certain ways of doing things and certain ways of not doing things. If you know classical French cooking you can do anything. If you don't know the basics, you turn out slop.

I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.

My Mom is a ballet director, so I had this idea in me that classical training is the best foundation for anything you do, so I wanted to get a classical background and voice.

I would say that the most complex style of singing comes from India. Real, classical Indian music produces probably the best technical and natural singers in the world, just because the patterns and the inflection are so complex in how the style moves and what it requires vocally. I think the best classical singers come from India.

I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.

So writing a song is much harder than doing a classical piece for me, because in a classical piece, I can just let the mood dictate what's going to happen.

And what classical music does best and must always do more, is to show this kind of transformation of moods, to show a very wide psychological voyage. And I think that's something that we as classical musicians have underestimated.

The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.

You know how some people seem to think that their love for classical music makes them spiritual or at least something quite special? And others who think you are a monster if you don't 'love children,' however obnoxious the children may be? Well, I found out that many people who love flowers look down on those who don't.

Classical music, fortunately or not, unfolds in time. It's not like a picture you can stare at for 10 seconds or 10 hours. You need the minimum amount of education and training, and society needs to find a way to study music - not only the performances, but how to compose, how to understand why Mozart was great at what he did.

In this same tradition, beauty is inextricably bound up with the principles of order and harmony believed to underlie the cosmos. Artists in the Classical tradition, inspired by Platonic idealism, strove to create images that represented not the world of particulars-with all its defects-but an ideal image conceived in the mind, which was taken as representing some absolute, pure, ideal form of which all particular, material forms are but a mere shadow.

So from Jazz, Blues, R&B, Soul, Classical and Country music, Hip Hop has introduced us to a little bit of everything.

I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.

I went to Hollywood. I put the action in Hollywood. I watched a lot of movies, maybe 100 or something close to that. I have tons of DVDs now at home. I don't know what to do with them because they're not useful anymore. My kids never watched them. I read a lot of autobiographies, listened to a lot of music by classical era composers like Franz Waxman, Max Steiner, Bernard Herrmann, Alfred Newman and Leonard Bernstein. I listened to only that kind of music the entire time I was writing, even at home.

When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.

The analogy between the mind and a computer fails for many reasons. The brain is constructed by principles that assure diversity and degeneracy. Unlike a computer, it has no replicative memory. It is historical and value driven. It forms categories by internal criteria and by constraints acting at many scales, not by means of a syntactically constructed program. The world with which the brain interacts is not unequivocally made up of classical categories.

I think any classical training in the theatre is of enormous value.

Another classical music teacher from Performing Arts that I've stayed in contact with is Jonathan Strasser.

One of the things that benefited me that anyone can learn is classical technique. That shows the orchestra that exists within the instrument.

There are so many people who are interested in classical music. Fortunately, I think many of them are quite young, so it's wonderful to present new programs to them.

I had a great year with Bob Mintzer [at Laguardia School of Arts]. Bob is great. We could have just brought the clarinet or dealt with classical stuff, or brought the flute or just dealt with comp and arranging... what a great teacher.

You cannot go wrong by learning classical music because it trains the ear.

If you follow the classical pattern, you are understanding the routine, the tradition, the shadow -- you are not understanding yourself.

I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.

It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong

I love classical music. I love a lot of musicians playing together and the whole culture of that, whether it's Indian or it's Western.

I've making videos since I was seventeen I was originally discollecting vintage hmmm... footages from different archives and setting moving pictures to classical music clips that meant a lot to me. Maybe there were places I have been where nice things have happened. I had a vision of making my life a work of art and I was looking for people who also felt that way.

Throughout the early Christian period, every great calamity - famine, earthquake, and plague - led to mass conversions, another indirect influence by which epidemic diseases contributed to the destruction of classical civilization. Christianity owes a formidable debt to bubonic plague and to smallpox, no less than to earthquake and volcanic eruptions.

The classical man's worst fear was inglorious death; the modern man's worst fear is just death

I used to like to set different film clips to classical music, not even my own songs, but make little movies.

I like rock music. I also like classical, if you ask me. I'm very adaptable, they say that. But I have certain preference too, be honest.

I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.

I think music gives so much inspiration. I listen to all kinds of music: pop, hip-hop, everything. I also love classical music.

Several classical sayings that one likes to repeat had quite a different meaning from the ones later times attributed to them.

We need to send Barack Obama back to Chicago. I'd like to send him back to Kenya, back to Indonesia. We have to unmask this man. This is a man that seeks to destroy all concept of God. And I will tell you what, this is classical Marxist philosophy.

Objects obey quantum laws- they spread in possibility following the equation discovered by Erwin Schodinger- but the equation is not codified within the objects. Likewise, appropriate non-linear equations govern the dynamical response of bodies that have gone through the conditioning of quantum memory, although this memory is not recorded in them. Whereas classical memory is recorded in objects like a tape, quantum memory is truly the analog of what the ancients call Akashic memory, memory written in Akasha, Emptiness- nowhere.

I just really gravitate towards a nostalgia for a time when things were simpler. When beauty was more classical and glamorous.

A Haydn symphony had a meaning for the social group that listened to it. A Mahler symphony had a meaning for the man who composed it. Here is the difference between the classical and romantic attitudes to art.

That is why I think, in defiance of Plato, that there is at once error and vulgarity in saying that poetry is a lie, except in the sense that Cocteau wrote one day: I am a lie who always tells the truth. The only poetry which lies purely and simply is academic, pseudo-classical, conceptually repetitive poetry, and it is not poetry.

A well-rounded performer will listen to all kinds of music. I like classical, Middle Eastern, and rock a lot.

Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.

I have never heard enough classical music to be able to enjoy it; & the simple truth is, I detest it. Not mildly, but will all my heart. To me an opera is the very climax & cap-stone of the absurd, the fantastic the unjustifiable. I hate the very name of opera - partly because of the nights of suffering I have endured in its presence, & partly because I want to love it and can't.

I do think there is a completely different notion to glamour today. I think modern glamour is more effortless, easy, and real. Moreover, I think it's about constantly challenging classical ideas by bringing in unexpected and different elements; for example a long, elegant evening skirt paired with a simple t-shirt on the red carpet. I think this approach is the future.

We must consider not only why the classical theory of democracy appears to be in contradiction with the observed practice, but also why the many different responses to this observation, though mutually incompatible, all share the belief that democracy is the best form of political organization.

Did Wagner really accomplish the first step towards the kitschy 'fetishization' of music that reaches its apogee in classical Hollywood?

Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.

That is a very good question. I don't know the answer. But can you tell me the name of a classical Greek shoemaker?