Quotes About Classical

Being a musician, you want to be able to do the hardest stuff there is. People would think it's classical, but in classical, it's all on the page and the difficulty is keeping up with the music.

Too much horsing around with unrealistic stances and classic forms and rituals is just too artificial and mechanical, and doesn't really prepare the student for actual combat. A guy could get clobbered while getting into this classical mess. Classical methods like these, which I consider a form of paralysis, only solidify and constrain what was once fluid. Their practitioners are merely blindly rehearsing routines and stunts that will lead nowhere.

But classical music is not entertainment, and I feel viciously strong about that. Classical music is forever. Entertainment is something that is here today, and may be gone tomorrow.

Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.

Go back to classical times, say classical Greece. Who drank the hemlock? Was it someone who was conforming, obeying the gods? Or was it someone who was disrupting the youth and questioning the faith and belief? Socrates, in other words. It was Socrates.

If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.

Growing up in a family that listened to almost nothing but classical music had its effects, as well. "California Über Alles," the first Dead Kennedys single, was inspired musically more by Japanese Kabuki than anything else.

It's not that people don't like classical music. It's that they don't have the chance to understand and to experience it.

The most important application of quantum computing in the future is likely to be a computer simulation of quantum systems, because that's an application where we know for sure that quantum systems in general cannot be efficiently simulated on a classical computer.

I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.

Apparently, in the Avesta classical period no one would have dreamed of having a spiritual experience without resort to drugs.

Jazz is an endless source of ideas, because you can use anything. You can play operatic arias. You can incorporate them into jazz. You can play gypsy music and incorporate it into jazz. You can European classical and you can incorporate it into jazz. You can use anything and jazz it up, as they used to say.

The first notes I still play when I start a sound check are classical. Those are my roots.

So from Jazz, Blues, R&B, Soul, Classical and Country music, Hip Hop has introduced us to a little bit of everything.

UFO mythology is similar to the message of the classical religions where God sends his Angels as emissaries who offer salvation to those who accept the faith and obey his Prophets. Today, the chariots of the gods are UFOs. What we are witnessing in the past half century is the spawning of a New Age religion.

When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.

And now, if we try to assign a value, in and of itself, outside its relations to the dream and with error, to classical unreason, we must understand it not as reason diseased, or as reason lost or alienated, but quite simply as reason dazzled.

The history of music is nothing more than the history of art-music or classical music, the music that was commissioned by aristocrats.

The classical example of a successful research programme is Newton's gravitational theory: possibly the most successful research programme ever.

I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.

As someone who's been doing a lot of classical theater recently, I loved the idea of getting to run around in Steven Alan, and not be in a corset and a wig, and not have a dialect, and get to be in a 90-minute play with no intermission, and get to do real comedy.

I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.

I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music - I got that from my parents. I love Cole Porter - that I got from my dad.

As a rule, my focus is on classical music, but I love jazz. I love everything, actually.

Classical theology defines sin as 'rebellion against God.' The answer is not incorrect as much as it is shallow and insulting to the human being. Every person deserves to be treated with dignity even if he or she is a 'rebellious sinner'.

Throughout the early Christian period, every great calamity - famine, earthquake, and plague - led to mass conversions, another indirect influence by which epidemic diseases contributed to the destruction of classical civilization. Christianity owes a formidable debt to bubonic plague and to smallpox, no less than to earthquake and volcanic eruptions.

I'm a prostitute. Do you know what, it really is basically I just really like to work! I'm thrilled that there's a variety. It's why I got into this business to begin with, because I really don't have the discipline or intellect to have a 9-to-5 job. But I came from a classical music background and I merged that to theatre, it kind of opened up the door to a lot of different possibilities.

I always wanted to be a journeyman actor. I wanted to be able to do comedy and drama, classical and contemporary. I like to do film and theater. And I pride myself on that diversity of being a journeyman actor.

Classical, Romantic, and Baroque music, that's what I really like.

Taxi drivers used to ask me what kind of music I did, and I'd say, 'Well, it's kind of jazz, soul, classical' - but that makes no sense to anyone.

I definitely try to broaden the scope of music. I don't know if it's pop or classical or what, but I'm religiously challenging myself all the time, for better or for worse.

I've been lucky that I've performed with a lot of the classical people I've wanted to work with so I'd like to do something that people didn't see coming. Like Madonna, or being Welsh - the Tom Jones thing. Or somebody suggested N-Dubz - that would be brilliant!

My family were all into classical music, and I found that very intimidating.

What we're doing now, is to try to eradicate the limited notion of how people are interacting with each other through hyper-racialized ideas. A lot of it deal with, as an example, genre. If I ask you to visualize a trap musician or a hip-hop musician, you'll see one thing. If I say visualize a western classical musician, you'll see a very different thing. A lot of how music is disseminated to us is hyper-racialized. It's not something that we think about all the time, but if you take a minute to look back, it's why you get this argument when there's a white rapper.

I listen to mostly-classical music, but mostly by radio - I'm not an audiophile.

My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.

The pseudoscience of astrology has no place in magick. Astrology has already died twice: once with the classical gods, and a second time after the Enlightenment. The complete failure of contemporary psychology to create anything other than a vocabulary of intellectual rubbish has encouraged astrology to resurface.

Bach, Mozart, Beethoven, Tchaikovsky were not classical musicians while they were alive and active, they were the rock stars of their day.

From the heaviest of the heavy to classical to country, that's what I listen to, I listen to a variety and I enjoy good music, good songs.

It was kind of sort of the heavens opened up and I realized that Bach, at least, you know - out of all the classical music - needs to be a big part of my life.

I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.

I did stand-up for a long time and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve.

I've been extremely lucky to work with Elmer Bernstein, Howard Shore over the years, but I've always imagined films with my own scores, because I don't come from that world or that period of filmmaking. And so how could I make up my own score on a film like this where it isn't necessarily made up of popular music from the radio or the period; it isn't necessarily classical music. But what if it's modern symphonic music?

Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.

I went to college on a classical piano scholarship. My grandmother made me practice one full hour a day. Every day. Man. I thought all she wanted was for me not to have any fun. Next thing you know, you have a career in music. Now, not everybody's going to go on and be Mozart or Michael Jackson. But music makes you smarter.

With classical ballet you are literally injuring yourself.

I love gentle, gorgeous classical music such as Mozart.

By then, I was making the slow transition from classical biochemistry to molecular biology and becoming increasingly preoccupied with how genes act and how proteins are made.