Quotes About Classical

My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.

I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.

I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.

The Beatles are a classical group because they're classic.

It's not that people don't like classical music. It's that they don't have the chance to understand and to experience it.

The most important application of quantum computing in the future is likely to be a computer simulation of quantum systems, because that's an application where we know for sure that quantum systems in general cannot be efficiently simulated on a classical computer.

Classical music is the kind we keep thinking will turn into a tune.

I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.

If classical music is the state of the art, then the arts are in a sad state.

I wasn't listening to that much classical music - not much more than anything else. I was really lucky to have parents who loved all kinds of music.

I learned the cello , but I would still need a massive amount of practice. But I do play classical music, so I understand where that comes from.

In Western classical music the idea of holiness, purity, perfection, and total beauty is expressed through clarity of sound - a bell-like sound. Obviously, that has its own place, and it's a beautiful way of doing it. But I don't think I am the first to point out that in Africa, the more buzzing the sound is, the more it indicates the other world - the spirit world.

When you train as a dancer, you understand you have to work exceptionally hard. I think dancers are the hardest - working people in show business. You have to push your body beyond where you thought it could go. It's athleticism. Perfection doesn't exist, but with classical ballet, there is an ideal, and I got obsessed with that ideal. In some ways, it was problematic because I don't have an ideal ballet body, but the discipline is what I carry with me to this day. That's my park, the discipline of dancing.

I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.

It is becoming increasingly difficult to decide where jazz starts or where it stops, where Tin Pan Alley begins and jazz ends, or even where the borderline lies between between classical music and jazz. I feel there is no boundary line

That's the thing - you do a job like 'Shameless,' and suddenly that's why you can get a job like 'The Virgin Queen', not because of all the classical theatre you've done. But we can be very snippy about television. It's absolutely the most potent and powerful form of storytelling we have.

Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there.

I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music - I got that from my parents. I love Cole Porter - that I got from my dad.

My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.

Many fail to realize this great recording industry was built by so-called jazz artists. And at the other end of the spectrum, a base in European classical music as well.

Classical music gradually lost popularity because it is too complicated: you need twenty-five or thirty skilled musicians just to hum it properly. So people began to develop regular music.

I love classical music and often listen to symphonies or opera in the morning.

I did extensive, extensive recordings and made a classical CD-ROM set, which is still on the market. For ten years, it was by itself as the cream of the crop of samples.

I'm sure there are a few things in my CD collection that might surprise people. I like classical music, the blues, and I'm a big fan of alternative rock.

Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.

I'm a prostitute. Do you know what, it really is basically I just really like to work! I'm thrilled that there's a variety. It's why I got into this business to begin with, because I really don't have the discipline or intellect to have a 9-to-5 job. But I came from a classical music background and I merged that to theatre, it kind of opened up the door to a lot of different possibilities.

One should study the Bible alongside other intellectual traditions - such as British constitutionalism, Enlightenment liberalism, and classical republicanism - in order to truly understand the American founding.

I always listen to all kinds of different music from different years. I listen to the contemporary, but once in a while into eighties, you know just for fun, and sometimes classical too. So I have this big mix on my i-pod... Amy Winehouse, Gwen Stefani, OutKast, Jay-Z. I listen to trance, pop, everything. It really depends on my mood.

What is classical music if not the epitome of sensuality, passion, and understated erotica that popular music, even with all of its energy and life, cannot even begin to touch?

I like rock music. I also like classical, if you ask me. I'm very adaptable, they say that. But I have certain preference too, be honest.

I'd like to do some more classical work if I do some more theatre.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music.

I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.

When I was studying... there weren't any black concert pianists. My choices were intuitive, and I had the technique to do it. People have heard my music and heard the classic in it, so I have become known as a black classical pianist.

Every teacher will tell you that you cannot dance classical technique with perfection, there is no such thing, there is no way. So you have to adapt the technique to your abilities or to your deficiencies. Learn to cheat!

I trained as a classical guitarist but that was it.

That makes classical music work, the ability to improvise.

Objects obey quantum laws- they spread in possibility following the equation discovered by Erwin Schodinger- but the equation is not codified within the objects. Likewise, appropriate non-linear equations govern the dynamical response of bodies that have gone through the conditioning of quantum memory, although this memory is not recorded in them. Whereas classical memory is recorded in objects like a tape, quantum memory is truly the analog of what the ancients call Akashic memory, memory written in Akasha, Emptiness- nowhere.

This freedom of political discussion on the highest level is something which Western civilization has in common with that of classical antiquity, but with no other

A hard-fought, well-fought, hairline-close game is as classical in sports as tragedy is in the theater. Victory is contained within defeat, and defeat is contained within victory. That's the way it is in the best of games. What counts in sports is not the victory, but the magnificence of the struggle.

The notion that Nature does not proceed by jumps is only one of the budget of plausible lies that we call classical education. Nature always proceeds by jumps. She may spend twenty thousand years making up her mind to jump; but when she makes it up at last, the jump is big enough to take us into a new age.

Classical music's ability to translate emotional themes is fantastic.

The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.

I should dread to disfigure the beautiful ideal of the memories of illustrious persons with incongruous features, and to sully the imaginative purity of classical works with gross and trivial recollections.

Once you've fallen from classical virtue, won't have a soul for to wake up and hold you.

But if you listen to great piano players, both classical and jazz, theres a huge range of dynamics and colors and emotional expression thats possible with the instrument.

You don't see the European classical musicians allowing the music of Bach, Brahms, or Beethoven to become extinct. That music has gone on for centuries and centuries. We have the same obligation. Why do we have to become so 'hip' that we can say, 'Bebop is square,' or "New Orleans is square'? This, to me, is a shame.

I'm reaching a certain level [at school] that I had been aspiring to with all these incredibly advanced classical peers around me that I had been trying to be able to hang with them a little bit.