Quotes About Collection

Historyis nothing other than a collection of the lives of people, some of them great, some of them ordinarynothing other than a collection of what people have done in challenging circumstances and how they have risen to those circumstances.

Everything I have is ready to wear, but I have the ability to have different options within the same brand. I have the Theyskens' Theory collection where it's a personal approach to how I build the collection where I fuse more fashion-y ideas and it has my name on it. So it's really something very research- and labor-intensive. And then I have the Theory brand where I infuse all points of view about fashion at large, and it's more global. It's really about making something succeed. You have an instant relationship with stores, and with sales teams, and people that are in the place.

Knowledge resides in the user and not in the collection. It is how the user reacts to a collection of information that matters.

When I approach a collection, I never think too much about myself, because doing fashion and being a designer, you need to dream. Of course, there's always a part of myself. I'm always wearing what I'm doing. I'm not a party girl, but when I have the opportunity to go out and dance and be crazy for a night, that's the fall/winter collection.

I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.

I’m honored that PBteen has seen me as someone who can help a broader audience understand the need to use recycled, repurposed and organic materials. Global conservation is a focal point of the capsule collection and it falls right in line with the change and direction I’m working towards, on a professional and personal basis. In collaborating with PBteen, we are creating a subtle and natural feel with this collection - something that has an authentic appeal for teens and their parents alike.

You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings. Like it's a collection of your diary entries and you pick which one's gonna make the most sense together and you put out a record and you sort of live it.

A collection of a hundred great brains makes one big fathead.

If you put a Van Halen album in your record collection, it will melt all the rest of your records.

Hyesims poems: transformative as walking high granite mountains by moonlight, with fragrant herbs underfoot and a thermos of clear tea in the backpack. Their bedrock is thusness, their images beauty is pellucid and new, their view without limit. The shelf of essential Zen poets for American readers grows larger with this immediately indispensable collection.

After twenty years and thirty stories, thirteen pieces were finally selected and the collection was born. So far, the blurbs from [authors] Maxine Hong Kingston, Gish Jen, Robert Olen Butler, Oscar Hijuelos and others, have been most encouraging.

Never far from a dining table, the characters in Heather A. Slomski's limpid and elegant debut collection are not given to melodramatics. Civility reigns, voices are not raised, much goes unsaid. But just beneath the sophisticated composure are longing, loss, heartbreak. And how intensely familiar is the table itself, which made this reader suddenly understand how much of our real life takes place there. Heather A. Slomski is truly a fresh voice on the scene, and The Lovers Set Down Their Spoons is that rare thing, a new book as innovative in its design as it is compulsively readable.

I woke up one day and I was like, "I don't have anything to save for myself for the future." That's when I started archiving things. I take four or five things that are really key to each collection, and I restore them or, in some cases, remake parts of them, and archive them.

I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.

Our collection of men is very antique, they stand in my list thus: A man of sense, a little rusty, a beau a good deal the worse for wearing, a coxcomb extremely shattered, a pretty gentleman very insipid, a baronet very solemn, a squire very fat, a fop much affected, a barrister learned in Coke upon Littleton, but who knows nothing of `long ways for marry as will', an heir apparent, very awkward; which of these will cast a favourable eye upon me I don't know.

All along — not only since she left, but for a decade before — I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who — because no one thought she was a person — had no one to really talk to.

Im sick and tired of politicians beating up on the IRS. We have the best and fairest tax-collection system in the world.

I start every first draft with voice rather than theme or image or even character as such, so it isn't like I'm ever rubbing my hands, cackling, "The dad is really going to take it on the chin in this one!" Not in terms of any given story, and certainly not in terms of the collection as a whole.

Psychobabble is... a set of repetitive verbal formalities that kills off the very spontaneity, candor, and understanding it pretends to promote. It's an idiom that reduces psychological insight to a collection of standardized observations, that provides a frozen lexicon to deal with an infinite variety of problems.

I'd probably say to my younger self, get yourself a whole collection of lawyers. Which is what I have now. I don't have any friends; I just have lawyers.

A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.

Behind every open heart is a story. Tell yours with my Open Heart collection. There are millions of reasons to give one, but the message is always the same: Keep your heart open and love will always find its way in.

It is a pity that my collection of trophies contains not a single Russian.

When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher.

I think an art collection is a lot like a diary. Your taste evolves with time. I try to never sell anything, because its part of my journey.

The most important publication of WikiLeaks is that it has published more than 10 million documents. The most important single collection of material we have published is the US diplomatic cable series. We started with 251,000 in 2011, but are up to 3 million now and have more coming.

There are no forms in nature. Nature is a vast, chaotic collection of shapes. You as an artist create configurations out of chaos. You make a formal statement where there was none to begin with. All art is a combination of an external event and an internal event… I make a photograph to give you the equivalent of what I felt. Equivalent is still the best word.

Nothing scares me more than people with some doll collection.

I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.

Jews and Gypsies were well-nigh the only Diasporas in 19th century Europe. Now go to London, it is a collection of Diasporas.

I have on my bookshelf a series of books with opposite titles: 'The Alpha Strategy' and the 'Omega Strategy'; 'Asia Rising' and 'Asia Falling'; 'Free to Choose' and 'Free to Lose'; 'How to Win Friends and Influence People' and 'How to Lose Friends and Alienate People.' Visitors love the collection.

Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.

The possession of a quantity of plants, however good the plants may be themselves and however ample their number, does not make a garden; it only makes a collection. Having got the plants, the great thing is to use them with careful selection and definite intention.

That's important to remember: it's not just a collection of great individuals but a group of people who enjoy playing in the sandbox, thoroughly enjoying collaborative problem solving.

I have come to the realization that history is not a fixed thing, a collection of precise dates, facts and events (even cogent commencement quotes) that add up to a quantifiable, certain, confidently known, truth. It is a mysterious and malleable thing.

That, you know, is why the world exists at all. It remains outside the cosmic garbage can of nothingness, not because it is such a solemn necessity that nobody can get rid of it, but because it is the orange peel hung on God's chandelier, the wishbone in His kitchen closet. He likes it; therefore, it stays. The whole marvelous collection of stones, skins, feathers, and string exists because at least one lover has never quite taken His eye off it, because the Dominus vivificans has his delight with the sons of men.

A book collection is a cross between a Rorschach test and This Is Y our Life. It marks your life clearly like rings on a tree.

Kanye is always here in my factory. In the last three years, he has come here maybe every month and worked with the employees 10 to 12 hours a day. [Kanye] loves learning about shoes, both the design and construction, and we’ve tried to design something together. In a couple of months, he could have his own special collection out.

The Bible is not a book for the faint of heart -- it is a book full of all the greed and glory and violence and tenderness and sex and betrayal that befits mankind. It is not the collection of pretty little anecdotes mouthed by pious little church mice -- it does not so much nibble at our shoe leather as it cuts to the heart and splits the marrow from the bone. It does not give us answers fitted to our small-minded questions, but truth that goes beyond what we even know to ask.

The individual is the true reality of life. A cosmos in himself, he does not exist for the State, nor for that abstraction called "society," or the "nation," which is only a collection of individuals.

You know how some people say that they can only read one story a day from this or that collection? If that's simply the result of the great tension and power condensed into each piece, all well and good.

In its jolly mission to expose the dark underbelly of the children’s book world, Wild Things! turns up stories I’ve been hearing noised about for ages, but with a lot more detail and authenticity. The stories may not be quite as sordid as my own imagination had conjured up—although a few of them are—because there’s no denying that this field is full of mostly nice people!—but it’s all fun and a great read for anyone interested in both children’s books and the collection of people who make them.

You're only as good as your record collection.

When I was about 16, I did a Neil LaBute play called 'A Gaggle of Saints' from a collection of plays called 'Bash' - very violent story about a young Mormon who goes to Central Park with his friend and beats up a gay guy. But it was the first thing I had ever done, and I thought, "God, this is fun! This is far more fun than anything else I've been doing at school. I want to stick with it."

If you take something out of the freezer, it's cold, but what happens when it melts? It's a cool party, a cool person, a cool collection. What does that mean? I'm more interested in things that are uncool, things that have a certain individuality, a certain soul, a certain longevity, emotion, fragility.

My collection of historical fashion consists of about 10,000 pieces - dresses and accessories, from 18th century to today. The main focus was initially Russian fashion, but now I have extended it to the whole European continent.

My ideas for the next collection always happen a couple of months before the show. I have learned to shut up and not bother my assistants with it.

Well, my own men's collection always felt very free back in the days before Jil. Once you make it this kind of dialogue with other people, with a fashion show and clients and whatever, it becomes something else. Free meets not so free.